Post-Capital
Art and the Economics of the Digital Age
17 Sep 2022 - 15 Jan 2023
GCC
Royal Mirage, 2014
Installation view at the Kraupa-Tuskany Zeidler FIAC booth, 2014.
© GCC/Courtesy of GCC and Kraupa-Tuskany Zeidler, Berlin.
Royal Mirage, 2014
Installation view at the Kraupa-Tuskany Zeidler FIAC booth, 2014.
© GCC/Courtesy of GCC and Kraupa-Tuskany Zeidler, Berlin.
Nora Turato
eeeexactlyyy my point., 2021
Installationsview, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
eeeexactlyyy my point., 2021
Installationsview, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
Guan Xiao
Kikachick is stepping towards the snow covered stage, while a faint tinge of pink reflected from the lights under the deep blue dusk is shimmering on its icy surface, 2021
Installationview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
Kikachick is stepping towards the snow covered stage, while a faint tinge of pink reflected from the lights under the deep blue dusk is shimmering on its icy surface, 2021
Installationview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
Oliver Laric
Reclining Pan and Hermanubis, 2021
Installationsview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxemborg
Photo by David Stjernholm.
Reclining Pan and Hermanubis, 2021
Installationsview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxemborg
Photo by David Stjernholm.
Katja Novitskova
Pattern of Activation, 2014
Installationsview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
Pattern of Activation, 2014
Installationsview, Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxembourg
Photo by David Stjernholm.
Oliver Laric
Hunter and Dog, 2020
Polyurethane, pigments, steel
Photo by Dirk Pauwels/Courtesy of Oliver Laric and Tanya Leighton, Berlin and Los Angeles.
Hunter and Dog, 2020
Polyurethane, pigments, steel
Photo by Dirk Pauwels/Courtesy of Oliver Laric and Tanya Leighton, Berlin and Los Angeles.
Nick Relph
So This Is Marriage, 2015
Cibachrome mounted on aluminum, 127 x 121.9 cm / 50 x 48 in, unframed HS17-NR7686F
Courtesy of the artist and Herald St, London.
So This Is Marriage, 2015
Cibachrome mounted on aluminum, 127 x 121.9 cm / 50 x 48 in, unframed HS17-NR7686F
Courtesy of the artist and Herald St, London.
Ei Arakawa
YouTube Our Unemployment, 2021
Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxemborg.
Photo by David Stjernholm.
YouTube Our Unemployment, 2021
Post-Capital, Kunsthal Charlottenborg in collaboration with Mudam Luxemborg.
Photo by David Stjernholm.
Liz Magic Laser
In Real Life, 2019
Film still, 5-channel video, colour, sound, UV printed fabric and polyurethane foam seating elements
© Liz Magic Laser 2019/Courtesy of the artist, Various Small Fires, Los Angeles/Seoul and Wilfried Lentz, Rotterdam.
In Real Life, 2019
Film still, 5-channel video, colour, sound, UV printed fabric and polyurethane foam seating elements
© Liz Magic Laser 2019/Courtesy of the artist, Various Small Fires, Los Angeles/Seoul and Wilfried Lentz, Rotterdam.
Post-Capital brings together works of sculpture, painting, photography, video and performance that address the nature of production, consumption and wealth. The exhibition takes as its starting point the inherent paradox within a capitalist system that is both dependent upon and threatened by technological progress.
Today, forms of labour, currency, commodities and the nature of consumption have been dramatically transformed by technologies that continue to evolve. Information that is both abundant and infinitely replicable has become a valuable commodity that defies traditional economic principles, whereby value is determined by scarcity. Post-capital presents works by twenty-one artists that variously explore the aesthetics, paradoxes, absurdities and ethical questions posed by post-industrial and perhaps post-capital economies.
Participating artists: Ei Arakawa, Mohamed Bourouissa, Cao Fei, Simon Denny, Lara Favaretto, GCC, Guan Xiao, Shadi Habib Allah, Roger Hiorns, Oliver Laric, Liz Magic Laser, Katja Novitskova, Laura Owens, Yuri Pattison, Sondra Perry, Josephine Pryde, Nick Relph, Cameron Rowland, Hito Steyerl, Martine Syms, Nora Turato
Post-Capital: Art and the Economics of the Digital Age is curated by Michelle Cotton and produced by Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean in close collaboration with Kunsthal Charlottenborg.
A fully illustrated catalogue including a curator’s essay and texts on the artists and their works is available from Kunsthal Charlottenborg’s bookstore. Post-Capital: A Reader also features recent writings by leading international thinkers in economics, art, and culture, including excerpts of books by James Bridle, Heike Geissler, Richard Seymour, Hito Steyerl, McKenzie Wark, and Shoshana Zuboff.
The exhibition is supported by Augustinus Fonden, Beckett-Fonden, Knud Højgaards Fond, Det Obelske Familiefond, Statens Kunstfond, William Demant Fonden, Aage og Johanne Louis-Hansens Fond.
Today, forms of labour, currency, commodities and the nature of consumption have been dramatically transformed by technologies that continue to evolve. Information that is both abundant and infinitely replicable has become a valuable commodity that defies traditional economic principles, whereby value is determined by scarcity. Post-capital presents works by twenty-one artists that variously explore the aesthetics, paradoxes, absurdities and ethical questions posed by post-industrial and perhaps post-capital economies.
Participating artists: Ei Arakawa, Mohamed Bourouissa, Cao Fei, Simon Denny, Lara Favaretto, GCC, Guan Xiao, Shadi Habib Allah, Roger Hiorns, Oliver Laric, Liz Magic Laser, Katja Novitskova, Laura Owens, Yuri Pattison, Sondra Perry, Josephine Pryde, Nick Relph, Cameron Rowland, Hito Steyerl, Martine Syms, Nora Turato
Post-Capital: Art and the Economics of the Digital Age is curated by Michelle Cotton and produced by Mudam Luxembourg – Musée d’Art Moderne Grand-Duc Jean in close collaboration with Kunsthal Charlottenborg.
A fully illustrated catalogue including a curator’s essay and texts on the artists and their works is available from Kunsthal Charlottenborg’s bookstore. Post-Capital: A Reader also features recent writings by leading international thinkers in economics, art, and culture, including excerpts of books by James Bridle, Heike Geissler, Richard Seymour, Hito Steyerl, McKenzie Wark, and Shoshana Zuboff.
The exhibition is supported by Augustinus Fonden, Beckett-Fonden, Knud Højgaards Fond, Det Obelske Familiefond, Statens Kunstfond, William Demant Fonden, Aage og Johanne Louis-Hansens Fond.