Hamburger Bahnhof

Marianna Simnett

WINNER

17 May - 03 Nov 2024

Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Installation view, Marianna Simnett, WINNER, 2024, Hamburger Bahnhof – Nationalgalerie der Gegenwart. © Staatliche Museen zu Berlin, Nationalgalerie / Jacopo La Forgia. Courtesy Marianna Simnett and Société, Berlin
Marianna Simnett’s WINNER is a multichannel film installation, conceived as a three-act dance for film told through the lens of football. It is commissioned on the occasion of the 2024 European Football Championship, hosted by Germany.

WINNER echoes the dramaturgy of the game and dissects its socially constructed power hierarchies, crowd psychology, and constant pressure to perform. Through the element of dance, the work restages and radically transforms football’s most impassioned moments: elation and triumph, brutality and ferocity, suffering and defeat.

Set on a football pitch, the film is adapted from the 1954 short story The Destructors by Graham Greene. An extraordinary group of dancers morphs between hooligans and footballers. The plot pivots around the group’s destruction of a magical-realist house of cards, owned by a former referee whose decisions are paramount to the winning and losing of a game. Presiding over the action and chanting from the stands are a chorus of baby Ultra fans, voiced by the American singer and performer Lydia Lunch.

Simnett’s vivid hallucinatory world extends beyond the screen into the exhibition space, subverting the architecture of football and transporting it into the museum. Upon entering a long tunnel, alluding to the womb-like passage that footballers run through before beginning the game, viewers will be met with a choreography of images which travel around the room, interrupted by melancholic songs about winning.

The exhibition is curated by Sam Bardaouil and Till Fellrath, Directors of Hamburger Bahnhof – Nationalgalerie der Gegenwart, and Charlotte Knaup, curator at Hamburger Bahnhof – Nationalgalerie der Gegenwart.
 

Tags: Sam Bardaouil, Constant, Till Fellrath, Lydia Lunch, Marianna Simnett