2007-2008 People, Places, Animals, ACCA, Melbourne, Australia
2007
Constable, The Town Hall Galleries, Ipswich
Zoo, Glynn Vivian Gallery, Swansae
Zoo, Anthony Reynolds Gallery, London
Zoo, Wolverhampton Art Gallery, Wolverhampton
Zoo, La Fabrica, Madrid
Richard Billingham, ACCA, Melbourne
2006
Zoo, Compton Verney, Warwickshire
Black Country, The New Art Gallery, Walsall
2005 Black Country, La Fabrica, Madrid
Black Country, Galleria Marabini, Bologna
Black Country, Galway Arts Festival, Galway
Black Country, Anthony Reynolds Gallery, London
2004 SintLukas, Brussels
New Forest, ArtSway Galleries, Hampshire
2003 New Pictures, Anthony Reynolds Gallery, London
Trafo – House of Contemporary Arts, Budapest
2002 Fishtank, Temple Bar, Dublin
2000 Ikon Gallery, Birmingham (cat.) touring to Douglas Hyde Gallery, Dublin;
Nikolaj Contemporary Art Centre, Copenhagen; Brno House of Arts, Czech Republic;
Hasselblad Centre, Göteberg, Sweden; Kunsthalle Willhelmshaven, Germany
1999 British School at Rome, Rome
Galerie Mot & Van den Boogaard, Brussels
Galerie Monica Reitz, Frankfurt am Main
1998 Anthony Reynolds Gallery, London
1997 Galeria Massimo De Carlo, Milan
Galerie Jennifer Flay, Paris
Regen Projects, Los Angeles
Luhring Augustine, New York
1996 Portfolio Gallery, Edinburgh
National Museum of Film and Photography, Bradford
Anthony Reynolds Gallery, London

2008
Damaged Romanticism, University of Houston, Texas
Ruination: Photographs of Rome, The University of Nottingham, Nottingham
Through the Lens, Royal West of England Academy, Bristol
2007
Landscape Photography, Sadler’s Wells, London
Between Today and Yesterday, Turnpike Gallery, Leigh, Gtr. Manchester
The Photographer’s Contract, Museum Morsbroich, Leverkusen
7th International Photo Triennial, Esslingen
Fishtank, Holburne Museum of Fine Art, Bath
2006
Out of Place, New Art Gallery, Walsall
Autonomia, Galerie LUMC, Leids Universitair Medisch Centrum
Shoot the Family, Cranbrook Art Museum, Michigan
The Photographer’s Contract, Akademie der Kunste, Berlin; Museum Mrsbroich, Leverkusen
Beso de Culebra - Kiss of the Snaky, Garash Gallery, Mexco City
Check-in Europe - Reflecting Identities in Contemporary Art, EPO, München
Inheritance, Olympus, The Music Rooms, London
Making History: Art and Documentary in Britain from 1929 to Now, Tatel Liverpool (cat.)
Responding to Rome, Estorick Collection London
2005 Rencontres Internationales Paris/Berlin, Paris.
Appearance, Whitehall Waterfront, Leeds (cat.)
Liminal Britain, University of North Texas Art Gallery, Denton
Lismore Castle, County Waterford, Ireland (cat.)
