Amelia Peláez
04 Dec 2013 - 23 Feb 2014
Amelia Peláez
Marpacífico (Hibiscus), 1936
Private collection © Amelia Pelaez Foundation. Photo credit: Sid Hoeltzell.
Marpacífico (Hibiscus), 1936
Private collection © Amelia Pelaez Foundation. Photo credit: Sid Hoeltzell.
AMELIA PELÁEZ
The Craft of Modernity
4 December 2013 - 23 February 2014
Pérez Art Museum Miami (PAMM) will present a focused selection of works by Amelia Peláez del Casal (b. 1896 – d. 1968), one of the most important Cuban painters of the modernist era. Alongside artists such as Carlos Enríquez, Wifredo Lam, Victor Manuel and Fidelio Ponce de León, Peláez personifies the primera vanguardia—the first wave of Cuban artists who traveled to Europe before World War II, where they were exposed to Cubism, Surrealism and other contemporaneous styles. When these artists subsequently returned to the island nation, they introduced the artistic innovations they had adopted abroad and transformed them by incorporating aspects of their native cultural and national identities.
Peláez is best known for brightly colored, quasi-abstract compositions that feature decorative objects and ornamental architectural motifs, evoking the traditional domestic interiors of Havana. This exhibition will take a socio-historical approach, examining Peláez’s work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century.
The Craft of Modernity
4 December 2013 - 23 February 2014
Pérez Art Museum Miami (PAMM) will present a focused selection of works by Amelia Peláez del Casal (b. 1896 – d. 1968), one of the most important Cuban painters of the modernist era. Alongside artists such as Carlos Enríquez, Wifredo Lam, Victor Manuel and Fidelio Ponce de León, Peláez personifies the primera vanguardia—the first wave of Cuban artists who traveled to Europe before World War II, where they were exposed to Cubism, Surrealism and other contemporaneous styles. When these artists subsequently returned to the island nation, they introduced the artistic innovations they had adopted abroad and transformed them by incorporating aspects of their native cultural and national identities.
Peláez is best known for brightly colored, quasi-abstract compositions that feature decorative objects and ornamental architectural motifs, evoking the traditional domestic interiors of Havana. This exhibition will take a socio-historical approach, examining Peláez’s work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century.