Torbjørn Rødland
09 Dec 2011 - 14 Jan 2012
© Torbjørn Rødland
Prayer Changes, 2011
Selenium toned silver gelatin print
27 x 33 x 3 cm
32 x 25 cm / 12.6 x 9.84"
Prayer Changes, 2011
Selenium toned silver gelatin print
27 x 33 x 3 cm
32 x 25 cm / 12.6 x 9.84"
TORBJØRN RØDLAND
Eighteen Analogue Double Exposures
9 December, 2011 – 14 January, 2012
SENTENCES ON PHOTOGRAPHY BY TORBJØRN RØDLAND
1. The muteness of a photograph matters as much as its ability to speak.
2. The juxtaposition of photographs matters as much as the muteness of each.
3. All photography fattens. Objectifcation is inescapable.
4. Photography cannot secure the integrity of its subject any more than it can satisfy the need to touch or taste.
5. Good ideas are easily bungled.
6. Banal ideas can be rescued by personal investment and beautiful execution.
7. Lacking an appealing surface, a photograph should depict surfaces appealingly.
8. A photograph that refuses to market anything but its own complexities is perverse. Perversion is bliss.
9. A backlit object is a pregnant object.
10. To disregard symbols is to disregard a part of human perception.
11. Photography may employ tools and characteristics of reportage without being reportage.
12. The only photojournalistic images that remain interesting are the ones that produce or evoke myths.
13. A photographer in doubt will get better results than a photographer caught up in the freedom of irony.
14. The aestheticizing eye is a distant eye. The melancholic eye is a distant eye. The ironic eye is a distant eye.
15. One challenge in photography is to outdistance distance. Immersion is key.
16. Irony may be applied in homeopathic doses.
17. A lyrical photograph should be aware of its absurdity. Lyricism grows from awareness.
18. For the photographer, everyone and everything is a model, including the photograph itself.
19. The photography characterized by these sentences is informed by conceptual art.
20. The photography characterized by these sentences is not conceptual photography.
"Sentences on Photography" was initially published in "Triple Canopy", Issue #12: "Black Box", May 5, 2011
Torbjørn Rødland (b. 1970) lives and works in Los Angeles and Oslo. He has exhibited extensively in Europe at venues such as the Centre Pompidou, Paris; the 48th Venice Biennale, Venice; Astrup Fearnley Museum of Modern Art, Oslo; Stedelijk Museum, Amsterdam; Reina Sofa Museum, Madrid, Contemporary Art Museum St. Louis, St. Louis, Musée d’Art Contemporain de Lyon, Lyon, and Museum of Contemporary Art, Chicago. His solo exhibition at STANDARD (OSLO) will be followed by a solo exhibition at Air de Paris, Paris.
Eighteen Analogue Double Exposures
9 December, 2011 – 14 January, 2012
SENTENCES ON PHOTOGRAPHY BY TORBJØRN RØDLAND
1. The muteness of a photograph matters as much as its ability to speak.
2. The juxtaposition of photographs matters as much as the muteness of each.
3. All photography fattens. Objectifcation is inescapable.
4. Photography cannot secure the integrity of its subject any more than it can satisfy the need to touch or taste.
5. Good ideas are easily bungled.
6. Banal ideas can be rescued by personal investment and beautiful execution.
7. Lacking an appealing surface, a photograph should depict surfaces appealingly.
8. A photograph that refuses to market anything but its own complexities is perverse. Perversion is bliss.
9. A backlit object is a pregnant object.
10. To disregard symbols is to disregard a part of human perception.
11. Photography may employ tools and characteristics of reportage without being reportage.
12. The only photojournalistic images that remain interesting are the ones that produce or evoke myths.
13. A photographer in doubt will get better results than a photographer caught up in the freedom of irony.
14. The aestheticizing eye is a distant eye. The melancholic eye is a distant eye. The ironic eye is a distant eye.
15. One challenge in photography is to outdistance distance. Immersion is key.
16. Irony may be applied in homeopathic doses.
17. A lyrical photograph should be aware of its absurdity. Lyricism grows from awareness.
18. For the photographer, everyone and everything is a model, including the photograph itself.
19. The photography characterized by these sentences is informed by conceptual art.
20. The photography characterized by these sentences is not conceptual photography.
"Sentences on Photography" was initially published in "Triple Canopy", Issue #12: "Black Box", May 5, 2011
Torbjørn Rødland (b. 1970) lives and works in Los Angeles and Oslo. He has exhibited extensively in Europe at venues such as the Centre Pompidou, Paris; the 48th Venice Biennale, Venice; Astrup Fearnley Museum of Modern Art, Oslo; Stedelijk Museum, Amsterdam; Reina Sofa Museum, Madrid, Contemporary Art Museum St. Louis, St. Louis, Musée d’Art Contemporain de Lyon, Lyon, and Museum of Contemporary Art, Chicago. His solo exhibition at STANDARD (OSLO) will be followed by a solo exhibition at Air de Paris, Paris.