Bidibibodibiboo, Fondazione Sandretto Re Rebaudengo, Torino
Miradas y Conceptos, MEIAC, Badajoz
New Forest, Palazzo Zenobio, Venice
Radical and Modest, Ben Uri Gallery, London
The Dream of Myself, the Dream of the World, Fotomuseum Winterthur, Wintherthur
Picture of Britain, Tate Britain, London
Critics Choice, FACT, Liverpool
The House In The Middle, The Impressions Gallery of Photography, York
The House In The Middle, Tower Art Gallery and Museum, Eastbourne
Shoot The Family, CCA Wattis Institute for Contemporary Arts, San Francisco
Contemporanea, Fondacion Juan March, Madrid
Generation X: Junge Kunst aus der Sammlung, Kunstmuseum Wolfsburg, Wolfsburg
2004 Playstation, Hygiene-Museum, Dresden
Sometime, Anthony Reynolds Gallery, London
Pillish: Harsch Realities and Gorgeous Destinations, Museum of Contemporary Art, Denver
The House In The Middle, Photoworks, Brighton
Cold Play – set 1 from the collection of the Fotomuseum Winterthur, Reed Exhibitions – Paris Photo, Paris
Hors-d'oeuvre: Ordre et desordres de la nourriture, capc Musee d'art conteporain de Bordeaux
Tape 291, 291 Gallery, London
Social Strategies, Schick Art Gallery, Saratoga Springs, NY
Stranger than Fiction, City Art Gallery, Leeds (Arts Council touring exhibitions) (cat.)
2003 Love over Gold, Gallery of Modern Art, Glasgow
La creazione ansiosa , Galleria d’Arte Moderna e Contemporanea Palazzo Forti, Verona (cat.)
Picture of You, Galeria Estrany de la Mota, Barcelona
A Bigger Splash: British Art from Tate 1960 – 2003, Pavilhão Lucas Nogueira Garcez, São Paulo (cat.)
Richard Billingham, House of Contemporary Arts, Trafó Gallery, Budapest
A Period Eye, Norwich Castle Museum and Art Gallery, Norwich
Social Strategies: Redefining Social Realism, University of California, Santa Barbara and tour
The Family, The Gallery, Windsor, Florida (cat.)
Home Sweet Home, Aarhus Kunstmuseum, Aarhus (cat.)
The Fourth Sex: Adolescent Extremes, Stazione Leopolda, Florence (cat.)
2002 Comer o no Comer, Centro de Arte de Salamanca, Salamanca (cat.)
Yuko Shiraishi: Episode, Mead Gallery, Warwick Arts Centre
Location: UK, Gimpel Fils Gallery, London
Lifesize - International Photography Festival, National Gallery of Art, Rome
Family, Aldrich Museum of Contemporary Art, Connecticut (cat.)
In the Freud Museum, Freud Museum, London
Private Affairs, Kunst Haus, Dresden (cat.)
The Saatchi Gift, National Touring Exhibitions, Talbot Rice Gallery, Edinburgh
Intimacy, The Lowry, Salford
TABU – Mavericks und heisse Eisen, Kunsthaus Baselland, Muttenz (cat.)
2001 Heart of Glass, mirror – London College of Printing, London
Turner Prize exhibition, Tate Britain, London (cat.)
The Dark, Kunstmuseum Wolfsburg, Wolfsburg
Emotional Ties, Tate Gallery, Liverpool
Milano Europa, Milan
The Glen Dimplex Artists Award Exhibition, Irish Museum of Modern Art, Dublin (cat.)
Valencia Biennale, Valencia (cat.)
49th Venice Biennale, Venice (cat.)
New Acquisitions from the Dakis Joannou Collection, Deste Foundation, Athens
Give & Take, Serpentine Gallery, London
I Am a Camera, Saatchi Gallery, London (cat.)
2000 Tate Modern Members room, London
Cities/Faces, centre régional de Cherbourg-Octeville
Scene de la vie conjugale, Villa Arson, Nice
Bleibe – ein Projekt von ‘art in dialog’ (Jorg & Karen van der Berg, Universitat Witten/Herdecke), Akademie der Kunste, Berlin
Body Beautiful, Galerie Jennifer Flay, Paris
warningSHOTS, Royal Armouries, Leeds
The Sleep of Reason, Norwich Gallery and tour (cat.)
Through the Looking Glass: Artists investigating family life, University of Essex (cat.)
