Peter Shire
Naked Is the Best Disguise
22 Apr - 02 Jul 2017
Installation view of Peter Shire: Naked Is the Best Disguise, April 22-July 2, 2017 at MOCA Pacific Design Center, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Zak Kelley
Installation view of Peter Shire: Naked Is the Best Disguise, April 22-July 2, 2017 at MOCA Pacific Design Center, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Zak Kelley
Installation view of Peter Shire: Naked Is the Best Disguise, April 22-July 2, 2017 at MOCA Pacific Design Center, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Zak Kelley
Installation view of Peter Shire: Naked Is the Best Disguise, April 22-July 2, 2017 at MOCA Pacific Design Center, courtesy of The Museum of Contemporary Art, Los Angeles, photo by Zak Kelley
PETER SHIRE
Naked Is the Best Disguise
22 April – 2 July 2017
Curator: Anna Katz
Peter Shire: Naked Is the Best Disguise is a survey of Los Angeles–based artist Peter Shire’s work in design from the 1970s to the present, consisting of ceramics, furniture, and a small selection of works on paper. A key figure in Southern California’s postwar “post-pottery” ceramics movement, Shire rose to prominence in the 1980s as a member of Memphis, the Milan-based design collective. He is perhaps best known for his signature splatter-painted mugs and handcrafted earthenware produced under the name Echo Park Pottery. Peter Shire: Naked Is the Best Disguise features tables, lamps, and chairs—including Shire’s celebrated Bel Air Chair (1981)—alongside a selection of drawings providing insight into the artist’s design process. The exhibition also includes more than twenty examples of the artist’s touchstone form: the teapot.
Naked Is the Best Disguise
22 April – 2 July 2017
Curator: Anna Katz
Peter Shire: Naked Is the Best Disguise is a survey of Los Angeles–based artist Peter Shire’s work in design from the 1970s to the present, consisting of ceramics, furniture, and a small selection of works on paper. A key figure in Southern California’s postwar “post-pottery” ceramics movement, Shire rose to prominence in the 1980s as a member of Memphis, the Milan-based design collective. He is perhaps best known for his signature splatter-painted mugs and handcrafted earthenware produced under the name Echo Park Pottery. Peter Shire: Naked Is the Best Disguise features tables, lamps, and chairs—including Shire’s celebrated Bel Air Chair (1981)—alongside a selection of drawings providing insight into the artist’s design process. The exhibition also includes more than twenty examples of the artist’s touchstone form: the teapot.