Ladies on Paper
Recent Works by Vaginal Davis
12 Jun - 21 Jul 2019
Vaginal Davis, Julian Eltinge, The Countess Charming, 2018
© Vaginal Davis, Courtesy the artist & Dann Gunn Gallery London
© Vaginal Davis, Courtesy the artist & Dann Gunn Gallery London
"Ladies on Paper. Recent Works by Vaginal Davis" is the first institutional presentation of Vaginal Davis’ paintings in Berlin. Over a period of six weeks, six different recent portraits will be shown successively in single hangings. Taken from a series of works created over the last two years, the paintings depict six different public figures from the worlds of art, film and literature.
On the occasion of the current exhibition "The Black Image Corporation. Theaster Gates," the Gropius Bau invites artists to choose their own individual ways to respond to the photographs on display. Ladies on Paper is Vaginal Davis’ response.
Known today for her drag performances, which began in the 1970s, Vaginal Davis is committed to expanding normative notions of femininity. Drawing on her encyclopaedic knowledge of film, pop and subcultural history, Davis‘ paintings are portraits of figures from past and present, who take on an icon-like status in her work.
Ladies on Paper begins with a portrait of Julian Eltinge, who was not only a female impersonator in the early twentieth century, but also the editor of "Eltinge Magazine", a women’s fashion periodical. Vaginal Davis’ alternative cover girls form counterparts to the photographic images to be seen in the exhibition "The Black Image Corporation. Theaster Gates."
On the occasion of the current exhibition "The Black Image Corporation. Theaster Gates," the Gropius Bau invites artists to choose their own individual ways to respond to the photographs on display. Ladies on Paper is Vaginal Davis’ response.
Known today for her drag performances, which began in the 1970s, Vaginal Davis is committed to expanding normative notions of femininity. Drawing on her encyclopaedic knowledge of film, pop and subcultural history, Davis‘ paintings are portraits of figures from past and present, who take on an icon-like status in her work.
Ladies on Paper begins with a portrait of Julian Eltinge, who was not only a female impersonator in the early twentieth century, but also the editor of "Eltinge Magazine", a women’s fashion periodical. Vaginal Davis’ alternative cover girls form counterparts to the photographic images to be seen in the exhibition "The Black Image Corporation. Theaster Gates."