Susanne Bürner
1970 born in Ellwangen/jagst, Germany
Lives in Berlin, Germany

1993-1998 Medienkunst, HfG Karlsruhe
1998-1999 Masters Program Fine Arts, UCLA


Kunstfonds Bonn, project grant
Solaris Bordeaux, artist residency
A-I-R Laboratory Zamek Ujazdowski Warschau
London-Stipendium der Kulturverwaltung des Berliner Senats
Künstlerhaus Schloß Balmoral, Atelierstipendium
Künstlerinnenprogramm, Senat Berlin, Projektstipendium
OCAT Shenzhen, China, Atelierstipendium
1. Preis Medien im Raum, Stuttgarter Filmwinter für 50.000.000 CAN’T BE WRONG
Künstlerinnenprogramm, Senate of Berlin, grant
Villa Arson, Nice, France, residency
Kunstfonds Bonn, stipend
Karl Schmidt-Rottluff, stipend
Art 3, residency from the Bundesland Baden-Württemberg and from the Région Rhône-Alpes in Valence, Frankreich
2000 - 2001
residency at Akademie Schloss Solitude Stuttgart
1998 - 1999
visiting scholar in the Graduate Program Fine Arts at UCLA Los Angeles, California, USA
(stipend from Studienstiftung des deutschen Volkes)
1997 - 1999
stipend from Studienstiftung des deutschen Volkes, Bonn

Solo Exhibitions

MaMa Cubicle, PS1 Lactation Room, New York, curated by Zanna Gilbert
Kunst und Verkehr, Berlin
legerdemain, as part of the series: L'ÉCRAN SONS D'ARTIFICES, CAPC Bordeaux, curated by Anne-Sophie Dinant
legerdemain, Neue Galerie Innsbruck, curated by Ingeborg Erhardt
milk products, MaMA Cubicle, (The MoMA-Lactation Room) New York, curated by Zanna Gilbert
La Traversée, St. Gervais en Isère, France
L40 Berlin
Versteck, Porcino@Chert Gallery, Berlin
Euville, Quarry of Euville, France
Permanent Gallery, Brighton
LEAVES, South London Gallery Live Art & Film, London, curated by Anne-Sophie Dinant
Waiting for Somewhere Else, Goethe-Institut Hong Kong
Embodied Truth, Galerie Giti Nourbakhsch, Berlin2007
50.000.000 CAN’T BE WRONG, supportico lopez 32, Naples, curated by Gigiotto del Vecchio
finistère, Galerie Giti Nourbakhsch, Berlin
Songs from out there, Sassa Trülzsch, Berlin
Dissolve, Galerie Giti Nourbakhsch, Berlin
Galerie Borgmann Nathusius, Cologne (with Gary Ward)
Räume, Akademie Schloss Solitude, Stuttgart
Galerie K & S Berlin (with Daniel Roth)
Fotografie, Galerie Karlheinz Meyer, Karlsruhe (with Barbara Trautmann and Günther Förg)
Trees, Galerie Karlheinz Meyer, Karlsruhe (with Candida Höfer)
Trees, Graduate Studios UCLA Culver City, Los Angeles, USA

Group Exhibitions

forcierte Relikte, Haus am Lützowplatz, Berlin, kuratiert von Jérôme Chazeix
Mimicry—Empathy, Friche la Belle de Mai, Marseille, Frankreich
Routes of Empathy, kuratiert von Stella Geppert, HAUNT Berlin
Arboretum, arc en rêve, Bordeaux, Frankreich
Grün, LA Raum Berlin
A Film is Not a Building, kuratiert von Kate Brown, Los Angeles Film Forum
I saw the sign, Schau Fenster Berlin, kuratiert von Anina Brisolla und Andrea Pichl
day for night, in Kino-Schaukästen Berlin-Mitte
Cornfeld, Kommunale Galerie Berlin, initiated by Heidi Specker
ELVIS AND WEIN & MOZART, Fondazione Morra Greco, Naples, Curated by Alessia Volpe
SHOWCASE: Prints & Poster, Richas Digest, Cologne
Von Pflanzen und Menschen, Hygiene Museum Dresden, curated by Kathrin Meyer
Mimikry—Empathie, Lajevardi Foundation, Teheran, Iran
Pissing in a River. Again! Kunstraum Kreuzberg/Bethanien, curated by Andrea Pichl and Stephanie Kloss
Künstlerbücher für alles, Zentrum für Künstlerpublikationen, Weserburg Bremen
Pissing in a River, Bar Babette Berlin, curated by Andrea Pichl
Sprint, O’, Via Pastrengo 12, Milano
abC, 21st Century Minsheng Art Museum, Shanghai
Passion, Fanverhalten und Kunst, curated by Christoph Tannert, Künstlerhaus Bethanien Berlin, Kunsthaus Kiel (catalogue)
On Disappearing And For Vanishing, Tartmus, Tartu, Estonia