2000 Quotidiana, Castello di Rivoli, Turin (cat.)
1999 Close-Ups, Contemporary Art and Carl Th. Dreyer, Nikolaj Contemporary Art Centre, Copenhagen (cat.)
Centre for the Arts, Montreal (cat., le mois de la photo a montreal 1999)
Interior Britannia: Richard Billingham/Anna Fox, Saidye Bronfman
Officina Europa, Villa delle Rose, Galleria d’Arte Moderna, Bologna and tour (cat.)
Endzeit, Galerie Six Friedrich Lisa Ungar, Munich
Common People, Fondazione Sandretto Re Rebaudengo, Guarene (cat.)
La Casa, Il Corpo, Il Cuore, 20er Haus, Museum Moderner Kunst Stiftung Ludwig, Vienna (cat.)
Anthony Reynolds Gallery, London
International Neurotic Realism: Bern Now!, Galerie Francesca Pia, Bern
Janviers en Bourgogne: Xn, L’Espace des Arts, Chalon-sur-Saône
1998 Mois de la Photographie, galerie Agnès b., Paris
Family, Inverleith House, Edinburgh
Remix, Musée des Beaux Arts, Nantes
Malos Habitos, Galerie Soledad Lorenzo, Madrid (cat.)
Sensation: Young British Artist from the Saatchi Collection, Hamburger Bahnhof,
Museum fur Gegenwart, Berlin (cat.)
Galerie Barbara Gross, Munich
Life is a Bitch, De Appel Foundation, Amsterdam (cat.)
Edinburgh Film and Television Festival, Edinburgh
U.K.Maximum Diversity, Benger Areal, Bregenz
7de Zomer van de Fotografie, Museum voor Fotografie, Antwerp
Not Strictly Private, Shed im Eisenwerk, Frauenfeld
Le Printemps de Cahors, Cahors (cat.)
Women, Galerie Klemens Gasser und Tanja Grunert, Cologne
Close Echoes, Public Body and Artificial Space, City Gallery, Prague; Kunsthalle, Krems (cat.)
Wounds. Between Democracy and Redemption in Contemporary Art, Moderna Museet,
Stockholm (cat.)
Head First, City Art Gallery, Leicester and tour
1997 Galerie Francesca Pia, Bern
Private Face-Urban Space, Gasworks, Athens; L. Kanakakis Municipal Gallery of Rethymnon,
Crete (cat.)
Strange Days, Claudia Gian Ferrari Arte Contemporanea, Milan (cat.)
Sensation: Young British Artists from the Saatchi Collection, The Royal Academy, London (cat.)
Pictura Britannica, Museum of Contemporary Art, Sydney, Art Gallery of South Australia,
Adelaide, Te Papa, New Zealand (cat.)
Home Sweet Home, Deichtorhallen, Hamburg: Engel: Engel, Kunsthalle, Vienna, Galerie Rudolfinum, Prague (cat.)
Observaties/Observations, Recent acquisitions, PTT Museum, The Hague (cat.)
Vis-à-vi(e)s, Galerie Art et Essai, Université Rennes 2, Rennes (cat.)
The Citibank Private Bank Photography Prize, Royal College of Art, London (cat.)
Anthony Reynolds Gallery, London
SIAFO, Seoul
1996 Full House, Kunstmuseum Wolfsburg
Blick von innen, Galerie Monika Reitz, Frankfurt-am-Main
Photos Leurres, Mois de la Photo, Galerie de Jour Agnès B, Paris (cat.)
New Photography 12, Museum of Modern Art, New York
Life/Live, ARC, Musée d’Art Moderne de la Ville de Paris, Fundação das Descobertas,
Centro Cultural de Belem, Lisboa (cat.)
Galerie du Jour Agnès B, Paris
‘Radical Images’ Museum of Contemporary Art, Szombathely, Hungary
‘Radical Images’, Second Austrian Triennal on Photography, Graz
Herkunft? Fotomuseum Winterthur (cat.)
