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MARK WALLINGER
 
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Mark Wallinger
1959 born in Chigwell, Essex, United Kingdom
Lives in London, United Kingdom
Education

1983-85 MA Course, Goldsmith's College, London
1978-81 Chelsea School of Art, London
1977-78 Loughton College

Grants

2009 Awarded Ebbsfleet Landmark Project Commission
2007 Awarded Turner Prize
2003 Awarded Honorary Doctorate at University of Central England
2002 Awarded Honorary Fellowship of the London Institute
2001-02 DAAD Artists Programme, Berlin
1998 Henry Moore Fellowship, British School at Rome

Solo Exhibitions

2008
Mark Wallinger, Kunstmuseum Aarau, Switzerland
State Britain, MAC/VAL, Vitry-sur-Sein, France
2007
State Britain, Tate Britain, London
The End, Carlier Gebauer, Berlin
Mark Wallinger, Kunstverien Braunschweig, Braunschweig
The Human Figure in Motion, Donald Young Gallery, Chicago
2006
The End, Anthony Reynolds Gallery, London
Out of Place, New Art Gallery, Walsall
Threshold to the Kingdom, Convent of St. Agnes of Bohemia, National Gallery, Prague
2005 Museo de Arte Carillo Gil, Mexico City
Easter, Hangar Bicocca, Milan
Galerie Krinzinger, Vienna
2004 Sleeper, Neue Nationalgalerie, Berlin
Carlier Gebauer, Berlin
Presence 4: Mark Wallinger, Speed Art Museum, Kentucky
The Underworld, a new commission for the Laing Art Gallery, Newcastle-upon-Tyne
Anthony Reynolds Gallery, London
2003 Christmas Tree, Tate Britain, London
The Sleep of Reason, The Wolfsonian, Florida
Via Dolorosa, Städtische Galerie im Lenbachhaus, Munich
Spacetime, Carlier Gebauer, Berlin
2002 Cave, Millenium Forum, Derry
Mark Wallinger - Seeing Things, Minoriten-Galerien im Priesterseminar, Graz
Commission for Bloomberg Space, London
Promised Land, Tensta Konsthall, Spanga, Sweden
Ecce Homo, Glynn Vivian Art Gallery, Swansea
2001 Anna Schwartz, Melbourne
No Man's Land, Whitechapel Art Gallery, London
British Pavilion, The 49 th Venice Biennale, Venice
Time and Relative Dimensions in Space, University Museum of Natural History, Oxford
Cave, Milton Keynes Gallery, Milton Keynes/ Southampton City Art Gallery
2000 Credo, Tate Gallery, Liverpool
Ecce Homo, Vienna Secession, Vienna
Galeria Laura Pecci, Milan
Threshold to the Kingdom, The British School, Rome
1999 Lost Horizon, Museum für Gegenwartskunst, Basel
Ecce Homo, The Fourth Plinth, Trafalgar Square, London
Prometheus, Portikus, Frankfurt
Mark Wallinger is Innocent, Palais des Beaux Arts, Bruxelles
1998 The Four Corners of the Earth, Delfina, London
1997 Dolly Fiterman Fine Arts, Minneapolis
Dead Man's Handle, Canary Wharf Window Gallery, London
The Importance of Being Earnest in Esperanto, Jiri Svetzka Gallery, Prague
God, Anthony Reynolds Gallery, London
Deweer Art Gallery, Otegem, Belgium
1995 Serpentine Gallery, London
Ikon Gallery, Birmingham
1994 The Full English, Anthony Reynolds Gallery, London
1993 Daniel Newburg Gallery, New York
1992 Fountain, Anthony Reynolds Gallery, London
1991 Capital, Institute of Contemporary Art, London touring to Manchester City Art Gallery
Daniel Newburg Gallery, New York
Capital, Grey Art Gallery, New York
1990 Stranger2, Anthony Reynolds Gallery, London
School, Sophia Ungers, Cologne
1988 Anthony Reynolds Gallery, London
Passport Control, Riverside Studios, London
Burgess Park, Nottingham Castle Museum, Nottingham
1986 Hearts of Oak, Anthony Reynolds Gallery, London
1983 The Minories, Colchester

