1977 BA UCLA, Los Angeles
2007
„Raymond Pettibon“, Kestnergesellschaft, Hannover
2006
„Raymond Pettibon“ Kunsthalle Wien
„Raymond Pettibon“, Centro de Arte Contemporáneo de Málaga, Málaga
„75 Years of Collecting: British Masters, Group of Seven and Pop Icons,”
Vancouver Art Gallery, Canada
Centro de Arte Contemporáneo de Málaga, Málaga
„Raymond Pettibon,” Regen Projects, Los Angeles
2005
Contemporary Fine Arts, Berlin
2004
David Zwirner, New York
„Raymond Pettibon. Winged Heart und andere Drucke“, Graphische Sammlung der ETH Zürich, Zürich
„Raymond Pettibon. Selected works from 1982 to 2003 & Speaks Volumes, 1995“, Blondeau Fine Art Services, Genf
2003
Regen Projects, Los Angeles
Sadie Coles HQ, London
Galerie Mayer Kainer, Wien
„Raymond Pettibon. Drawings 1979 – 2003“, Museion, Bozen (weitere Station: Galleria d’Arte Moderna, Bologna)
„The American Short Stories: Saul Steinberg/Raymond Pettibon“, Museum of Contemporary Art, North Miami
„Raymond Pettibon“, David Zwirner Gallery, New York
„Raymond Pettibon – Early work“, Zwirner & Wirth, New York
2002
„Raymond Pettibon“, Contemporary Fine Arts, Berlin
„Raymond Pettibon, plots laid thick“, MACBA, Barcelona, Spain, (weitere Stationen: Tokyo Opera City Art Gallery, Tokyo, Japan; Musée Departmental d’Art Contemporain, Rochechouart, France; Haags Gemeentemuseum, Den Haag, The Netherlands)
„Raymond Pettibon. Série de dessins, 1985“, Collège Youri Gagarine, Montigny-en-Gohelle, France
2001
„IN FUMO“, Galleria of Modern and Contemporary Art, Bergamo, Italy,
„Raymond Pettibon: The Wolfgang Hahn Prize Exhibition“, Gesellschaft für Modern Kunst am Museum Ludwig Koln, Koln
„The Magic Hour. The Convergence of Art and Las Vegas“, Neue Galerie, Graz
„Project room: Raymond Pettibon – ‘Plots on Loan I’“, Galerie Rodolphe Janssen, Brüssel
„Mirror’s Edge“, Tramway, Glasgow
„Raymond Pettibon“, The Whitechapel, London
„Raymond Pettibon:Wall Drawing“, MAK Center, Vienna
2000
Regen Projects, Los Angeles
Hauser & Wirth, Zurich
David Zwirner Gallery, New York
Sadie Coles HQ, London
„Raymond Pettibon: The Books“, organized by Roberto Ohrt, Frankfurt, Germany; (weitere Stationen: Contemporary Fine Arts, Berlin; und 2001: MAK, Vienna; David Zwirner Gallery, New York; Santa Monica Museum: of Art, California)
1999
„Raymond Pettibon“, curated by Susanne Ghez and Ann Temkin, The Drawing Center, New York (weitere Stationen: Philadelphia Museum of Art, Philadelphia; Museum of Contemporary Art, Los Angeles
1998
Galerie Meyer Kainer, Vienna
„Raymond Pettibon“, curated by Susanne Ghez and Ann Temkin, The Renaissance Society, Chicago, IL catalogue and artist book
Regen Projects, Los Angeles
Contemporary Fine Arts, Berlin
Galleria d’Arte Ristori, Albenga (I)
Raymond Pettibon. Recent Work“, 11 Duke Street Limited, London
1997
David Zwirner, New York
„Wandzeichnungen“ (mit Michael Craig-Martin), Kunstverein für die Rheinlande und Westfalen, Düsseldorf
„Raymond Pettibon“ (mit Wes Mills), Haus Schneider, Karlsruhe
Galeria 1991, Lisbon
1996
Taka Ishii Gallery, Tokyo, Japan
Tramway, Glasgow, Scotland
1995
Regen Projects, Los Angeles
Kunsthalle Bern, Bern, Switzerland, cur. Ulrich Loock, catalogue
14/16 Verneuil, Paris, France
