Falkenrot Prize 2016 - Gregor Hildebrandt
13 Apr - 08 May 2016
FALKENROT PRIZE 2016 - GREGOR HILDEBRANDT
13 April - 8 May 2016
Initiated in 2005, the Falkenrot Prize has been awarded for the tenth time.
The Falkenrot Prize-winner 2016 is Berlin-based artist Gregor Hildebrandt (*1974).
Gregor Hildebrandt’s installations and objects celebrate the principle of addition in beauty. Although they are not strictly audio works, they are musical in a certain sense. Hildebrandt uses diverse storage media such as records, sound and video tapes, and cassettes and CDs and turns them into uncomplicated, visually stimulating works; simultaneously, they are nostalgic reminders of a range of musical creations. The artist has things arranged, rolled out, wound up, accumulated and combined – then connects a large number of similar looking individual parts into a new whole through his creative artistic process.
Frequently, he has used magnetic tapes containing songs by The Cure, currently he is using material from the bands Grauzone and Einstürzende Neubauten, and earlier on, he even took Gluck’s Orpheus and Eurydice. Each of Hildebrandt’s exhibitions is a staging of intricate plausibility, in which the individual object groups form parts of a sophisticated overall concept.Special thanks for the realization of the exhibition are due to all the lenders as well as to Michael Schultz, Berlin.
With kind support from the Governing Mayor of Berlin, Senate Office – Cultural Affairs.
13 April - 8 May 2016
Initiated in 2005, the Falkenrot Prize has been awarded for the tenth time.
The Falkenrot Prize-winner 2016 is Berlin-based artist Gregor Hildebrandt (*1974).
Gregor Hildebrandt’s installations and objects celebrate the principle of addition in beauty. Although they are not strictly audio works, they are musical in a certain sense. Hildebrandt uses diverse storage media such as records, sound and video tapes, and cassettes and CDs and turns them into uncomplicated, visually stimulating works; simultaneously, they are nostalgic reminders of a range of musical creations. The artist has things arranged, rolled out, wound up, accumulated and combined – then connects a large number of similar looking individual parts into a new whole through his creative artistic process.
Frequently, he has used magnetic tapes containing songs by The Cure, currently he is using material from the bands Grauzone and Einstürzende Neubauten, and earlier on, he even took Gluck’s Orpheus and Eurydice. Each of Hildebrandt’s exhibitions is a staging of intricate plausibility, in which the individual object groups form parts of a sophisticated overall concept.Special thanks for the realization of the exhibition are due to all the lenders as well as to Michael Schultz, Berlin.
With kind support from the Governing Mayor of Berlin, Senate Office – Cultural Affairs.