DURING HIS STAY IN THE WALL HO...
During his stay in the Wall House, Marchán became fascinated with the tension Hejduk summons up between the two and three dimensionality, a tension referred to by Marchán as the fourth dimension. Fascinating though the spatiality in the Wall House is, Marchán maintains that the building in essence is a two dimensional image, a still life. This tension, the fourth dimension, is what Marchán regards as the principal concept for his work in Elsewhere/Elders, together with the strong sense of symbolism Hejduk invokes in his work.Wall House Foundation