Passage à l’acte, Galerie Jennifer Flay, Paris
Anthony Reynolds Gallery, London
1995 Night and Day, Anthony Reynolds Gallery
1994 Who’s Looking at the Family? Barbican Art Gallery, London (cat.)

2008
Reuel Golden, ‘Richard Billingham: Back to the Land’, Photo District News, issue 6, June
‘Landscapes 2001-2003’, Photoicon, issue 6
‘Photograhpy, Richard Billingham’, Rodeo Photography 2007-2008
Bob Aylott, ‘Art of the Matter’, Amateur Photographer, 5th April
Leo Benedictus, ‘Richard Billingham’s Best Shot’, The Guardian, 28th February
Andrew Stephens, ‘The Art of Trauma’, www.theage.com.au, 12th January
Robert Nelson, ‘Richard Billingham’, www.theage.com.au , 9th January (ill.)
2007- 08
Michael Collins, Photoworks, Autumn/Winter, November/April
2007
Megan Backhouse, ‘My family and other animals’, www.theage.com.au , 19th December
Corrie Perkin, ‘Shooting his family, other animals’, The Australian, 17th December (ill.)
Gordon MacDonald, ‘Interview: Richard Billingham’, Photoworks, Spring/Summer, May/October (ill.)
Helen Sumpter, ‘Richard Billingham’, Time Out, 11th – 17th April (ill.)
Tim Adams, ‘From my family...to other animals’ The Observer, 8th April (ill.)
Sue Steward, ‘Disturbing insights behind bars’, The Evening Standard, 3rd April (ill.)
Richard Billingham, ‘Zoo Snaps’, Cent, The Family and Community issue, Spring/Summer, issue 9 (ill.)
2006
Rikke Hansen, ‘Richard Billingham’, Art Monthly, December – January 2006-2007 (ill.)
Sheila McGregor, 'Richard Billingham', New Art on View (ill.)
Isabelle Le Fevre Stassart, La Photographie Contemporaine, Dada, nr 122, October (ill.)
Filip Luyckx, ‘Richard Billingham: The Solidified Nature Moment’, Sint-Lucasgalerie, September (ill.)
Tim Teeman, 'Life Inside the Human Zoo', The Times, 19 September (ill.)
‘Richard Billingham’, Exit No 22, Living with Animals (ill.)
Glen Mannisto, ‘All in the Family’, Metro Times Detroit, 3 March
Ana Finel Honigman, Richard Billingham, Artnews, February (ill.)
Richard Billingham’, Une Vision du Monde la Collection Video d’Isabelle et Jean-Conrad Lemaitre,
February (cat.) (ill.) February (cat.) (ill.)
2005 A. Martin, ‘Nocturnos’, El Pais, 15 October (ill)
Elena Vozmediano, Richard Billingham, tambien un lugar, El Cultural, 5 Oct (ill)
Francisco Caprio, El Color de la Memoria, ABCD, 24- 30 September, (ill.)
Rocio de la Villa, La version popular del paisajismo, La Vanguardia, 28 Sep (ill.)
Rafael Soldevilla, Richard Billingham Fotografo radical, Man, September (ill.)
Interview by Viola Reale, Rodeo n.18, June 2005
Paul Groves, interview, Birmingham Post, 18th June, 05.
David Osbaldestin, ‘Richard Billingham’s Black Country’, Fused Magazine, Issue 23
‘Richard Billingham’, The Guardian, 4 June 05
Charles Darwent, There's something of the night about him", The Independent on Sunday, 8 May 05 (ill.)
Helen Sumpter, ‘Richard Billingham', Time Out, 18-15 May, London
Jessica Lack, ‘Richard Billingham’, The Guardian Guide, April 30 – May 6 (ill.)
‘Richard Billingham - Black Country’, HYPERLINK "http://www.dogmanet.org" www.dogmanet.org, June 05 (ill.)