Group Exhibitions

2009

Mark Wallinger Curates: The Russian Linesman, touring show: The Hayward, London/ Leeds Art Gallery, Leeds/ Glynn Vivian, Swansea
Inappropriate Covers, David Winton Bell Gallery, Brown University, Rhode Island
5 Sculptures, Anthony Reynolds Gallery, London
2008
The ICA Auction, ICA, London
Tales of Time and Space, Folkestone Triennial, Folkestone
Selected Works by Gallery Artists, Anthony Reynolds Gallery, London
Comme des Betes, Musee Cantonal des Beau-Arts, Lausanne
On Time: The East Wing Collection VIII, The Courtauld Institute of Art, London
Collection Videos & Films; Isabelle & Jean-Conrad Lemaitre, Kunsthalle zu Kiel, Germany
History in the Making, A Retrospective of the Turner Prize, Mori Art Museum, Tokyo
2007-2008
Stardust ou la dernière frontière, MACVAL, Vitry sur Seine, France
2007
The Turner Prize, Tate Liverpool, Liverpool
Museum of Modern Art – Centre Pompidou, Paris
Zone, Münster Sculpture Project, Münster
The End, Whitney Museum of American Art, New York
Dark Mirror, Netherlands Media Art Institute/ Montevideo, Amsterdam
Timer 01 intimita/ Intimacy, Fondazione La Triennale di Milano / Triennale-Bovisa, Milan
Darkness, Visible, touring exhibition, Southampton City Gallery
You’ll Never Know: Drawing and Random Interference, touring exhibition, Tullie House Museum and Art Gallery, Carlisle
Schmerz, Nationalgalerie im Hamburger Bahnhof, Berlin
2006
Artprojx, Prince Charles Cinema, London
Belief, Singapore Biennale 2006, Singapore
Protections, Kunsthaus Landesmuseum Graz
Wondering Stars, gana Art Center, Seoul, Korea (cat.)
Choosing my Religion, Kunstmuseum Thun
How to Improve the World, Hayward Gallery, London
The Calouste Gulbenkian Foundation and British Art, Tate Britain, London
Museum für Gegenwartskunst, Basel
You’ll Never Know: Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn You’ll Never Know: Drawing and Random Interference, Harris Museum and Art Gallery, Preston; Glynn
Vivian Art Gallery, Swansea; The Lowry, Salford; New Art Gallery, Walsall; Tullie House Museum and Art Gallery, Carlisle
New Mystics, Tenerife
Four Winds, Farnborough Business Park, Farnborough
Responding to Rome 1995- 2005, Estorick Collection, London
2005 Variety, De La Warr Pavillion, Bexhill on Sea
Rundlerwelten, Martin Gropius Bau, Berlin
When Humour Becomes Painful, Migros Museum fur Gegenwartskunst, Zurich
London Calling, Galleri Kaare Berntsen, Oslo
The Experience of Art, Italian Pavillion, La Biennale di Venezia, Venice
Miradas y Conceptos, MEIAC, Badajoz
The Fifth Gospel, Likovni Salon, Celje
Chronos, Centro Sperimentale per le Arti Contemporanee, Caraglio, Cuneo
Critics Choice, FACT, Liverpool
The World is a Stage, Mori Art Museum, Tokyo
Il colore della vita – omaggio a Piero Siena, Castel Mareccio, Museion, Bolzano
OUTPOST, Stephen D Paine Gallery, Massachusetts College of Art
2004 Contested Fields, Des Moines Art Center, Iowa
De Leur Temps, Collections Privées Francaises, Musée des Beaux-Arts de Tourcoing, Tourcoing
Gifted, The Art Gallery, University of the Arts, London
On Side, Centro de Artes Visuais, Coimbra
Things Domestic (selected work from the Arts Council Collection), Towner Art Gallery, Eastbourne
Between above and below, Bard Center for Curatorial Studies, New York
Presence – Images of Christ for the Third Millennium, Lincoln Cathedral & the Usher Gallery
The Human Condition. The Image of Man in Art, The City History Museum of Barcelona, Barcelona
2003 Contemporary Art in the Traditional Museum, Russian Museum, St Petersburg
Peter Blake - Sculpture, London Institute Gallery, London