Contemporary Fine Arts, Berlin, Germany
Galeria Massimo De Carlo, Milan, Italy
David Zwirner Gallery, NY
Ynglingagatan, Stockholm
1994
Galeria Ramis Barquet, Garza, Mexico (weitere Station: Arena Arte Contemporaneo, Guadalajara, Mexico)
Galerie Metropol, Vienna, Austria
Galerie Beaumont, Luxembourg
1993
Jack Hanley Gallery, San Francisco, CA
Regen Projects, Los Angeles, CA
Feature Gallery, New York, NY
University Galleries, Illinois State University, Normal, IL
„On the Scent“, Galerie Metropol, Vienna, Austria
Galerie Marc Jancou, Zurich, Switzerland
1992
Matrix Gallery, University Art Museum, UC Berkeley, Berkeley, CA (brochure)
Esther Schipper Galerie, Cologne, Germany
Air de Paris, Nice
1991
Feature Gallery, New York, NY
Richard/Bennet Gallery, Los Angeles, CA
N.A.M.E. Gallery, Chicago, IL
Massimo de Carlo Arte Contemporanea, Milan, Italy
Galerie Rudiger Schottle, Munich, Germany
„Reader Dearest“, Robert Berman Gallery, Los Angeles, CA
1990
„Readings“, Feature Gallery, New York, NY
„A Long Parenthesis“, Richard/Bennett Gallery, Los Angeles, CA
1989
Feature Gallery, New York, NY
1986 Semaphore Gallery, New York, NY
2006
“Anos 80: Uma Topologia / The 80s: A Topology”, Museu Serralves, Porto, Portugal
„Red Eye – L.A. Artists from the Rubell Family Collection“, Rubell Family Collection, Miami
„Into Me / Out of Me”, Kunst-Werke Berlin - Institute for Contemporary Art, Berlin
„Blind Date Passau“, Museum Moderner Kunst Stiftung Wörlen, Passau
„Prophets of Deceit“, CCA Wattis, San Francisco
„Kunst aus Los Angeles I“, Kunstverein Braunschweig
„Los Angeles 1955-1985,” Centres Pompidou, Paris
„Thank You For The Music”, Sprüth Magers Lee, London
„75 Years of Collecting: British Masters, Group of Seven and Pop Icons,”
Vancouver Art Gallery, Vancouver
2005
„Beautiful Losers“, Orange County Museum of Art, Costa Mesa CA (weitere Station: Pennsylvania Academy of the Arts, Pennsylvania)
"Les Grandes Spectacles", Musuem der Moderne, Salzburg
SITE Santa Fe, 5th International Biennial, Santa Fe, New Mexico
„Funny Cuts. Cartoons und Comics in der zeitgenössischen Kunst“, Staatsgalerie Stuttgart, Stuttgart
2004
„The Whitney Biennal“, The Whitney Museum of American Art, New York
„Joyce in Art“, Royal Hibernion Academy, Dublin, Irland
„100 Artists See God“, Naples Museum of Art, Naples FL (weitere Stationen: The Jewish Museum San Francisco, San Francisco; Laguna Art Museum, Laguna Beach CA; Memorial Art Gallery, University of Rochester, Rochester NY; weitere Stationen bis Frühjahr 2005 Informationen unter http://www.ici-exhibitionis.org/Venues/venues.htm)
„La Fabrique du Sensible“, Musée departemental d’Art Contemporain de Rochouart, Rochouart, France
„Marilyn: From Anastasi to Weegee“, Sean Kelly Gallery, New York, NY
„Subway Series: The New York Yankees and the American Dream“, curated by Carlo McCormick and Thomas Solomon, Bronx Museum of the Arts, Bronx, NY
„Power Corruption and Lies“, Roth Horowitz, New York, NY
„Off the Record: Sound Arc“, Musee d’Art moderne de la Ville de Paris, France
„In Situ: Installations and Large-Scale Works in the Permanent collection“, Museum of Contemporary Art, North Miami, FL
„Eye of the Needle“, Roberts & Tilton, Los Angeles, CA