2004 Claude Maggiori, ‘Interview d’Image’, Editions du Soleil, Paris
David Acton, ‘Keeping Shadows: Photography at the Worcester Art Musem’, Snoeck, Ghent
'The Journey', Next Level, Edition 01, Volume 3 (ill.)
Gareth Gardner, 'Hidden in the Woods', Blueprint, April (ill.)
Richard Pinsent, 'Richard Billingham at ArtSway', Pluk, March-April (ill.)
Jessica Lack, 'Richard Billingham - Lymington', The Guardian Guide, Feb 28 - March 5 (ill.)
Richard Billingham in Conversation with Claire Canning, ' New Forest', Tank Magazine, Volume 3, Issue 9 (ill.)
Mark Currah, ‘Night and Day’, Time Out, 8-15 November (ill.)
2003 Jane Campbell, ’50 best tips for investing in art’, The Information – The Independent, 25-31 October (ill.)
Susie Steiner, ‘Living with a young master’, The Guardian Weekend, 12 June (ill.)
'Art Athina', Time Out Athens, 27 March - 2April, (ill.)
Mandy Richards, ‘Richard Billingham interview’, E4 Web page (ill.)
Kiállitása, ‘Richard Billingham’, Observer Budapest Médiafigyelõ Kft, 17 April (ill.)
Ned Denny, ‘Eloquent Visions’, New Statesman, 7 April (ill.)
Sue Hubbard, ‘Richard Billingham @ Anthony Reynolds Gallery’, Independent Review, 1 April (ill.)
Niru Ratnam, i-D magazine, April (ill.)
‘Picks of the week’, The Guardian, 31 March
Morgan Falconer, ‘Plains not pains’, What’s On, 26 March – 2 April (ill.)
Fisun Guner, ‘Finding a signature’, Metro, 18 March (ill.)
2003 Nick Hackworth, ‘Caught in an overcrowded landscape’, Evening Standard, 18 March
Jessica Lack, ‘Preview Exhibitions’, The Guardian – The Guide, 15-21 March (ill.)
Rachel Campbell Johnston’s, ‘Best London Exhibitions’, The Times, 15-21 March (ill.)
Simon Grant, ‘Back to nature’, Evening Standard – Metro Life, 14-20 March (ill.)
Louisa Buck, ‘I only make pictures ... everything else is a bonus’, The Art Newspaper,
No.134, March (ill.)
‘Richard Billingham’s Recent Pictures’, Pluk, 11 March – April (ill.)
2002 Aidan Dunne, ‘A Fly on the wall of the Fishtank’, The Irish Times, 1 July
Emily Hourican, ‘My Dublin’, The Dubliner, February
2001 Jens Ronnau, ‘Richard Billingham – Fotografie’, Kunstforum International, December
Gunnar Luetzow, ‘Ich Habe Einen Traum’, Die Zeit, 6 December
Emma Safe, ‘Cradley’s Hero’, a-n magazine for artists, December
Ingeborg Wiensowski, Kultur Spiegel, November
Robert Chesshyre, ‘Meet the parents’, Telegraph Magazine, 17 November
Finian Davern, ‘It might look like a shed ..’, Metro, 7 November
David Lister, ‘Flickering lights, a dusty corridor ..’, The Independent, 7 November
Richard Cork, ‘Whose Turner is it to enrage?’, The Times, 7 November
Adrian Searle, ‘Déjà vu’, The Guardian, 7 November
Richard Dorment, ‘Dullness and Decadence’, The Daily Telegraph, 7 November
'Richard Billingham spoke to PLUK in his hometown', PLUK, Nov - December
‘Time Out Guide to Tate Britain’, Time Out, November
Simon Grant, ‘The Turner Prize 2001’, Tate – The Art Magazine, Winter
Kunstforum International, August – October
