Leonilson
Drawn 1975–1993
05 Dec 2020 - 24 May 2021
Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Left: Leonilson, Leo não consegue mudar o mundo, 1989; right: O porta fortuna, 1989; Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Left: Leonilson, Adam, ca. 1988; right: Norte, ca. 1988; Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Left: Leonilson, Os pensamentos do coração, 1988; middle: Grande círculo do qual não podemos escapar, 1988; right: Herói humilhado, ca. 1988; Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Leonilson, Por você não ter uma situação estável, 1985; Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
Left: Leonilson, Sem título, 1992; middle: Verde e amarelo, 1992; right: Sem título, 1992; Installation view of Leonilson Drawn 1975–1993 at KW Institute for Contemporary Art, Berlin 2020; Courtesy Projeto Leonilson; Photo: Frank Sperling
KW Institute for Contemporary Art is pleased to present the first major retrospective of Brazilian artist Leonilson (1957–1993) in Europe. Leonilson was one of the major exponents of a generation of Brazilian artists known as Geração 80 (80s Generation). After the end of Brazil’s military dictatorship in the mid-1980s, this group of artists celebrated their newly acquired freedom with a gestural, colorful, and expressive style of painting. While American Pop Art appropriated the symbols of a highly industrialized society in the 1980s, the Geração 80s art was firmly critical of society.
Born in 1957, Leonilson studied art in São Paulo (BR) from 1978 to 1981. Apart from Eva Hesse and Blinky Palermo, both of whom he met during travels in Europe, his first major influence was the Italian transavanguardia movement. Formed in the late 1970s, transavanguardia turned to figuration, ancient mythology, and expressive coloration. Similarly, Leonilson’s paintings and drawings from this period show an eclectic subjectivism and an emblematic visual language. An exhibition of textiles produced by the Shakers, a Christian American sect, marked a key moment in the artist’s early career. The Shaker’s embroidered maps of their estates influenced him greatly and inspired him to embrace fabric as a medium. When Leonilson was diagnosed with AIDS in 1991, his visual language changed significantly: between 1991 and 1993, his work, which resembled a diary, betrayed his deteriorating health and a preoccupation with death. Towards the end of his life, he was only able to work with needle, thread, and cloth. In this period, language and abstraction, as well as religious visual and formal language played an important role in Leonilson’s work.
The retrospective at KW presents a selection of over 250 works that encompass a broad range of mediums and styles, from early paintings to the introspective embroidery of Leonilson’s last years, providing an overview of his entire oeuvre. Afterwards, the exhibition will be shown at Moderna Museet, Stockholm (March – May 2021), Malmö Konsthall (June – August 2021), and Museu de Arte Contemporânea de Serralves, Porto (November 2021 – April 2022). An catalogue accompanies the exhibition.
Curator: Krist Gruijthuijsen
Assistant Curator: Léon Kruijswijk
Born in 1957, Leonilson studied art in São Paulo (BR) from 1978 to 1981. Apart from Eva Hesse and Blinky Palermo, both of whom he met during travels in Europe, his first major influence was the Italian transavanguardia movement. Formed in the late 1970s, transavanguardia turned to figuration, ancient mythology, and expressive coloration. Similarly, Leonilson’s paintings and drawings from this period show an eclectic subjectivism and an emblematic visual language. An exhibition of textiles produced by the Shakers, a Christian American sect, marked a key moment in the artist’s early career. The Shaker’s embroidered maps of their estates influenced him greatly and inspired him to embrace fabric as a medium. When Leonilson was diagnosed with AIDS in 1991, his visual language changed significantly: between 1991 and 1993, his work, which resembled a diary, betrayed his deteriorating health and a preoccupation with death. Towards the end of his life, he was only able to work with needle, thread, and cloth. In this period, language and abstraction, as well as religious visual and formal language played an important role in Leonilson’s work.
The retrospective at KW presents a selection of over 250 works that encompass a broad range of mediums and styles, from early paintings to the introspective embroidery of Leonilson’s last years, providing an overview of his entire oeuvre. Afterwards, the exhibition will be shown at Moderna Museet, Stockholm (March – May 2021), Malmö Konsthall (June – August 2021), and Museu de Arte Contemporânea de Serralves, Porto (November 2021 – April 2022). An catalogue accompanies the exhibition.
Curator: Krist Gruijthuijsen
Assistant Curator: Léon Kruijswijk