„Paper“, Patricia Faure Gallery, Santa Monica, CA
„O.K., America!“, apexart, New York, NY
„Friedrich Christian Flick Collection im Hamburger Bahnhof“, Hamburger Bahnhof-Museum für Gegenwart, Berlin, Germany
„Disparities & Deformations: Our Grotesque“, curated by Robert Storr, SITE Sante Fe International Biennial, Santa Fe, NM
„ (In Search of) The Perfect Lover“, Hauser & Wirth London, London, England
„Global World/Private Universe“, Kunstmuseum St. Gallen, St. Gallen, Switzerland
„Beautiful Losers: Contemporary Art and Street Culture“, Contemporary Art Center, Cincinnati, Ohio (weitere Stationen: Yerba Buena Center for the Arts, San Francisco, CA; Orange CountyMuseum of Art, Costa Mesa, CA; Pennsylvania Academy of the Fine Arts, Philadelphia, PA)
„Drunk vs. Stoned“, Gavin Brown’s Enterprise, New York, NY
„Not Afraid: Rubell Family Collection“, Miami, FL
„Ulysses“, Atelier Augarten, Vienna, Austria
2003
„(In Search of) The Perfect Lover“, Kunsthalle Baden-Baden, Baden-Baden (weitere Station: Museum Dhondt Dhaenens, Deurle; weitere Station 2004: Hauser & Wirth, London)
„Inaugural Exhibition“, Regen Projects, Los Angeles
„For the record: Drawing contemporary Life“, Vancouver Art Gallery, Vancouver, Canada
„Colleccion MACBA“, Museu d`Art Contemporanei de Barcelona, Barcelona
„Visual Poetics: Art and the Word“, Miami Art Museum, Miami
„Visions of Masochism in Art“, Neue Galerie Graz und Stadtmuseum Graz, Graz
Galleria Massime De Carlo, Mailand, Italy
„A perilous Space“, Magnani, London, GB
„Sex“, Karyn Lovegrove Gallery, Los Angeles
„The Great Drawing Show: 1550 – 2003 A.D.“, Michael Kohn Gallery, Los Angeles
„Outlook International Art Exhibition“, Athens, Greece
„Blinde wehrt Euch“, K21, Düsseldorf, Germany
„Seethe“, Catriona Jeffries Gallery, Vancouver, Canada
„Falkenberg Collection“, Phoenix Kulturstiftung, Hamburg
„American Short Stories: R. Juarez/Saul Steinberg/Raymond Pettibon“, Museum of Contemporary Art, North Miami FL
„Philip Guston/Bruce Nauman/Raymond Pettibon“, Brooke Alexander, New York
„Cruel and Unusual: an Exhibition to Benefit the West Memphis Three“, Sixspace, Los Angeles
„Lee 3 Tau Ceti Central Armory Show“, Villa Arson, Nice
„High Desert Test Sites“, Pioneer Town, Yucca Valley, Joshua tree and 29 Palms
„State of the Art“, The Surf Gallery, Laguna Beach CA
„Urban Incident“, Beaumontpublic + Königbloc, Luxembourg
„Los Angeles Contemporary Exhibitions 4-Ever 23rd Annual Benefit Art Auction“, LACE, Los Angeles
„Kopfreisen. Jules Verne, Karl May und andere Grenzgänger in der Kunst“, Landesmuseum Joanneum, Trautenfels (A)
„25th International Biennial of Graphic Arts“, Ljubljana (SLO)
„Dessinez avec Desirée“, Galerie Meyer Kainer, Wien
2002
„Ten years Galerie Hauser & Wirth“, Galerie Hauser & Wirth, Zurich
„Les années 70: L’art en cause“, CapcMusée d’art contemporain Entrepot, Bordeaux
„Colourblind: Works in Black and White“, Ikon Ltd. / Kay Richards Contemporary Art, Santa Monica, CA
„Permanent Collection Galleries, Post-1945 Art“, Dallas Museum of Art, Dallas, Texas
„Time Machine“, Kunstmuseum Bern, Switzerland
„Startkapital“, K21 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
