Barbara Kruger
20 Oct 2018 - 30 Nov 2020
Barbara Kruger, Untitled (Questions), 1990/2018, on view October 20, 2018–November 2020 at The Geffen Contemporary at MOCA, photo by Elon Schoenholz
Barbara Kruger, Untitled (Questions), 1990/2018, on view October 20, 2018–November 2020 at The Geffen Contemporary at MOCA, photo by Elon Schoenholz
Barbara Kruger, Untitled (Questions), 1990/2018, on view October 20, 2018–November 2020 at The Geffen Contemporary at MOCA, photo by Elon Schoenholz
Barbara Kruger, Untitled (Questions) (1990/2018)
MOCA has reinstalled the monumental wall work by Los Angeles–based artist Barbara Kruger (b. New York 1945), Untitled (Questions) (1990/2018). The emblematic red, white, and blue artwork was originally commissioned by MOCA in 1989 for the exhibition A Forest of Signs: Art in the Crisis of Representation, and was last installed in 1990 on the south wall of MOCA’s building (now The Geffen Contemporary at MOCA). The work holds an iconic place in the collective memory of Los Angeles’s art community and is considered one of the museum’s curatorial highlights over its forty-year history.
This iteration is installed on the north facade of The Geffen Contemporary at MOCA, facing Temple Street and measuring 30 by 191 feet. Asking nine questions including “Who is beyond the law?,” “Who is bought and sold?,” and “Who is free to choose?,” the work points to issues of patriotism, civic engagement, and power relations. In connection with the work, MOCA led a series of voter registration efforts during the 2018 midterms, and will continue these efforts in advance of the 2020 general election.
This project was initiated by MOCA Director Klaus Biesenbach and is organized by MOCA Senior Curator Bennett Simpson.
MOCA has reinstalled the monumental wall work by Los Angeles–based artist Barbara Kruger (b. New York 1945), Untitled (Questions) (1990/2018). The emblematic red, white, and blue artwork was originally commissioned by MOCA in 1989 for the exhibition A Forest of Signs: Art in the Crisis of Representation, and was last installed in 1990 on the south wall of MOCA’s building (now The Geffen Contemporary at MOCA). The work holds an iconic place in the collective memory of Los Angeles’s art community and is considered one of the museum’s curatorial highlights over its forty-year history.
This iteration is installed on the north facade of The Geffen Contemporary at MOCA, facing Temple Street and measuring 30 by 191 feet. Asking nine questions including “Who is beyond the law?,” “Who is bought and sold?,” and “Who is free to choose?,” the work points to issues of patriotism, civic engagement, and power relations. In connection with the work, MOCA led a series of voter registration efforts during the 2018 midterms, and will continue these efforts in advance of the 2020 general election.
This project was initiated by MOCA Director Klaus Biesenbach and is organized by MOCA Senior Curator Bennett Simpson.