NUNZIO DE MARTINO
While Nietzsche asserted the art was un instrument of liberation by vital interesting and power’s will of overman (Ubermensch), in heideggerian interpretation the art is not a value itself but it is a creative capacity of whom the human subject cannot dispose as he like since it involves itself a substantial relation that constitute “ the being” with original revelation of the truth.In Nunzio De Martino works there is a sense of originary thruth that reveals through form and in the project and give any elaboration process before creative process.
There is religious background in methodical work proposed by the Neapolitan artist, where his own “I” splits between being the receptive strength and the productive energy of the mark.
De Martino’s works (drawings, installations, objects) live in precarious liminal, original balance where image reproduces in an infinity multiplication of primary elements.
Angelo Capasso