„Prophets of Boom - Works from the Schurmann Collection“, Staatliche Kunsthalle Baden-Baden, Germany
„The House of Fiction“, Sammlung Hauser und Wirth in der Lokremise St. Gallen, Switzerland
„Tele(visions)“, Kunsthalle Vienna, Austria
„Heaven Knows I’m Misrable Now“, Low, Los Angeles, CA
„Documenta XI“, Kassel
„Plus Ultra“, Kunstraum Innsbruck, Austria
„Kopfreisen. Jules Verne, Adolf Wölfli und andere Grenzgänger“, Kunstmuseum Bern, Bern (weitere Stationen: Kulturzentrum Seedamm, Pfäffikon, Switzerland; weitere Station 2003: Landesmuseum Joanneum, Trautenfels (A))
„Extra Art: A Survey of Artists’ Ephemera, 1960-1999“, Institute of Contemporary Art, London
„haus 0, ‘>Redirect’“, Künstlerhaus Stuttgart, Stuttgart
„Shoot the Singer“, Institute of Contemporary Art, Philadelphia
„Copy“, Roth Horowitz, New York
„Melodrama“, ARTIUM, Vitoria-Gasteiz, Spain (weitere Stationen: Centro José Guerrero, Granada; Marco-Museo de Arte Contemporanea de Vigo, Vigo)
2001
„The Inward Eye“, Contemporary Arts Museum, Houston, TX
„Letters, Signs & Symbols“, Brooke Alexander Editions, New York
„I Love New York“, David Zwirner Gallery, New York
„American Art from the Goetz Collection“, Galerie Rudolfinum, Munich
„A* comme Accident“, Galerie Chantal Crousel, Paris
„Das Gute Leben“, Galerie Gebr. Lehmann, Dresden
„Selections from the Permanent Collection“, San Francisco Museum of American Art, San Francisco, CA
„Wechselstrom (Alternating Current) Part 2“, Sammlung Hauser und Wirth, St. Gallen
„Locating Drawing“, Lawing Gallery, Houston, Texas
„Drawing Exhibition“, Lawing Gallery, Houston, Texas
„IN FUMO“, Galleria of Modern and Contemporary Art, Bergamo
„The Beauty of Intimacy. Lens and Paper“, Kunstraum Innsbruck, Innsbruck (weitere Stationen: Gemeentemuseum Den Haag, Den Haag
„Ziviler Ungehorsam. Die Sammlung Falckenberg“, Kestner Gesellschaft, Hannover
„(W)interface“, Galerie Tanja Rumpff, Haarlem (NL)
„New Prints 2001 – summer“, International Print Center New York, New York
„Fiction/Réalité, la Collection du Frac Nord-Pas de Calais“, Erholungshaus Leverkusen, Leverkusen (weitere Station: Feierabendhaus Dormagen, Dormagen)
„Selections from the Permanent Collection“, San Francisco Museum of American Art, San Francisco
„American Tableaux“, Walker Art Center, Minneapolis (weitere Station: Miami Art Museum, Miami; University of Iowa Museum of Art, Iowa)
2000
„00“, Barbara Gladstone Gallery, New York, NY
„Art on Paper 2000“, curated by Ron Platt, Weatherspoon Art Gallery,Greensboro, North Carolina
„Drawings“, Tache-Levy Gallery, Brussels
„Sammlung (1) - The Oldest Possible Memory“, Sammlung Hauser and Wirth, St. Gallern, Switzerland
„L.A.- ex“, Museum Villa Stuck & Marstall, Munich
„L.A.“, Monika Spruth & Philomene Magers, Koln (weitere Station: Ileana Tounta Contemporary Art Center, Athens)
„Mirror's Edge“, curated by Okwui Enwezor, Bildmuseet, Sweden, (weitere Stationen: Vancouver Art Gallery;Castello di Rivoli, Torino, Italy; Tramway, Glasgow, Scotland
„Made in California“, Los Angeles County Museum of Art, Los Angeles, CA
„Jahresgaben 2000“, Schleswig-Holsteinischer Kunstverein
„To Infinity and Beyond: Editions for the Year 2000“, Brooke Alexander Gallery, New York
„Art on Paper 2000“, cur. Ron Platt, Weatherspoon Art Gallery, Greensboro
