1993-1998 Medienkunst, HfG Karlsruhe
1998-1999 Masters Program Fine Arts, UCLA

2021
Kunstfonds Bonn, project grant
2020
Solaris Bordeaux, artist residency
2011
A-I-R Laboratory Zamek Ujazdowski Warschau
2010/2011
London-Stipendium der Kulturverwaltung des Berliner Senats
2010
Künstlerhaus Schloß Balmoral, Atelierstipendium
2009
Künstlerinnenprogramm, Senat Berlin, Projektstipendium
2008
OCAT Shenzhen, China, Atelierstipendium
1. Preis Medien im Raum, Stuttgarter Filmwinter für 50.000.000 CAN’T BE WRONG
2006
Künstlerinnenprogramm, Senate of Berlin, grant
Villa Arson, Nice, France, residency
2004-2005
Kunstfonds Bonn, stipend
2003-2004
Karl Schmidt-Rottluff, stipend
2002
Art 3, residency from the Bundesland Baden-Württemberg and from the Région Rhône-Alpes in Valence, Frankreich
2000 - 2001
residency at Akademie Schloss Solitude Stuttgart
1998 - 1999
visiting scholar in the Graduate Program Fine Arts at UCLA Los Angeles, California, USA
(stipend from Studienstiftung des deutschen Volkes)
1997 - 1999
stipend from Studienstiftung des deutschen Volkes, Bonn

2019
MaMa Cubicle, PS1 Lactation Room, New York, curated by Zanna Gilbert
Kunst und Verkehr, Berlin
2016
legerdemain, as part of the series: L'ÉCRAN SONS D'ARTIFICES, CAPC Bordeaux, curated by Anne-Sophie Dinant
2015
legerdemain, Neue Galerie Innsbruck, curated by Ingeborg Erhardt
milk products, MaMA Cubicle, (The MoMA-Lactation Room) New York, curated by Zanna Gilbert
2014
La Traversée, St. Gervais en Isère, France
2013
L40 Berlin
Versteck, Porcino@Chert Gallery, Berlin
2012
Euville, Quarry of Euville, France
2010
Permanent Gallery, Brighton
2009
LEAVES, South London Gallery Live Art & Film, London, curated by Anne-Sophie Dinant
2008
Waiting for Somewhere Else, Goethe-Institut Hong Kong
Embodied Truth, Galerie Giti Nourbakhsch, Berlin2007
50.000.000 CAN’T BE WRONG, supportico lopez 32, Naples, curated by Gigiotto del Vecchio
2005
finistère, Galerie Giti Nourbakhsch, Berlin
Songs from out there, Sassa Trülzsch, Berlin
2002
Dissolve, Galerie Giti Nourbakhsch, Berlin
2001
Galerie Borgmann Nathusius, Cologne (with Gary Ward)
Räume, Akademie Schloss Solitude, Stuttgart
2000
Galerie K & S Berlin (with Daniel Roth)
Fotografie, Galerie Karlheinz Meyer, Karlsruhe (with Barbara Trautmann and Günther Förg)
1999
Trees, Galerie Karlheinz Meyer, Karlsruhe (with Candida Höfer)
Trees, Graduate Studios UCLA Culver City, Los Angeles, USA

2022
forcierte Relikte, Haus am Lützowplatz, Berlin, kuratiert von Jérôme Chazeix
Mimicry—Empathy, Friche la Belle de Mai, Marseille, Frankreich
2021
Routes of Empathy, kuratiert von Stella Geppert, HAUNT Berlin
Arboretum, arc en rêve, Bordeaux, Frankreich
Grün, LA Raum Berlin
A Film is Not a Building, kuratiert von Kate Brown, Los Angeles Film Forum
I saw the sign, Schau Fenster Berlin, kuratiert von Anina Brisolla und Andrea Pichl
day for night, in Kino-Schaukästen Berlin-Mitte
2020
Cornfeld, Kommunale Galerie Berlin, initiated by Heidi Specker
ELVIS AND WEIN & MOZART, Fondazione Morra Greco, Naples, Curated by Alessia Volpe
2019
SHOWCASE: Prints & Poster, Richas Digest, Cologne
Von Pflanzen und Menschen, Hygiene Museum Dresden, curated by Kathrin Meyer
2018
Mimikry—Empathie, Lajevardi Foundation, Teheran, Iran
Pissing in a River. Again! Kunstraum Kreuzberg/Bethanien, curated by Andrea Pichl and Stephanie Kloss
2017
Künstlerbücher für alles, Zentrum für Künstlerpublikationen, Weserburg Bremen
Pissing in a River, Bar Babette Berlin, curated by Andrea Pichl
2016
Sprint, O’, Via Pastrengo 12, Milano
abC, 21st Century Minsheng Art Museum, Shanghai
Passion, Fanverhalten und Kunst, curated by Christoph Tannert, Künstlerhaus Bethanien Berlin, Kunsthaus Kiel (catalogue)
On Disappearing And For Vanishing, Tartmus, Tartu, Estonia