Round Table, MOT, London
A Bigger Splash: British Art from Tate 1960-2003, Pavilhão Lucas Nogueira Garcez, Sao Pãulo
Independence, South London Gallery, London
Warum! Ebenbild - Abbild - Selbstbild, Martin - Gropius Bau, Berlin
nation, Frankfurter kunstverein, Frankfurt
Horse, The Study Gallery, Dorset
Rituals, Berlin Academy of Arts, Berlin
Sanctuary, Gallery of Modern Art, Glasgow
Micro/Macro - British Art 1996-2002, Kunsthalle Mucsarnok, Budapest
Thatcher, The Blue Gallery, London
Body Matters, The National Museum of Contemporary Art, Oslo
Someone to Watch Over Me, Smart Project Space, Amsterdam
2002 Mensaje de Texto, Helga de Alvear, Madrid
Real Life, Tate St. Ives
In Light, Art Gallery of Ontario, Toronto
Sphere, loans from the nvisible Museum, Sir John Soane's Museum, London
Les Enfants du Paradis, Yvon Lambert, Paris
Blow up your TV, York City Art Gallery, York
Ommegang-Circumflexion, Bruges
The Anatomy of the Horse - Mark Wallinger and George Stubbs, Harewood House, Leeds
Location: UK, Gimpel Fils Gallery, London
Faux/Real, Borusan Art & Culture Centre, Istanbul
THE GAP SHOW - Young Critical Art from Great Britain, Museum as Ostwall, Dortmund
Family, The Aldrich Museum of Contemporary Art, Connecticut
Con Art: Magic / Object / Action, Site Gallery, Sheffield and tour to Glynn Vivian Gallery, Swansea
Painting as a Foreign Language, Edifício Cultura Inglesa / Centro Brasileiro Britânico, Sao Paulo
(curated by Gerard Hemsworth)
Sidewinder, The Centre of International Modern Art, Calcutta / The India Habitat Centre, New Delhi /
The National Gallery of Modern Art, Mumbai (curated by Gerard Hemsworth)
2001 Project: Film and Video, Cheltenham Pump Room, Cheltenham (curated by Terry Smith)
Purloined, The Studio Museum in Harlem, New York
Looking at You - Kunst Provokation Unterhaltung Video, Kunsthalle Fridericianum, Kassel
Century City: Art and Culture in the Modern Metropolis, Tate Modern, London
'Heads and Hands' - A WPA\C, Project at Decatur House Museum, Washington DC
City Racing 1988-1998: a partial account, ICA, London (curated by Mathew Higgs)
2000 Ghosts, Delta Axis, Memphis
Seeing Salvation, National Gallery, London
On the Frac Track (Text as Image), Sevenoaks Library Gallery, Kent / Maidstone Museum & Bentlif Art Gallery, Kent / Rochester Art Gallery, Kent /
Maidstone Library Gallery, Kent / The Royal Museum & Art Gallery, Canterbury,
Kent / Sassoon Gallery, Kent
Vision Machine, Musee des Beaux-Arts de Nantes, Nantes
1999 The Sultan's Pool, Jerusalem
Officina Europa, Villa delle Rose, Galleria d'Arte Moderna, Bologna and tour
Changement d'air, Musée d'art moderne Lille Métropole, Villeneuve d'Ascq
Il luogo degli angeli, San Michele and Museo Laboratorio, San Angelo and tour
Il passato nel Presente, Maze Art Gallery, Turin
Fourth Wall, National Theatre, London (curated by PADT)
L'Art et l'Ecrit, Espace Sculfort, Maubeuge
1998 Contemporary British Artists, Denver Art Museum, Denver
Shunted, Sheffield
Il passato nel Presente, The Tannery, London
1st Biennale de Montreal, Montreal
Book, Djanogly Art Gallery, Nottingham
Heatwave, Electricity Showroom, London
U.K Maximum Diversity, Benger Areal, Bregenz
Anthony Reynolds Gallery, London
Made in London, Museu de Electricidade, Lisbon
Heatwave, The Waiting Room, Wolverhampton
Drawing Itself, The London Institute
Feeringbury VIII - Cultivated, Feringbury Manor, Essex
Dissin' the Real, Lombard Fried Gallery, New York, Galerie Ursula Krinzinger, Vienna
Wounds, Moderna Museet, Stockholm