L’espace d’art contemporain (les Halles), Porrentruy (CH)
1999
„The American Century: Art and Culture, 1900-2000“, Whitney Museum of American Art, New York
„Life/Boat“, MAK Center, Los Angeles, California (weitere Station: MAK, Vienna
„Hypertronix“, curated by Manel Clot, Espai d'Art Contemporani de Castello, Castello, Spain
„Stop the Violence“, organized by the MAK and the Academy of Fine Arts, Vienna, at the Academy of Fine Arts, Vienna
„Gallery Swap“, Contemporary Fine Arts, Berlin/Sadie Coles HQ, London
„Los Angeles“, Philomene Magers Projekte & Maxmilian Verlag, Munich, Germany
„Weg Aus Dem Bild“, curated by Martin Prinzhorn, Georg Kargl, Vienna
„Life Lessons: How Art Can Change Your Life, The Judy and Stuart Spence Collection“, Laguna Art Museum
„It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art“, Austin Museum of Art, Texas
„Collectors Collect Contemporary: 1990 - 99“, The Institute of Contemporary Art, Boston, Massachusetts, Curated by Jessica Morgan
„Get Together“, Kunsthalle Wien, Wien
1998
„Hindsight: 56 Recent Acquisitions“, Whitney Museum of American Art, New York
„Transfiguration“, curated by Darcey Steinke, Bronwyn Keenan, New York, NY
„L.A. Current: Looking At the Light: 3 Generations of L.A. Artists“, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles
„Sea Change“, The Parrish Art Museum, Southampton, NY, curated by Klaus Kertess
„Otto Dix/Raymond Pettibon“, curated by Hans-Werner Schmidt, Kunsthalle zu Kiel, Kiel, Germany
„Double Trouble: The Patchett Collection“, Museum of Contemporary Art, San Diego
„Exterminating Angel“, curated by Joshua Decter, Galerie Ghislaine Hussenot, Paris
„Early Warhol Drawings, Recent Pettibon Drawings“, 11 Duke Street Limited, London
„Self-portraits“, Galerie Tanya Rumpff, Haarlem, The Netherlands
1997
„Kunst...Arbeit: Aus der Sammlung Seudwest LB“, Sudwestdeutsche Landesbank, Stuttgart, Germany
„Heart, Mind, Body, Soul“, Whitney Museum of American Art, New York, NY
„A Decade of Collecting: Recent Acquisitions in Contemporary Drawing“, Museum of Modern Art, New York, NY
„Heaven: Public View, Private View“, P.S.1 Contemporary Art Center, Long Island City, NY
„Elusive Paradise: Los Angeles Art from the Permanent Collection“, Museum of Contemporary Art, Los Angeles
„Michael Craig-Martin and Raymond Pettibon“, Kunstverein Dusseldorf, Dusseldorf, Germany, organized by Raimund Stecker
„Angel, Angel“, curated by Cathrin Pichler, Kunsthalle Wien, Vienna, Austria (weitere Station: The Rudolfinum in Prague, Czechoslovakia), catalogue
„Meg Cranston, Paul McCarthy, Barry McGee, Raymond Pettibon, Jason Rhoades“, Galerie Tanya Rumpff, Haarlem
„Sunshine & Noir: Art in LA 1960-1997“, curated by Lars Nittve and Helle Crenzien, Louisiana Museum, Humlebaek, Denmark (weitere Stationen: Kunstmuseum Wolfsburg, Wolfsburg, Germany; Castello di Rivoli, Rivoli, Italy; and UCLA at The Armand Hammer Museum, Los Angeles), Catalogue
„Silent & Violent: Selected Parkett Artist Editions“, curated by Daniela Zyman (from the MAK Museum in Vienna), The MAK Center for Art & Architecture at the Schindler House, Los Angeles
„1997 Whitney Biennial“, The Whitney Museum of American Art, New York