2015
Situations #26, Fotomuseum Winterthur
I have always imagined that Paradise will be a kind of library, Hamburger Bahnhof Berlin
David Horvitz Stamp Project in Kollaboration mit Printed Matter, New York
Das instabile Objekt, Salon am Moritzplatz Berlin
Passion, Fanverhalten und Kunst, curated by Christoph Tannert, Künstlerhaus Bethanien Berlin, Kunsthaus Nürnberg (catalogue)
Haus im Film, dokART Metropolis- Kino Hamburg

2014
How to Disappear Completely, Kunstpavillon Innsbruck, curated by Ingeborg Erhardt
SOLOS III, Ozean, Berlin
Uckermarkfestival
Festival Les Photaumnales, Beauvais, France
Affekte, Kunstpalais Erlangen, curated by Claudia Emmert and Simone Neuenschwander

2013
Caution, Things may appear different than they are, AEG-Gelände, Nürnberg
Euville, Motto Distribution Berlin
Fans Attitudes. Images de l'adoration. 106 Rouen
Screening Nature, Whitechapel Gallery, London

2013
Screening Nature, Whitechapel Gallery, London
Fans Attitudes. Images de l'adoration. 106 Rouen

2012
Close Encounters, Sassa Trülzsch, Berlin
Res Publica Res Privata, L40 Berlin, curated by Susanne Prinz (catalogue)
Saloon du Livre, Geneva, curated by Izet Sheshivari (catalogue)
In Search of..., Groningen, curated by Daniel Dennis de Wit and Lennart Dort
Stadt und Land, Konrad Fischer Galerie, Düsseldorf
Thank you for the Music, Kiasma, museum for contemporary Art, Helsinki, Finland (catalogue)

2011
km 500, Kunsthalle Mainz
Imperfect Health, CCA Montréal, Canada
Sélést’Art 2011, Biennial for Contemporary Art, Séléstat, France (catalogue)
Gone to Croatan, HMKV Dortmund, curated by Daniel Muzyczuk (catalogue)
Free Rider, Experimenta Hong Kong, curated by Nana Seo
Token, Took, Chert Gallery, Berlin (Gallery exchange Paris Berlin with Gaudel de Stampa Paris)

2010
Wikitopia, Videotage Hong Kong
Fan Club, Grundy Art Gallery, Blackpool
Jane Arden Project, Royal College of Communication, London, curated by Charlotte Procter
solace, video screening at Austrian Cultural Forum New York, curated by Andreas Huber
Tytuł Roboczy. Working Title, Akademie Schloss Solitude, Stuttgart
Auto-Kino!, presented by Phil Collins, Temporäre Kunsthalle Berlin (catalogue)

2009
Zeigen, eine Audiotour, assembled by Karin Sander, Temporäre Kunsthalle Berlin (catalogue)
Tytuł Roboczy. Working Title, Centre for Contemporary Art Ujazdowski Castle, Warsaw
Lange Filmnacht mit Clemens von Wedemeyer, NBK Berlin
V-Effekt / In and Out of Place, Bibliothekswohnung Anna-Catharina Gebbers, Berlin
THIS IS NOT AMERICA, El Descanso del Guerrero, San Juan, Puerto Rico,
assembled by Pablo Leon de la Barra
Desiring Necessities, John Hansard Gallery, Southampton, curated by Ilaria Gianni (catalogue)
Just in the Dark, Mercati di Traiano, Rom, Italy, curated by Cecilia Canziani and Andrea Viliani (catalogue)
No More Reality, Step 4, proposed by: Claire Staebler & Jelena Vesic, DEPO Istanbul
Videonale 12, Bonn (catalogue)

2008
Fantasmata, Arge Kunstverein, Bozen, Italy, curated by Luigi Fassi
Re-Cherche, Kunststiftung Baden-Württemberg, Stuttgart (catalogue)
Archeology of Mind, Collection Morra Greco, curated by Luigi Fassi, Malmö Art Museum, Sweden, Kuntsi
Museum of Modern Art, Vaasa, Finland
The Krautcho Club/In and Out of Place, Forgotten Bar Project, Berlin, proposed by Anna-Catharina Gebbers
Die Maße des Wertes, Berlin curated by Klaus Winicher