1997 Treasure Island, Centro de Arte Moderna José de Azerdo Perdigâo
P..er.sonal...Absurdities, Galerie Gebauer, Berlin
2nd Johannesburg Biennale, Johannesburg
5th Istanbul Biennale, Istanbul
Sensation, Royal Academy of Arts, London; Hamburger Banhof, Berlin
Dimensions Variable: Works from the British Council Collection, Helsinki City Art Museum and tour to Stockholm, Kiev, Warsaw, Chemnitz, Darmstadt, Prague, Bratislava, Zagreb, Vilnius, Budapest, Bucharest
Pictura Britannica, Museum of Contemporary Art, Sydney/ Art Gallery of South Australia, Adelaide/ Te Papa, Wellington, New Zealand
Pledge Allegiance to a Flag? London Printworks Trust, London
Animal, CCA, Glasgow
1996 10th Biennale of Sydney, Sydney
Offside!, Manchester City Art Gallery, Manchester
Anthony Reynolds Gallery, London
Rhona Hoffman Gallery, Chicago
1995 The Turner Prize, Tate Gallery, London
The British Art Show, Manchester and tour
John Moores Exhibition 19, Walker Art Gallery, Liverpool
The Art Casino, Barbican Art Gallery, London
1994 Art Unlimited, Arts Council Touring Show
A Painting Show, Deweer Art Gallery, Otegem
Idea Europa, Palazzo Publico, Siena
Seeing the Unseen, nvisible Museum, Thirty Shepherdess Walk, London
Art Boutique, Laure Genillard Gallery, London
Untitled Streamer Eddy Monkey Full Stop Etcetera, Anthony Reynolds Gallery, London
Here and Now, Serpentine Gallery, London
Five British Artists, Galleri Andrehn Schiptjenko, Stockholm
Not A Self Portrait, Karsten Schubert Gallery, London
Every Now and Then, Rear Window / Richard Salmon, London
Jet Lag, Galerie Martina Detterer, Frankfurt
1993 Junge Britische Kunst, Art Cologne
MA Galerie, Paris
Mandy loves Declan 100%, Mark Boote Gallery, New York
You've Tried the Rest, Now Try the Best, City Racing, London
Spit in the Ocean, Anthony Reynolds Gallery, London
Young British Artists II, Saatchi Collection, London
1992 Let Me Look, San Miniato
Whitechapel Open, Clove Building, London
1991 Confrontaciones, Palacio de Velasquez, Madrid
Kunstlandschaft Europa, Kunstverein Karlsruhe
1990 Australian Sculpture Triennial, National Gallery of Victoria, Melbourne
The Köln Show, Cologne
1989 Über Unterwanderung, Galerie Sophia Ungers, Cologne
Anthony Reynolds Gallery, London
Excommunication: Some Notions on Marginality, Grey Art Gallery, New York
Einleuchten: Will, Vorstel und Simul in HH, Deichtorhallen, Hamburg
Territories, Chisenhale Gallery, London
1988 The New British Painting, The Contemporary Arts Center, Cincinnati, and tour
Image and Object: Aspects of British Art in the 1980's, City Museum and Art Gallery,
Stoke-on-Trent
Something Solid, Cornerhouse, Manchester
Sculptures, Koury Wingate, New York
Cries and Whispers, paintings of the Eighties in the British Council Collection, touring Australia
1987 Palaces of Culture: The Great Museum Exhibition, City Museum and Art Gallery, Stoke-on-Trent
State of the Nation, Herbert Art Gallery, Coventry
Appropriate Pictures, Anthony Reynolds Gallery, London
Serpentine Gallery, London (Stuart Brisley, Ken Currie, Glenys Johnson, Mark Wallinger)
1986 Neo Neo-Classicism, Edith C Blum Art Institute, Bard College, Annandale-on-Hudson, New York
New Art, Anthony Reynolds Gallery, London
Unheard Music, City Museum and Art Gallery, Stoke-on-Trent
The Exhibition Gallery, Milton Keynes
Canvass: New British Painting, John Hansard Gallery, Southampton
1985 New Art 2, Anthony Reynolds Gallery, London
Prelude, Kettle's Yard, Cambridge
1984 Whitechapel Open, Whitechapel Art Gallery, London
1982 Space Invaders, St Mary's Art Centre, Colchester
1981 New Contemporaries, ICA, London

