Walker Evans
30 Sep 2017 - 04 Feb 2018
Walker Evans, Roadside Stand Near Birmingham/Roadside Store Between Tuscaloosa and Greensboro, Alabama, 1936
collection of The J. Paul Getty Museum, Los Angeles
© Walker Evans Archive, The Metropolitan Museum of Art, New York
collection of The J. Paul Getty Museum, Los Angeles
© Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Truck and Sign, 1928–30
private collection
© Walker Evans Archive, The Metropolitan Museum of Art, New York
private collection
© Walker Evans Archive, The Metropolitan Museum of Art, New York
Walker Evans, Untitled, 1960s
collection of the J. Paul Getty Museum, Los Angeles
© Walker Evans Archive, The Metropolitan Museum of Art, New York
collection of the J. Paul Getty Museum, Los Angeles
© Walker Evans Archive, The Metropolitan Museum of Art, New York
Lenoir Book Co., Main Street, Showing Confederate Monument, Lenoir, North Carolina [from Walker Evans’s personal collection], 1900–40
collection of The Metropolitan Museum of Art, New York, Walker Evans Archive
© Walker Evans Archive, The Metropolitan Museum of Art, New York
collection of The Metropolitan Museum of Art, New York, Walker Evans Archive
© Walker Evans Archive, The Metropolitan Museum of Art, New York
WALKER EVANS
30 September 2017 – 4 February 2018
Unprecedented in scope and scale, this major retrospective of seminal photographer Walker Evans views his work through the lens of one of his obsessions — the American vernacular, or the language of everyday life found in roadside attractions, postcards, storefronts, and signage across the country.
Over five decades, Evans’s powerful images responded to and reflected the spirit, suffering, and fortitude of a nation. His iconic images of the Great Depression and his postwar photo essays depicting shop window displays, urban architecture, and junked automobiles defined a new documentary style that continues to influence generations of artists.
SFMOMA’s exhibition — the only presentation of this retrospective in the U.S. — joins together over 300 breathtaking prints, many of which have never before been exhibited, with nearly 100 documents and objects, including many from the photographer’s personal archives. Together they reveal an exceptional eye for the details of everyday life and an essential understanding of twentieth-century America.
30 September 2017 – 4 February 2018
Unprecedented in scope and scale, this major retrospective of seminal photographer Walker Evans views his work through the lens of one of his obsessions — the American vernacular, or the language of everyday life found in roadside attractions, postcards, storefronts, and signage across the country.
Over five decades, Evans’s powerful images responded to and reflected the spirit, suffering, and fortitude of a nation. His iconic images of the Great Depression and his postwar photo essays depicting shop window displays, urban architecture, and junked automobiles defined a new documentary style that continues to influence generations of artists.
SFMOMA’s exhibition — the only presentation of this retrospective in the U.S. — joins together over 300 breathtaking prints, many of which have never before been exhibited, with nearly 100 documents and objects, including many from the photographer’s personal archives. Together they reveal an exceptional eye for the details of everyday life and an essential understanding of twentieth-century America.