Michael Stoeber, ‘Anmut der Armut’, Hannoversche Allgemeine, 18 August
Jens Ronnau, ‘Alltag in Birmingham und anderswo’, Kieler Nachrichten, 8 August
Morgen Fuhrung, ‘Poesie von Armut und Laster’, Wilhelmshavener Zeitung, 7 August
Belinda Grace Gardner, ‘Maja auf zerschilissenen Kissen, blutenumrankt’,
Frankfurter Allgemeine Zeitung, 2 August
Intime Szenen, ‘Zwischen Hakergardinen und Tatoos’, Verdener Zeitung, 1 August
Martin Wein, ‘Die Familie als Kunstobjekt’, Ostfriesland Magazine, August
Jorg Restorff, ‘Richard Billingham’, Kunstzeitung, August
Martin Wein, ‘Asthetik der Proportionen’, Wilhelmshavener Zeitung, 19 June
Martin Wein, ‘Privates im offentlichen Raum’, Wilhelmshavener Zeitung, 15 June
‘Zartlich, lustig und melancholisch – Ein Kunstlerleben’, Neue Rundschau, 13 June
‘Richard Billingham’, Kompass, June
Ute Riese, ‘Richard Billingham’. Punkt
‘Richard Billingham – Fotografie’, Wesermarsch Magazin, June
Luke Leitch, ‘Blu-Tack period artist shortlisted for Turner Prize’, Evening Standard, 31 May
Bill Mouland, ‘The Turner Prize is back with a squalid family album, a blob of Blu-Tack and not a drop of paint’, Daily Mail, 31 May
Dalya Alberge, ‘Familiar Rubbish on Turner shortlist’, The Times, 31 May
Louise Jury, ‘Crumpled piece of A4 paper gives artist his brush with fame’, The Independent, 31 May
Nigel Reynolds, ‘The four enigmas on Turner shortlist’, The Daily Telegraph, 31 May
Richard Dorment, ‘Perverse choices short on judgement’, The Daily Telegraph, 31 May
Adrian Searle, Appalling fascination of a career-enhancing competition, The Guardian, 31 May
Maev Kennedy, ‘Bookies see film-maker as surprise favourite’, The Guardian, 31 May
I am a Camera, Booth-Clibborn Editions
John McEwen, ‘Fun Moments that just Melt in the Memory’, The Sunday Telegraph, 28 January
2000 ‘Vertical Reality’, The Guardian, 4 November
Catherine Harty, ‘Richard Billingham’, Ssi Newsletter, September/October
Lynn Barber, ‘This camera never lies’, Sunday Independent, 13 August
Marianne Hartigan, ‘Picturing Lives no less Ordinary’, The Sunday Tribune, 13 August
Mic Moroney, ‘A take of his own on the World’, The Irish Times, 3 August
Ciara Ferguson, ‘Family snaps with a grim difference’, Sunday Independent, 3 August
Billy Leahy, ‘Richard Billingham’, In Dublin, 27 July - 9 August
‘Richard Billingham’, Art Monthly, July-August, p.45
Chantal Pontbriand, ‘Communauté et Gestes’, Parachute
Nick Ellis, ‘Don’t say ‘cheese’’, Society magazine, July
‘At Home with Mum’, Independent on Sunday, 9 July
‘Richard Billingham’, Artclub Magazine, Summer
John Russell Taylor, ‘The Big Show: Richard Billingham’, Metro, 17-23 June
Sue Hubbard, Independent, 20 June
Natalie Cotton, ‘Richard Billingham’, Red Brick, 10-16 June
Adrian Searle, ‘Who needs the Royle Family’, The Guardian, 13 June
Helen Sumpter, ‘Recommended Art: Richard Billingham’, The Big Issue, 5-11 June
Annette Rubery, ‘Richard Billingham’, Metro Life, 9 June