Bibliography

2008
Mark Wallinger, edited by Madeleine Schuppli and Janneke de Vries, JRP/Ringier, Switzerland
Folkestone Triennial, Tales of Time and Space, edited by Andrea Schlieker, The Creative Foundation
The Speed Art Museum, Highlights From The Collection, The Speed Art Museum
History In The Making: A Retrospective of The Turner Prize, Mori Art Museum, Tokyo
Collection Video & Film, Isabelle & Jean- Conrad Lemaître, Kunsthalle zu Kiel, Kiel
2007
Schmerz, Nationalgalerie im Hamburger Bahnhof, Berlin
Schlaf & Traum, Deutsches Hygiene-Museum Dresden, Wellcome Collection London, Bohlau Verlag
2006
New Art on View, Sheila McGregor, Southampton City Art Gallery
Belief, Singapore Biennale 2006 (cat.)
‘Mark Wallinger’, Une Vision du Monde la Collection Video d’Isabelle et Jean-Conrad Lemaitre, Paris (cat.)
2004 Photofinish, edited by Marco Delogu and Massimo Reale, Roma
On Side, Centro de Artes Visuais, Coimbra
The human condition The dream of a shadow, Barcelona Forum 2004 and Institut de Cultura de Barcelona – Museu d’Historia de la Ciutate de Barcelona (MHCB)
2003 Warum! Bilder diesseits und jenseits des Menschen, Martin-Gropius-Bau, Berlin
Sanctuary - Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow
Micro/macro - British Art 1996-2001, text by Alex Farquharson, Mucsarnok Kunsthalle, Budapest
2002 THE GAP SHOW - Young Critical Art from Great Britain, Museum as Ostwall, Dortmund
Ommegang-Circumflexion, Bruges
Painting as a Foreign Language, Edifício Cultura Inglesa / Centro Brasileiro Britânico, Brasil
Family, The Aldrich Museum of Contemporary Art, Connecticut
Faux/Real, Borusan Art & Culture Centre, Istanbul
2001 Mark Wallinger - British Pavilion, The 49 th Venice Biennale 2001 text by Ralph Rugoff,
The British Council, London
Time and Relative Dimensions in Space text by Marco Livingstone, University Museum of
Natural History / Ruskin School of Drawing and Fine Art, Oxford
Mary Warnock and Mark Wallinger (Eds) Art for All? Their Policies and our Culture, Peer, London
2000 Mark Wallinger - Prometheus Portikus Frankfurt am Main
Mark Wallinger - Credo texts by Lewis Biggs, Ian Hunt and David Burrows,
Tate Gallery Publishing, London
Seeing Salvation texts by Neil MacGregor and Erika Langmuir, BBC Publishing, London
Louisa Buck Moving Targets 2 A User's Guide to British Art Now, Tate Publishing
Locus Solus text by Paul Bonaventura, Locus + Newcastle-upon-Tyne
Mark Wallinger - Ecce Homo texts by Mikhail Bulgakov and Adrian Searle,
Vienna Secession, Vienna
1999 Il luogo degli angeli, San Michele and Museo Laboratorio, San Angelo
L'Art et L'Ecrit, Espace Sculfort, Maubeuge, Idem + Arts Frac Nord-Pas de Calais
Louisa Buck, Moving Targets A User's Guide to British Art Now, Tate Publishing, London
Officina Europa, texts by Renato Barilli, Edizioni Gabriele Mazzotta, Bologna
Mark Wallinger is Innocent, text by Pier Luigi Tazzi, Société des Expositions du Palais des Beaux-Arts
de Bruxelles / Delfina, London
Mark Wallinger - Lost Horizon, interview with the artist by Theodora Vischer, text by Andrew Wilson,
Museum f ü r Gegenwartskunst, Basel
1998 Book texts by David Bickerstaff and Paul Bonaventura, Djanogly Art Gallery, University of Nottingham
U.K Maximum Diversity, text by Matthew Higgs, Benger Areal, Bregenz,
Galerie Krinzinger, Vienna
Made in London text by Richard Shone, Simmons & Simmons, London
Drawing Itself text by Gerard Wilson and Janice Hart, The London Institute
Feeringbury VIII - Cultivated texts by Stephen Hepworth, Katherine Wood and Sonia Coode-Adams, Firstsite / Curtain Road Arts, London
Kevin Davey, English Imaginaries, Lawrence & Wishart
David Burrows (Ed) Who's Afraid of Red White & Blue? Attitudes to popular & mass culture, celebrity, alternative & critical practice & identity politics in recent British art, Article Press, Birmingham
1997 Treasure Island, texts by Jorge Molder, Rui Sanches, Ana de Vasconcelos e Melo, Alan Bowness,