„Nicole Eisenman, Karen Kilimnik, Raymond Pettibon“, Galerie Rudiger Schottle, Munich
„10 Year Anniversary of the Kunsthalle Bern“, Kunsthalle Bern, Bern
1996
„Limited Edition Artists Books Since 1990“, Brooke Alexander Editions, New York
„Horner, Pettibon, Baechler“, Southwest Texas State University, San Marcos, Texas
„a/drift“, curated by Joshua Decter, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
„Sammlung Speck“, Museum Ludwig Koln, Köln, Germany
„Acquiring Minds: Contemporary Art in Santa Barbara“, Santa Barbara Contemporary Arts Forum, curated by Nancy Doll and Michael Darling
„Sampler 2: More Videos from Southern California“, David Zwirner Gallery, NY, organized by Diana Thater
„Chaos, Madness: Moods in Contemporary Art“, Kunsthalle Krems, Austria, curated by Johannes Gachnang
„My Hollywood“, Gallery 258, Los Angeles
„NowHere: Work in Progress“, curated by Iwona Blazwick, Louisiana Museum of Art, Copenhagen, Denmark
„L.A. Stories“, Dean Jensen Gallery, Milwaukee, WI
„Ideal Standard Life“, curated by Art Dynamics, Inc., Spiral Garden, Tokyo, Japan
„The Comic Depiction of Sex in American Art“, Andreas Binder Gallery, Munich
„Answered Prayers“, Contemporary Fine Arts, Berlin
„Sammlung Volkmann zeigt: FAUSTRECHT DER FREIHEIT“, Kunstsammlung Gera, Berlin (weitere Station: Neues Museum Weserburg), catalogue
„Sugar Mountain“, White Columns, New York
„New Art on Paper 2, acquired with funds from the Hunt Manufacturing Co.“, Philadelphia Museum of Art, Philadephia, curated by Innis Howe Shoemaker
„Sex and Crime. On Human Relationships“, Sprengel Museum, Hannover, curated by Dietmar Elger
1995
„Das Ende Der Avantgarde: Kunst als Dienstleistung (Sammlung Schurmann)“, Kunsthalle der Hypo-Kulturstiftung, Munich, Germany
„It's Only Rock and Roll: Rock and Roll Currents in Contemporary Art“, Contemporary Art Center, Cincinnati, OH (weitere Stationen bis 1998), curated by David S. Rubin, catalogue
„Strung Into the Appolonian Dream... “, Feature, New York, NY
„Komix“, Brooke Alexander Editions, New York, NY
„Smells like Vinyl“, Roger Merians Gallery, curated by Sarah Seager and Thaddeus Strode, New York, NY
1994
„Mapping“, Museum of Modern Art, New York, NY; curated by Robert Storr
„Can You Always Believe Your Eyes: Recent American Drawings“, Museum of Contemporary Art DeBeyerd, Breda, The Netherlands
„Dessins, 1894-1994“, 14/16 Verneuil, Paris, France
„SoggettoSoggetto“, Castello di Rivoli, Rivoli, Italy; curated by Francesca Pasini and Giorgio Verzotti (catalogue: essays by F. Pasini, G. Verzotti, and Antonella Russo)
„Temporary Translation(s) - Kunst der Gegenwart und Fotografie: Sammlung Schurmann“, Deichtorhallen, Hamburg
„Dysfunction U.S.A.“, Arthur Roger Gallery, New Orleans, LA, curated by Peter Halley and Robert Nickas
„It's a Tough World Out There: Drawings by Mike Kelley, Joyce Pensato, and Raymond Pettibon“, Saint Louis Museum of Art, St. Louis, MO, curated by Charles Wylie
„And“, Feature, New York
„(Tiny) Shoes“, New Langton Arts, San Francisco, CA, curated by D-L Alzarez
„Up the Establishment: Reconstructing the Counterculture“, Sonnabend Gallery, New York; curated by Dan Cameron for Independent Curators, Inc.