Richard Cork, ‘At Home with Ray and Liz’, The Times, 9 June
Robert Clark, ‘Family Portraits’, The Guardian Guide, 3-9 June
Terry Grimley, ‘Art and Life on the streets of Cradley’, The Birmingham Post, 8 June
Stephen Pile, ‘Goodbye to Mum and Dad’, The Daily Telegraph, 3 June
Nicola Freeman, ‘Sticks and Stones’, Sight and Sound, May
Lynn Barber, ‘Candid Camera’, The Observer Magazine, 28 May
Laura Craik, ‘Doom with a View’, The Face, May
Gianluca Marziani, Flash Art, Feb- March
Carlo Alberto Bucci, ‘A Proposito di Mia Madre’, Alias (il Manifesto), 8 January
‘Snap Ruling’, The Times (Metro), 5-11 February
Gianni Romano ‘Richard Billingham’, Zoom, January-February
Angelo Capasso, Tema Celeste, January-February
1999 Roberto Cavalluni, ‘Ritratto di Famiglia in um Interno Alienato’, L’Unita, 27 December
Lisa Parola, ‘La famiglia Billingham’, La Stampa, 18 December
Leonardo Gana, ‘Ritratti di Familglia, Time Out, 2-8 December
Marco Cittadini, ‘Billingham, I clic familiari di un fotogafo per sbaglio’, Il Giornale, 25 November
Arianna di Genova, ‘Fishtank’, di Billigham a Milano, Il Manifesto, 23 November
‘Quadretti di Famiglia. Senza Pudore, Amica, 17 NovCarlo Alberto Bucci, ‘Liz, Ray, Anyelica:
bruttezze di mamma e papa’, L’Unita, 22 November
Laura Taccani., ‘Un Tinello sull’ abisso, D-La Repubblica delle Donne, 17 November
Arianna di Genova, ‘Soap Acida in Famiglia’, Alias, 16 October
Gitte Orskou Madsen, Hjem, kaere hjem: Autenticitens dilemma hos Richard Billingham, passepartout, Nummer 13.7 Argang
Di Arianna Di Genova, ‘Soap acida in famiglia’, Alias, Nr.41, 16 October
Jan Estep, ‘Ha Ha, Ray’s a Laugh’, Art Examiner, Sept Vol.27, No.1, p.28-31
Janneke de Vries, ‘Die Außenwelt der Innenwelt’, Frankfurter Rundschau, 3 March
Christa von Helmolt, ‘Mutter als Raucherin vor dem Fenseher’, Frankfurter Allgemeine Zeitung,
26 March (ill.)
Adrian Searle, ‘Family Fortunes’, Frieze, No 34, January –February, p.35-37 (ill.)
Ryszad Gagola, ‘Fishtank’, The Artist Newsletter, January (ill.)
Duncan McLaren, ‘Inverleith House’, The Independent on Sunday, 24 January.
1998 Elisabeth Mahoney, ‘In every home a headache’, The Independent, 22 December
Lynn Cochrane, ‘If it was your mother and father, would you put their pictures in your first book’,
The Scotsman, 12 December (ill.)
Richard Cork, ‘Still lives and relative values’, The Times, 10 December (ill.)
Richard Pinsent, ‘The art of artless realism’, The Art Newspaper, December, p.19 (ill.)
Oliver Bennett, ‘Family and other animals’, The Independent Magazine, 28 November, p.13-17 (ill.)
Jane Richards, ‘I should be working at Kwik Save’, The Guardian, 26 November, p.10-11 (ill.)
‘Realism’, Creative Review, (The Well), December, p.49 (ill.)
Tanja Guha, ‘Richard Billingham’, Time Out, 4-11 November (ill.)
James Lingwood, ‘Inside the fishtank’, Tate, Winter, (ill.)
Claudia Teibler, Entdeckerfreuden bei der Münchner Open Art, Münchner Merkur,
12-13 September (ill.)