Richard Cork, Gill Hedley, Andrew Renton, Bryan Robertson and Richard Shone, Centro de Arte Moderna José de Azeredo Perdigâo, Fundacao Calouste Gulbenkian, Lisbon
Virginia Button, The Turner Prize, Tate Gallery Publishing, London
Pledge Allegiance to a Flag? interviews with artists by Steward Russell and text by Nikos Papastergiadis, Printworks Trust, London
Pictura Britannica edited by Bernice Murphy, Museum of Contemporary Art, Sydney
Dimensions Variable: New Works for the British Council Collection, text by Ann Gallagher,
The British Council, London
Sensation: Young British Artists from the Saatchi Collection, texts by Norman Rosenthal,
Richard Shone, Martin Maloney, Brook Adams and Lisa Jardine, Royal Academy of Arts, London
5 th International Istanbul Biennial, text by Rosa Martinez, Istanbul Foundation for Culture and Arts
Mark Wallinger, text by Donald Kuspit, Dolly Fiterman Fine Arts, Minneapolis
1996 Vade Mecum: A Compendium of New Art, texts by Paul Bonaventura and Helen Cadwallader, Locus +, Newcastle-upon-Tyne
Jurassic Technologies 10 th Biennale of Sydney, edited by Lynne Cook, The Biennale of Sydney
Jason Coburn, Hello, Artists in Conversation, The Royal College of Art, London
1995 John Moores Exhibition 19, text by Julian Treuherz, National Museums & Galleries on Merseyside
Mark Wallinger, text by Jon Thompson, Ikon Gallery, Birmingham / Serpentine Gallery, London
The British Art Show, texts by Richard Cork, Rose Finn-Kelcey and Thomas Lawson,
The South Bank Centre, London
The Turner Prize text by Virginia Button, Tate Gallery Publishing, London
1994 Seeing the Unseen texts by Mark Wadhwa, Walter Meyer, James Roberts, nvisible Museum
Every Now and Then Rear Window / Richard Salmon, London
Art Unlimited: Multiples from the 1960s and 1990s texts by Hilary Lane and Andrew Patrizio, South Bank Centre, London
Mark Wallinger text by Jo Coucke, Deweer Art Gallery, Otegem
Idea Europa, texts by Valeria Bruni, Omar Calabrese and Rita Selvaggio, Contemporanea Editrice, Siena
1993 Junge Britische Kunst text by Werner Krüger, Art Cologne
Young British Artists II text by Sarah Kent, The Saatchi Collection, London
1992 Let Me Look text by Valeria Bruni, Stella Santacatterina, Rita Selvaggio and Jon Thompson,
Commune di San Miniato
Whitechapel Open, Whitechapel Art Gallery, London
1991 Kunstlanschaft Europa texts by Andreas Vowinckel, Henry Meyric Hughes, Jonathan Watkins, Stefan Berg, Hans Gercke and Martin Stather, Kunstverein, Karlsruhe
Confrontaciones texts by Henry Meyric Hughes, Felix Guisasola, Andrew Renton and Teresa Blanch,
Instituto de la Juventud, Madrid
1990 Australian Sculpture Triennial National Gallery of Victoria, Melbourne
1989 Über Unterwanderung text by Jutta Koether, Galerie Sophia Ungers, Cologne
Nachschub, The Köln Show edited by Isabelle Graw, Cologne
1988 Einleuchten: Will, Vorstel und Simul in HH texts by Harald Szeeman, Heinz Liesbrock,
Christoph Schenker and Stephan Schmidt-Wulffen, Deichtorhallen, Hamburg
Burgess Park interview with the artist, Nottingham Castle Museum, Nottingham
The New British Painting texts by Edward Lucie-Smith, Carolyn Cohen and Judith Higgins, Phaidon, Oxford
Image and Object: Aspects of British Art in the 1980s text by Ian Vines, Stoke-on-Trent City Council,
Stoke-on-Trent
Something Solid text by Marjorie Allthorpe-Guyton, Cornerhouse, Manchester
Cries and Whispers: New works for the British Council Collection text by Lewis Biggs, The British Council, London
Passport Control, Riverside Studios, London / Anthony Reynolds Gallery, London
1987 Palaces of Culture: The Great Museum Exhibition text by Graham Evans, City Museum and Art Gallery,
Stoke on Trent
State of the Nation text by Sara Selwood, Herbert Art Gallery, Coventry
1986 Neo Neo-Classicism Edith C Blum Art Institute, Bard College, Annandale-on-Hudson, New York
Unheard Music text by Emma Dexter, City Museum and Art Gallery, Stoke-on-Trent

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