Douglas Gordon
27 Oct 2007 - 24 Feb 2008
Douglas Gordon
Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently, and all simultaneously (installation view), 1992-present
Courtesy the artist and Gagosian Gallery, New York
© 2007 Douglas Gordon
Photo: Antonia Reeve
Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently, and all simultaneously (installation view), 1992-present
Courtesy the artist and Gagosian Gallery, New York
© 2007 Douglas Gordon
Photo: Antonia Reeve
Douglas Gordon
Pretty Much Every Film and Video Work from about 1992 until Now
October 27, 2007 - February 24, 2008
This exhibition brings together nearly all of Glasgow-born Douglas Gordon’s thought-provoking video works from the last 15 years in an ever-growing installation titled Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently, and all simultaneously. The installation, classified as a single work but comprising 48 individual titles displayed on video monitors, includes Gordon’s performance-based videos, as well as famous pieces like 24 Hour Psycho.
Pretty Much Every Film and Video Work from about 1992 until Now
October 27, 2007 - February 24, 2008
This exhibition brings together nearly all of Glasgow-born Douglas Gordon’s thought-provoking video works from the last 15 years in an ever-growing installation titled Pretty much every film and video work from about 1992 until now. To be seen on monitors, some with headphones, others run silently, and all simultaneously. The installation, classified as a single work but comprising 48 individual titles displayed on video monitors, includes Gordon’s performance-based videos, as well as famous pieces like 24 Hour Psycho.