2005
British School of Rome Scholarship

2000 to the present
Goldsmith College, London: Fine Art (PhD)

1995 - 96
Chelsea College of Art, London: Fine Art (MA)

1987 - 1991
Reading University, Reading: Fine Art (BA)

2005
Mike Marshall, Ikon Gallery, Birmingham

2004
Gwangju Biennale, Gwangju, Korea
Project at Tate St Ives, Cornwall

2003
What if Things Where Different, Chapman and Glass Box Galleries, Manchester
Mike Marshall, Union, London

2002
Lizard Afternoons, VTO, London

2001
Planisphere, The Economist, London

2004
Pleasure Garden, Nottingham Castle, Nottingham
All This Useless Beauty, Whitechapel Project Space, London
Fantastic Realism, Talinn Art Hall, Estonia
No Particular Place to Go, APT Gallery, London
In The Middle of All This, 6 Chapel Row, Bath

2003
Days Like These, Tate Britain, London
Void, Yokohama Art Gallery, Yokohama

2002
The Earth is Flat, Ikon Gallery, Birmingham
Cab Gallery retrospective, Essor Gallery Project Space, London
Say Hello to Peace and Tranquillity, Netherlands Media Art Institute, Amsterdam
No One Ever Dies Here, Hartware Kunstverein Dortmund
Park4tv, Cable TV project, New York, Amsterdam, Berlin

2001
Basel Art Fair, VTO Gallery, Basel
Group Show, A22 projects, London
Group Show, Zero Arte Contemporanea, Piacenza
Arco, A22 Projects, Madrid
Project for Cab Gallery, London

2000
Mul-Te-Pul-Sho
A22 Projects, London
Somewhere Someone is Doing Something, VTO Gallery London
Turn On, Ikon Gallery Touring Show, Birmingham

1998
Near, Sharjah Museum of Art, Sharjah, United Emirates
U.A.E. Bund London
KX Gallery, Hamburg
Diving for Pearls, Submarine HMS Onyx, Liverpool
every day, Biennale of Sydney, Sydney
What Difference Does It Make, Cambridge Darkroom Gallery, Cambridge
Hamburg Short Film Festival, Twelve Night Festival, Video Programme, Bergen
I’m very well thank you you’re welcome, Studio A, London
Mike Marshall and Liz Kent, Bund Projects London

1997
Multiple Choice, Cubitt Gallery. London
Recent Acquisitions, Bund, Kensington, London
Such is Life, Touring in conjunction with the Serpentine Video programme, London

2003
Herbert, Martin, review, ArtForum, New York, November, p.201
Harrison, Sara, review, Art Monthly, London, July – August, p. 39 – 40
Coomer, Martin, review, Time Out, London August 13th – 20th
Kent, Sarah, review, Time Out, London, March 5th – 12th p. 49
Patrick, Keith, review, Contemporary, London, Issue 50

Publications

2003
Days Like These, Tate Triennial Exhibition of Contemporary British Art, Tate Gallery, London
Void, Yokohama Art Gallery, Yokohama

1998
Every Day, Sydney Biennale, Sydney

www.union-gallery.com