„Please Don’t Hurt Me“, Galerie Snoei, Rotterdam, The Netherlands; Cabinet Gallery, London; curated by Jack Jaeger
„The Use of Pleasure“, Terrain, San Francisco, CA; curated by Robert Nick
„Endstation Sehnsucht“, Kunsthaus Zurich, Zurich, Switzerland; curated by Bice Curiger (catalogue)
„Desire & Loss“, Carl Solway Gallery, Cincinnati, OH
„pendulaire avant la lettre“, Galerie Beaumont, Luxembourg
Eleni Koroneou Gallery, Athens, Greece
„Projets et Dessins“, Galerie Claire Burrus, Paris, France
„Don't Look Now“, Thread Waxing Space, New York; curated by Joshua Decter (catalogue)
„Sampler“, Studio Guenzani, Milan, Italy; curated by Paul McCarthy
„Pen and Ink“, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; curated by Michael Darling
„Passing Through“, Galerie Walcheturm, Zurich, Switzerland; curated by Ugo Rondinone
„[cut] - Los Angeles - 90’ernes kunstscene“, Kunstforeningen, Copenhagen, Denmark; Galeri F 15, Moss, Norway; Sweden
„Grammarians“, Guggenheim Gallery, Chapman University, Orange, CA;curated by Michael Anderson
1993
„1993 Whitney Biennial“, Whitney Museum of American Art, New York, NY; National Museum of Contemporary Art, Seoul, South Korea; curated by Elisabeth Sussman, Thelma Golden, Lisa Phillips (catalogue)
„PROSPECT 93“, Frankfurter Kunstverein, Frankfurt, Germany; curated by Peter Weiermair (catalogue)
„Richard Prince, Raymond Pettibon, Sean Landers“, Galerie Jurgen Becker, Hamburg, Germany
Esther Schipper, Cologne, Germany
„Six Mois a Paris“, Air de Paris at Cafe Beaubourg, Paris, France
„Summer Selections: Painting, Photography, Sculpture, Video“, Rena Bransten Gallery, San Francisco, CA
„Projet Unite“, Unite d’Habitation, Firminy, France; curated by Yves Aupetitaillot and Robert Fleck (catalogue)
„Sex Money Politics“, Nancy Drysdale Gallery, Washington D.C. (catalogue)
„Drawing the Line Against AIDS“, Peggy Guggenheim Collection, Venice, Italy; Guggenheim Museum, SoHo, NY, NY; curated by John Cheim, Diego Cortez, Carmen Gimenez, Klaus Kertess (catalogue)
„Mongrel Muse/Works on Paper“, Silkeborg Kunstmuseum, Silkeborg, Denmark; curated by Troels Andersen (catalogue)
„Paper Trails: The Eidetic Image“, Krannert Art Museum, University of Illinois at Urbana-Champaign, Urbana-Champaign, IL (weitere Station: University Gallery in Chicago: I Space, Chicago, IL) curated by Jerry Savage and Dan Socha
„Urban Analysis“, Barbara Braathen Gallery, New York, NY; curated by Maynard Munrow
Studio I, Kunstlerhaus Bethanien, Berlin, Germany; curated by Tim Neuger
„Summer Reading“, Texas Gallery, Houston, TX
1992
„Drinking and Driving: The Progressive Corporation’s 1989 Annual Report“, North Carolina State University Art Gallery, Raleigh, NC; curated by Toby Lewis
„Live in Your Head“, Heligen Kreuzerhof, Vienna, Austria; curated by Robert Nickas (catalogue)
„LAX“, Galerie Ursula Krinzinger, Vienna, Austria (catalogue)
„Twenty Fragile Pieces“, Galerie Analix, Geneva, Switzerland; curated by Gianni Romano (catalogue: essay by Gianni Romano)
„DIRTY DATA, Sammlung Schurmann“, Ludwig Forum fur internationale Kunst, Aachen, Germany
„New Deal“, Bruno Brunnet Galerie, Berlin, Germany
„Connections: Explorations in the Getty Center Collections“, The Getty Center for the History of Art and the Humanities, Santa Monica, CA
„True Stories“, ICA, London, England