C.G., ‘Galerie-Tip’ SZ Extra Austellungen, Nr. 220, 24-30 September
Christoph Wiedemann, ‘Nicht nur, was gut und teuer ist’ SZ Extra Austellungen, Nr. 208, 10-16 September
Johanna Kerschner ‘Das Jubiläumsmotto 1998 ist “Modell galerie”, Und, 11-13 September
Gert Gliewe, ‘Kunst Surf Non Stop’ AZ, 9 September
James Lingwood, ‘Family Values’, Tate, Summer, p.54-58 (ill.)
‘TV Dinner’, Colors, April-May, p.24-25
1997 Peter Plagens, ‘Revenge of the Britpack’, Newsweek, 9 September
Linda Grant, ‘Art with attitude’, The Guardian, 23 September
Adrian Searle, ‘Feeling Frenzy’, The Guardian, 16 September (ill.)
Martin Herbert, Time Out, 15-22 September
Jojo Moyes, ‘Son’s stark portrait of a family at war’, The Independent, 25 August (ill.)
Karen E. Lillis, ‘Richard Billingham’, Art papers, May-June
The Los Angeles Times, 31 March (ill.)
Kristine McKenna, ‘Pictures from Home Fill a Gallery with Pain’, ‘Verkligheten’, ETC, Nr.2, p.38-45
David Pagel, ‘Family Portraits’, Los Angeles Times, 14 March
Katherine Dieckmann, ‘Fat City’, The Village Voice, 11 March, p.84 (ill)
Jim Lewis, ‘No Place Like Home’, Artforum, January, p. 62-67 (cover and ill.)
1996 David Hare, ‘From Demon Eyes to Dunblane, the most memorable images of Observer Life’,
29 December
Steve Bull, ‘Ray’s a Laugh’, Insight, Issue 11, Winter
‘Richard Billingham’, Portfolio, No 24 (ill.)
Riki Simons, ‘Proletarische Chaos’, Esquire, November, p.44 (ill.)
‘Family, Photographs by Richard Billingham’, Switch, p.41-51 (ill)
Julian Rodriguez, ‘Families and How to Survive Them’, British Journal of Photography,
9 October, p.10-11 (ill.)
Gilda Williams, ‘Richard Billingham’, Art Monthly, September, p. 31-32 (ill.)
Interview, Tribeca, no.3 (ill.)
Martin Coomer, ‘Richard Billingham’, Time Out, 24-31 July (ill.)
Mark Sanders, ‘Ray’s a Laugh’, interview, Dazed and Confused, 22 July, p.60-65 (ill.)
Door Arjan Visser, ‘Mijn Familie’, Nieuwe Revu, 3-10 July, p.34-38 (ill.)
Moritz von Uslar, ‘Meine Eltern’, Süddeutsche Zeit, No 25, 21 June, p.10-19 (ill.)
‘Hart und zart’, Facts, 4 June (ill.)
Kim Bunce, The Observer, 2 June
Richard Cork, ‘New Frame of Mind’, The Times Magazine, 1 June
Sarah Kent, ‘My Life is a Dog’, Time Out, 15 May
Ana Paula Orlandi, ‘Insanidade coletiva’, Sexta-feira, p.5, 10 May (ill.)
Mark Sladen, ‘A Family Affair’, Frieze, May (ill.)
Andreas Langen ‘Volle Härte’, Die Woche, 5 April (ill)
‘Real Bites’, ELLE, April (ill.)
Peter Schneider, ‘Wurzel? Strohhalme!’, Zuritip, 29 March (ill.)
Robert Yates, ‘Hello Mother, Hello Father’, The Observer, 31 March
Gordon Burn, ‘Common People’. Guardian Weekend, 30 March (cover and ill.)
Philippe Dagen, ‘Passage à l’acte’, Le Monde, 9 March
Emily Tsingou, ‘Night and Day’, Zingmagazine, Winter 95-Spring 96
Mark Haworth-Booth, ‘Shooting Stars, Richard Billingham’, British Journal of Photography, 17 Jan. (ill.)
1995 Mark Currah, ‘Night and Day’, Time Out, 8-15 November (ill.)