No More Reality, Step 3: OPEN ARCHIVE, proposed by: Claire Staebler & Jelena Vesic, De Appel, Amsterdam
Past Forward, Zabludowicz Collection, London, curated by Vincent Honoré (catalogue)
Pop Art Portraits, Lange Nacht der Museen, Staatsgalerie Stuttgart
Reflection, PynchukArtCentre, Kiev, Ukraine, curated by Claire Staebler
The Unfair Fair, 1:1 Projects, Rom, Italy, curated by Cecilia Canziani and Vincent Honoré
Medien im Raum, Stuttgarter Filmwinter

2007
Künstlerinnenprogramm, Kino Arsenal, Berlin
Performance Z-A: a Pavillion and 26 Days of Events, Storefront Gallery, New York
Public Screen, Thessaloniki Biennale, (catalogue)
Mind Hacking, Wewerka Pavillon Münster; Römerstr., Akademie Schloß Solitude Stuttgart; Museum für
Gegenwartskunst Siegen, curated by Antonia Lotz and Theresa Frölich
Macho Painter Scum, Prag Biennale, Karlin Hall, kuratiert von Andreas Schlaegel (catalogue)
...e ricomincio da tre, Studio la Città, Verona, curated by Maria Rosa Sossai and Luca Massimo Barberi
Kunstblog.com Party, curated by Joachim Reck
12. Rencontres Internationales Paris Berlin, Madrid, Circulo dellas Bellas Artes
searching for an ideal urbanity, Akademie Schloss Solitude Stuttgart
EARTH?, Galerie Giti Nourbakhsch, Berlin
I’m Future Melancholic, tank.tv, Tate Modern, London, gogallery Mailand, curated by Anne-Sophie Dinant
Abstraction, surface, air, Georges, Centre Georges Pompidou, Paris, curated by Nicolas Tremblay, bureaudesvideos.com

2006
11. Rencontres Internationales Paris Berlin, Paris
Klinik — a Pathology of Gesture, Hebbeltheater, Berlin, curated by Anselm Franke and Hila Peleg
Pulsar, Periférico Caracas, Venezuela
Busan Biennale, Busan, Corea
Nicht weit vom Stamm, Galerie Konrad Fischer, Düsseldorf
Artists make Videos, Goethe Institute Amman, Jordania
Lux, Max Ophüls Preis Festival, Saarbrücken

2005
10. Rencontres Internationales Paris Berlin, Paris
A Haunting, Castlefield Gallery, Manchester
Placements, /Galerie/Store/52°31’52’’,13°22’55’’/, curated by Andrew Cannon
Acid Rain, Glassbox, Paris, curated by Vincent Honoré
10. Videonale Bonn, Kunstmuseum, Bonn
Radiodays, CTP, de Appel, Amsterdam
2004 kurzdavordanach, SK-Kulturstiftung Cologne curated by Wilhelm Schürmann
9. Rencontres Internationales Paris Berlin, Paris
Missing Time, Art Centre Hong Kong, video programme curated by Laurent Grasso
Playlist, Palais de Tokyo, Paris
Zwischenwelten, Oktokogon, Dresden, curated by Constanze von Marlin

2003
Geographies #3, Galerie Chantal Crousel, Paris
Karl Schmidt-Rottluff-Stipendiaten, Kunsthalle Düsseldorf
Night Effect, Carlo’s Depot, Berlin, curated by Eva Svennung (Toasting Agency)
Passages, Art3 Valence, (F) (with Rut Blees Luxemburg und Wendelien van Oldenborgh)
Galerie Giti Nourbakhsch, Berlin
Akademie Schloss Solitude, Stuttgart

2002
A Need of Realism, Solitude in Schloss Ujazdowski, Warszawa, Poland
Golden Week, Kodama Gallery, Osaka, Japan, curated by Eva Svennung (Toasting Agency)

2001
Not At Home, Römerstr. 2, Stuttgart, curated by Gary Ward and Susanne Bürner
Circles No. 5, Montana Sacra, ZKM Karlsruhe, curated by Christoph Keller
CamoShow, Museum Wiesbaden, curated by Alexis Vaillant and Léonor Nuridsany
Papier, Galerie Borgmann Nathusius, Cologne

Nomas Foundation
B.P.S.22 project, Charleroi, Belgium
Zabludowicz Collection, London
Fondazione Morra Greco, Naples
Collection Wilhelm Schürmann
Deutsche Bank
DZ-Bank
Staatsgalerie Stuttgart
Thyssen-Bornemisza Contemporary Art Foundation
ZKM Karksruhe

2019
7. Herfeh Honarmand Magazine, Tehran
2018
ZAHA, arttourist.com, magazine, p. 57
2017
Questionnaire: Candida Höfer, https://frieze.com/article/questionnaire-candida-hofer?language=de 12.01.2017
six questions: Susanne Bürner, tique art paper, https://www.tique.art/paper/six-questions/susanne-burner/ 06.2017

