Aidas Bareikis
10 Jan - 08 Feb 2008
AIDAS BAREIKIS
“The pool of energies which constitute Myths, which man no longer embodies, is embodied by the theatre. By this double, I mean the great magical agent of which theatre, through its forms, is only the figuration on its way to becoming the transfiguration. It is on the stage that the union of thought, gesture and action is reconstructed. And the double of the Theatre is reality untouched by the men of today.” – Antonin Artauad
Leo Koenig Inc. is pleased to open the New Year with a solo exhibition of new work by Aidas Bareikis. In this exhibition, Bareikis presents a “theatrical spectacle devoid of entertainment.” Conceived in two parts, his installation is an operatic progression. The first “Act” will be entitled “Fancy Meetings.” This installation is vaguely inspired by a short story by Victor Pelevin where a ghost participates in a saturnalian ritual and meets a little girl, all the while unaware that he has passed to the spirit world. In “Fancy Meetings,” Bareikis articulates the confrontation between self-awareness and alienation. The opulent creations not only do not recognize themselves, but they turn a blind eye to their own destruction.
At the end of February, Bareikis will present the second act entitled “Easy Times.” For this installation Bareikis focuses his ebulliently nightmarish vision on the excruciating costs of sustaining the world’s leisure class. Here he posits a recognition of the burden that superficial grandiosisty engenders; yet all are complicit in being somehow unmoved by that recognition.
Humanity’s struggle with its history as it leaps into the future is a pervasive aspect of Bareikis’s work. Contemporary anachronisms are collected and transformed into a tableaux of orchestrated chaos. Bareikis surveys the detritus resulting from consumer culture, environmental decay and decomposition alongside the philosophical and emotional limbo modern society can produce. The artist has confined his creations to a perceptual purgatory, between a world of excess and exploitation and one of conscience and intent. As well, Bareikis re-asserts that it is the artist role, not only to produce work that excites the eye, but also to expose the monsters created by the human condition.
Aidas Bareikis has exhibited extensively throughout the U.S. and Europe. Most recently his work has been seen in “Destroy Athens,” the Athens Biennial of Contemporary Art, “Fancy Meetings,” Locust Projects, Miami Fl., “When Humour Becomes Painful” at the Migros Museum, Zurich, Switzerland. He lives and works in NYC.
“The pool of energies which constitute Myths, which man no longer embodies, is embodied by the theatre. By this double, I mean the great magical agent of which theatre, through its forms, is only the figuration on its way to becoming the transfiguration. It is on the stage that the union of thought, gesture and action is reconstructed. And the double of the Theatre is reality untouched by the men of today.” – Antonin Artauad
Leo Koenig Inc. is pleased to open the New Year with a solo exhibition of new work by Aidas Bareikis. In this exhibition, Bareikis presents a “theatrical spectacle devoid of entertainment.” Conceived in two parts, his installation is an operatic progression. The first “Act” will be entitled “Fancy Meetings.” This installation is vaguely inspired by a short story by Victor Pelevin where a ghost participates in a saturnalian ritual and meets a little girl, all the while unaware that he has passed to the spirit world. In “Fancy Meetings,” Bareikis articulates the confrontation between self-awareness and alienation. The opulent creations not only do not recognize themselves, but they turn a blind eye to their own destruction.
At the end of February, Bareikis will present the second act entitled “Easy Times.” For this installation Bareikis focuses his ebulliently nightmarish vision on the excruciating costs of sustaining the world’s leisure class. Here he posits a recognition of the burden that superficial grandiosisty engenders; yet all are complicit in being somehow unmoved by that recognition.
Humanity’s struggle with its history as it leaps into the future is a pervasive aspect of Bareikis’s work. Contemporary anachronisms are collected and transformed into a tableaux of orchestrated chaos. Bareikis surveys the detritus resulting from consumer culture, environmental decay and decomposition alongside the philosophical and emotional limbo modern society can produce. The artist has confined his creations to a perceptual purgatory, between a world of excess and exploitation and one of conscience and intent. As well, Bareikis re-asserts that it is the artist role, not only to produce work that excites the eye, but also to expose the monsters created by the human condition.
Aidas Bareikis has exhibited extensively throughout the U.S. and Europe. Most recently his work has been seen in “Destroy Athens,” the Athens Biennial of Contemporary Art, “Fancy Meetings,” Locust Projects, Miami Fl., “When Humour Becomes Painful” at the Migros Museum, Zurich, Switzerland. He lives and works in NYC.