Markus Schinwald
28 Jun - 27 Jul 2012
© Markus Schinwald
Untitled (legs #35), 2012
wooden sculpture with pedestal
sculpture: ca. 31,5 x 100 x 60 cm
pedestal: 2,3 x 130 x 140 cm
Untitled (legs #35), 2012
wooden sculpture with pedestal
sculpture: ca. 31,5 x 100 x 60 cm
pedestal: 2,3 x 130 x 140 cm
MARKUS SCHINWALD
Old Wants - Young Desires
28 June - 27 July 2012
Giò Marconi gallery is very pleased to announce its third solo show with Austrian artist Markus Schinwald.
Markus Schinwald’s field of activity is manifold, he oscillates between the poles of fashion and art, performance and film and he investigates a charged complex that incorporates the human body, clothes of varying degrees of conventionality, linguistic code and social space.
His works rearrange the relationship between objects and bodies, bodies and space therewith developing scenarios that take the spectator in an independent and self-ruling world, sometimes disturbing, obsessive and surrealistic.
In his antique oil paintings, for example, Schinwald manipulates the canvas by outfitting it with unidentifiable apparati that translate internal experience into external conditions. Schinwald investigates the role of the body in relationship to its environment by seamlessly adding these intriguing—and more often than not disconcerting—elements. The prostheses, masks, and bandages added to the figures incite contextual curiosity, prompting the viewer to wonder if the objects are medical or sexual, always leaving him rather baffled and with a haunting sense of mystery.
In 2011, Markus Schinwald represented Austria at the 54th Biennale di Venezia with an installation that architecturally played with the existing space. Inside the Austrian pavillon Schinwald had constructed a mazy wall structure of suspended walls that opened our view onto other people’s legs therewith incorporating the visitors into the installation and making them protagonists. Inside this labyrinthine space he showed a variety of his trademark antique oil paintings, a new group of wall sculptures and the double projection “Orient”.
For the show at the gallery Schinwald will divide the space into two opposite parts, both of which will deal with the sense of longing and desire.
The first part will have a sexual vaguely pornographic connotation; erotic leg sculptures will be on display which are slightly reminiscent of gogo dancers’ legs. There will also be very minimal black and white prints and some of Schinwald’s traditional oil paintings.
The other part of the exhibition will have a more infantile feel to it: there will be a doll-sized horse carriage on display together with 14 small prints depicting carriages. Furthermore, the artist will elaborate on the theme of aquarii.
Markus Schinwald was born in 1973 in Salzburg, Austria and currently lives and works in Vienna and New York. He has been featured in solo and group exhibitions internationally at institutions including: La Conservera Centro de Arte Contemporàneo, Murcia; ICA, Boston; Lentos Kunstmuseum, Linz; Kunstverein, Hannover; Kunsthaus Bregenz; Migros Museum, Zurich; Aspen Art Museum; Kunsthaus, Zurich; Kunsthalle, Vienna; Tate Modern, London; MAMbo, Bologna; Moderna Museet, Stockholm; Frankfurter Kunstverein; Haus der Kunst, Munich; Center for Contemporary Art, Thessaloniki.
Old Wants - Young Desires
28 June - 27 July 2012
Giò Marconi gallery is very pleased to announce its third solo show with Austrian artist Markus Schinwald.
Markus Schinwald’s field of activity is manifold, he oscillates between the poles of fashion and art, performance and film and he investigates a charged complex that incorporates the human body, clothes of varying degrees of conventionality, linguistic code and social space.
His works rearrange the relationship between objects and bodies, bodies and space therewith developing scenarios that take the spectator in an independent and self-ruling world, sometimes disturbing, obsessive and surrealistic.
In his antique oil paintings, for example, Schinwald manipulates the canvas by outfitting it with unidentifiable apparati that translate internal experience into external conditions. Schinwald investigates the role of the body in relationship to its environment by seamlessly adding these intriguing—and more often than not disconcerting—elements. The prostheses, masks, and bandages added to the figures incite contextual curiosity, prompting the viewer to wonder if the objects are medical or sexual, always leaving him rather baffled and with a haunting sense of mystery.
In 2011, Markus Schinwald represented Austria at the 54th Biennale di Venezia with an installation that architecturally played with the existing space. Inside the Austrian pavillon Schinwald had constructed a mazy wall structure of suspended walls that opened our view onto other people’s legs therewith incorporating the visitors into the installation and making them protagonists. Inside this labyrinthine space he showed a variety of his trademark antique oil paintings, a new group of wall sculptures and the double projection “Orient”.
For the show at the gallery Schinwald will divide the space into two opposite parts, both of which will deal with the sense of longing and desire.
The first part will have a sexual vaguely pornographic connotation; erotic leg sculptures will be on display which are slightly reminiscent of gogo dancers’ legs. There will also be very minimal black and white prints and some of Schinwald’s traditional oil paintings.
The other part of the exhibition will have a more infantile feel to it: there will be a doll-sized horse carriage on display together with 14 small prints depicting carriages. Furthermore, the artist will elaborate on the theme of aquarii.
Markus Schinwald was born in 1973 in Salzburg, Austria and currently lives and works in Vienna and New York. He has been featured in solo and group exhibitions internationally at institutions including: La Conservera Centro de Arte Contemporàneo, Murcia; ICA, Boston; Lentos Kunstmuseum, Linz; Kunstverein, Hannover; Kunsthaus Bregenz; Migros Museum, Zurich; Aspen Art Museum; Kunsthaus, Zurich; Kunsthalle, Vienna; Tate Modern, London; MAMbo, Bologna; Moderna Museet, Stockholm; Frankfurter Kunstverein; Haus der Kunst, Munich; Center for Contemporary Art, Thessaloniki.