Collecting, classifyng
20 May 2016 - 07 May 2017
COLLECTING, CLASSIFYING
The Archive, the Document and Beyond
20 May 2016 - 7 May 2017
Curators: Juan Antonio and Álvarez Reyes
Exhibition Session: Archive Sickness
Artists: Ricardo Cardenas / Gonzalo Puch· Bleda Y Rosa ·Terry Berkowitz · Guerrilla Girls · Allen Ruppersberg · Alfredo Jaar · Guillermo Pérez Villalta · Aleksandra Mir
In 1985 a collection of texts, written by Georges Perec between 1976 and 1982, was published under the title of the book’s final essay: Penser/Classer1. Using that text as a jumpingoff point, the exhibition explores one of the traditional functions of any museum, that of collecting. Perec established three categories for arranging books, a classification system which might apply to any collection: very easy to arrange, not too difficult to arrange, and just about impossible to arrange.
This new partial presentation of the permanent collection of the Centro Andaluz de Arte Contemporáneo examines one of the collection’s conceptual cornerstones, archival practices, and what lies beyond them. In dialogue with the conceptual underpinnings of the exhibition session Archive Sickness (inspired by Jacques Derrida’s famous essay “Archive Fever”), this show attempts to translate, to a certain extent, the personal experience narrated by Perec when he writes of his own library that the books which “are not arranged in a definitely provisional way are arranged in a provisionally definite way”. In working with a given collection, in the manner of organising temporary exhibitions of its contents, the provisional also becomes something definitive; the possibility of establishing different stories ends up being an experience similar to that narrated by Perec when he says, “[I] may spend three hours looking for a book without finding it but sometimes having the satisfaction of coming upon six or seven others which serve my purpose just as well”.
This exhibition tries to capture and convey the occasional desperation of not being able to find what we are looking for, but also the joy of finding what we did not expect to be there or never thought could suit our purpose so well. The original idea—assembling works from the CAAC Collection that engage in or verge upon archival practices—has gradually undergone a transmutation, not because we failed to find what we sought but because of the overflow generated by unexpected discoveries in the course of those other tasks which have taken us beyond the archive and, by extension, beyond the document as well.
The Archive, the Document and Beyond
20 May 2016 - 7 May 2017
Curators: Juan Antonio and Álvarez Reyes
Exhibition Session: Archive Sickness
Artists: Ricardo Cardenas / Gonzalo Puch· Bleda Y Rosa ·Terry Berkowitz · Guerrilla Girls · Allen Ruppersberg · Alfredo Jaar · Guillermo Pérez Villalta · Aleksandra Mir
In 1985 a collection of texts, written by Georges Perec between 1976 and 1982, was published under the title of the book’s final essay: Penser/Classer1. Using that text as a jumpingoff point, the exhibition explores one of the traditional functions of any museum, that of collecting. Perec established three categories for arranging books, a classification system which might apply to any collection: very easy to arrange, not too difficult to arrange, and just about impossible to arrange.
This new partial presentation of the permanent collection of the Centro Andaluz de Arte Contemporáneo examines one of the collection’s conceptual cornerstones, archival practices, and what lies beyond them. In dialogue with the conceptual underpinnings of the exhibition session Archive Sickness (inspired by Jacques Derrida’s famous essay “Archive Fever”), this show attempts to translate, to a certain extent, the personal experience narrated by Perec when he writes of his own library that the books which “are not arranged in a definitely provisional way are arranged in a provisionally definite way”. In working with a given collection, in the manner of organising temporary exhibitions of its contents, the provisional also becomes something definitive; the possibility of establishing different stories ends up being an experience similar to that narrated by Perec when he says, “[I] may spend three hours looking for a book without finding it but sometimes having the satisfaction of coming upon six or seven others which serve my purpose just as well”.
This exhibition tries to capture and convey the occasional desperation of not being able to find what we are looking for, but also the joy of finding what we did not expect to be there or never thought could suit our purpose so well. The original idea—assembling works from the CAAC Collection that engage in or verge upon archival practices—has gradually undergone a transmutation, not because we failed to find what we sought but because of the overflow generated by unexpected discoveries in the course of those other tasks which have taken us beyond the archive and, by extension, beyond the document as well.