2015
Edith Schlocker, „Quer zur Musik Dirigiertes“, Tiroler Tageszeitung, p. 12, 10.11.2015

2014
Robert Gander, „Vom Verschwinden“ Der Standard, http://derstandard.at/2000008759880/Vom-Verschwinden, 28.11.2014

2013
Charlotte Imbault "Rock attitude, Exposition Fans Attitudes à Rouen"
http://www.mouvement.net/agenda/rock-attitude 07.03.2013
Sylvain Siclier, „Au musée, le cri étouffé des fans d'"Elviiiiiiiiiiis !"“ Le Monde, http://www.lemonde.fr/culture/article/2013/04/15/au-musee-le-cri-etouffe-des-fans-d-elvis_3160033_3246.html 15.04.2013

2012
Magdalena Kröner, „Scharfe Objektive“, Frankfurter Allgemeine Sonntagszeitung, p. 53
Anu Uimonen HS, „Soittajan sielu ja fanin hurmio“, 21. Januar, Helsingin Sanomat, p. C1

2011
Paulina Jeziorek, Interview, Bęc Zmiana Nr. 73, pp. 96-103
Cornelis Hähnel, Schnitt, das Filmmagazin Nr. 64, p. 77
Pietro Rigolo, „Keeping in touch 02/Nana Seo“, Abitare, http://www.abitare.it/en/art-2/keeping-in-touch-02-nana-seo/
Heidi Specker, Art Review, Future Greats, p. 90

2010
Julie Cirelli, „Disappear Completely and Never be Found“, Site Magazine 29–30 2010, pp. 2-3
Jens Hinrichsen, „Im Rückspiegel“, Filmdienst 5/2010, page 15, 10.03.2010

2009
Francesca Gavin, „Susanne Bürner, Using the Visible to explore the Invisible“,
Dazed & Confused, January 2010, p.114
Skye Sherwin, Exhibition Preview: Susanne Bürner“ The Guardian 12.12.09
Sally O'Reilly, „Desiring Necessities“, Art Monthly, June 09, http://findarticles.com/p/articles/mi_6735/is_327/ai_n32149852/
Jessica Lack, „Exhibition Preview: Desiring Necessities, Southampton“, The Guardian, 30.05.09
Ella Wredenfors, „Desiring Necessities @ John Hansard Gallery, Southampton“, http://runpaintrunrun.blogspot.com/2009/05/desiring-necessities-john-hansard.html, 02.05.09
Süreyyya Evren, Burak Delier, „No More Reality: Crowd and Performance“, Springer/in 2/09, http://www.springerin.at/dyn/heft_text.php?textid=2214&lang=de

2008
Newman Huo, „Skepticism imbues works by resident artists“, Shenzhen Daily, 20.11.2008
Georg Leisten, „Für eine Hand voll schmutziger Dollar“, Stuttgarter Zeitung, 16.10.2008
„Only You von Susanne Bürner“, stylemag.net, 12.06.2008

2007
Francesca Boenzi in Contemporary Magazine # 94, 2007, p. 62 Flash Art Italy, # 264, June/July 2007
Andrea Nastri, „Susanne Bürner“, in exibart.onpaper # 40, June/July 2007, p. 73, http://www.exibart.com/notizia.asp?IDNotizia=9257
„Ladies and Gentlemen“, in http://www.pragueout.cz/novinka/praguebiennale-3, 06.07.2007
Andreas Schlaegel in Prague Biennale 3 Katalog, pp. 303-304
Nicoletta Daldanise, „Susanne Bürner, „50.000.000 CAN’T BE WRONG – Supportico Lopez 32, Napoli“, www.teknemedia.net 18.05.2007
Interview in Displayer, Karlsuhe, ‚April, pp. 118-121
Fuani Marino „Dalla Tate Modern al Supportico Lopez — L’obiettivo di Bürner sui fans del rock“ in Corriere del Mezzogiorno, 21.04.2007
„I fan visti da Bürner show allo specchio“, Il Mattino,18.04.2007, p. 45
Stella Cervasio, „Susanne Bürner e il vuoto dei miti“ in La Republicca, 13.04.2007, p. XIII
Alice Twemlow, „The Bandwith of Books“, www.designobserver.com, 05.04.07

2005
Stephan Gripp, Reise ans Ende der Welt, www.kunst-blog.com
Thomas Kliemann, „Der Quadratkopf trägt Fliege“, Der Generalanzeiger 23./24. April
Vincent Honoré on Susanne Bürner, Contemporary Magazine #71, pp. 34-37