„L.A. Art and the Art of the Nineties“, Galerie Ursula Krinzinger, Vienna, Austria
„Drawn in the Nineties“, Katonah Museum of Art, Katonah, NY; curated by Joshua Smith, (catalogue)
„How It Is“, Tony Shafrazi Gallery, New York, NY; curated by Jonathan Seliger
„Just Pathetic“, American Fine Arts, Co., New York, NY; curated by Ralph Rugoff
„The Clinic“, Rosamund Felsen Gallery, Los Angeles, CA; curated by Ralph Rugoff
„Drawings“, Stuart Regen Gallery, Los Angeles, CA
„DIN A 4“, Galerie + Edition Koch, Kiel, Germany
„Helter Skelter: L.A. Art in the 1990’s“, Museum of Contemporary Art, Los Angeles, CA; curated by Paul Schimmel, (catalogue: essays by Paul Schimmel, Norman Klein, and Lane Relyea)
„Works on Paper“, Galerie Giesela Capitain, Cologne, Germany; curated by Friedrich Petzel
1991
303 Gallery, New York, NY
„Examples Cool and Lonely“, Roy Boyd Gallery, Santa Monica, CA
„Ovarian Warriors vs. Knights of Crissom“, Sue Spaid Fine Art and Parker Zanic Gallery, Los Angeles, CA
„The Kelly Family“, Esther Schipper Gallery, Cologne, Germany; curated by Wolfram Aue and Tim Neuger
„No Man’s Time“, Villa Arson, Nice, France; curated by Eric Troncy, (catalogue: text by Christian Bernard, Nicolas Bourriaud, Jean-Yves Joannais, and Eric Troncy)
„AIDS Timeline“, included in Group Material’s installation of the AIDS Timeline at the Whitney Biennial, Whitney Museum of American Art, New York, NY
„Letters“, Christine Burgin Gallery, New York, NY
„Presenting Rearwards“, Rosamund Felsen Gallery, Los Angeles, CA; curated by Ralph Rugoff, (catalogue: essay by Ralph Rugoff)
„Multiples“, Feature Gallery, New York, NY
„Gang Bang“, Air de Paris, Paris, France
„Dangerous“, Richard/Bennett Gallery, Los Angeles, CA
„Synthetic History“, Parker Zanic Gallery, Los Angeles, CA
„Works on Paper“, Thea Westreich, New York, NY, curated by Friedrich Petzel
„Childhood Revisited“, Rena Bransten Gallery, Los Angeles, CA
„videos and a film about some schmoes who are trying to conform (yet miss)“, Robbin Lockett Gallery, Chicago, IL
„Louder“, Gallery 400, University of Illinois, Chicago, IL; curated by Tony Tasset and Kathryn Hixson
1990
„Work on Paper“, (invitational) Paula Allen Gallery, New York, NY
„Total Metal“, Simon Watson, New York, NY; curated by Richard Phillips, (catalogue: text by Richard Phillips)
„Drawing the Line“, Richard/Bennett Gallery, Los Angeles, CA
„Just Pathetic“, Rosamund Felsen Gallery, Los Angeles, CA; curated by Ralph Rugoff, (catalogue: essay by Ralph Rugoff)
„Drinking and Driving“, (exhibition of art commissioned for The Progressive Corporation’s 1989 Annual Report), Cleveland Center for Contemporary Art, Cleveland, OH; curated by Toby Lewis
1989
„Buttinsky“, Feature Gallery, New York, NY
„Amerikarms“, Hallwalls, Buffalo, NY
„Art as Religion“, Richard/Bennett Gallery, Los Angeles, CA
„Problems with Reading/Rereading“, Rhona Hollman Gallery, Chicago, IL; curated by Jeanne Dunning and Hirsch Perlman
„Office Party“, Feature Gallery, New York, NY
1988
„LACA Boys“, Feature Gallery, Chicago, IL
„Near Miss“, Feature Gallery, Chicago, IL
„Cartoon-Like“, MoMing Art Gallery, Chicago, IL; curated by Jeanne Dunning
1987
„Head Sex“, Feature Gallery, Chicago, IL
„Art of Politics“, Richard/Bennett Gallery, Los Angeles, CA
1986
„Social Distortion“, Los Angeles Contemporary Exhibitions, Los Angeles
1985
Los Angeles Contemporary Exhibitions, Los Angeles, CA