Situations #26, Fotomuseum Winterthur
I have always imagined that Paradise will be a kind of library, Hamburger Bahnhof Berlin
David Horvitz Stamp Project in Kollaboration mit Printed Matter, New York
Das instabile Objekt, Salon am Moritzplatz Berlin
Passion, Fanverhalten und Kunst, curated by Christoph Tannert, Künstlerhaus Bethanien Berlin, Kunsthaus Nürnberg (catalogue)
Haus im Film, dokART Metropolis- Kino Hamburg

How to Disappear Completely, Kunstpavillon Innsbruck, curated by Ingeborg Erhardt
SOLOS III, Ozean, Berlin
Festival Les Photaumnales, Beauvais, France
Affekte, Kunstpalais Erlangen, curated by Claudia Emmert and Simone Neuenschwander

Caution, Things may appear different than they are, AEG-Gelände, Nürnberg
Euville, Motto Distribution Berlin
Fans Attitudes. Images de l'adoration. 106 Rouen
Screening Nature, Whitechapel Gallery, London

Screening Nature, Whitechapel Gallery, London
Fans Attitudes. Images de l'adoration. 106 Rouen

Close Encounters, Sassa Trülzsch, Berlin
Res Publica Res Privata, L40 Berlin, curated by Susanne Prinz (catalogue)
Saloon du Livre, Geneva, curated by Izet Sheshivari (catalogue)
In Search of..., Groningen, curated by Daniel Dennis de Wit and Lennart Dort
Stadt und Land, Konrad Fischer Galerie, Düsseldorf
Thank you for the Music, Kiasma, museum for contemporary Art, Helsinki, Finland (catalogue)

km 500, Kunsthalle Mainz
Imperfect Health, CCA Montréal, Canada
Sélést’Art 2011, Biennial for Contemporary Art, Séléstat, France (catalogue)
Gone to Croatan, HMKV Dortmund, curated by Daniel Muzyczuk (catalogue)
Free Rider, Experimenta Hong Kong, curated by Nana Seo
Token, Took, Chert Gallery, Berlin (Gallery exchange Paris Berlin with Gaudel de Stampa Paris)

Wikitopia, Videotage Hong Kong
Fan Club, Grundy Art Gallery, Blackpool
Jane Arden Project, Royal College of Communication, London, curated by Charlotte Procter
solace, video screening at Austrian Cultural Forum New York, curated by Andreas Huber
Tytuł Roboczy. Working Title, Akademie Schloss Solitude, Stuttgart
Auto-Kino!, presented by Phil Collins, Temporäre Kunsthalle Berlin (catalogue)

Zeigen, eine Audiotour, assembled by Karin Sander, Temporäre Kunsthalle Berlin (catalogue)
Tytuł Roboczy. Working Title, Centre for Contemporary Art Ujazdowski Castle, Warsaw
Lange Filmnacht mit Clemens von Wedemeyer, NBK Berlin
V-Effekt / In and Out of Place, Bibliothekswohnung Anna-Catharina Gebbers, Berlin
THIS IS NOT AMERICA, El Descanso del Guerrero, San Juan, Puerto Rico,
assembled by Pablo Leon de la Barra
Desiring Necessities, John Hansard Gallery, Southampton, curated by Ilaria Gianni (catalogue)
Just in the Dark, Mercati di Traiano, Rom, Italy, curated by Cecilia Canziani and Andrea Viliani (catalogue)
No More Reality, Step 4, proposed by: Claire Staebler & Jelena Vesic, DEPO Istanbul
Videonale 12, Bonn (catalogue)

Fantasmata, Arge Kunstverein, Bozen, Italy, curated by Luigi Fassi
Re-Cherche, Kunststiftung Baden-Württemberg, Stuttgart (catalogue)
Archeology of Mind, Collection Morra Greco, curated by Luigi Fassi, Malmö Art Museum, Sweden, Kuntsi
Museum of Modern Art, Vaasa, Finland
The Krautcho Club/In and Out of Place, Forgotten Bar Project, Berlin, proposed by Anna-Catharina Gebbers
Die Maße des Wertes, Berlin curated by Klaus Winicher

No More Reality, Step 3: OPEN ARCHIVE, proposed by: Claire Staebler & Jelena Vesic, De Appel, Amsterdam
Past Forward, Zabludowicz Collection, London, curated by Vincent Honoré (catalogue)
Pop Art Portraits, Lange Nacht der Museen, Staatsgalerie Stuttgart
Reflection, PynchukArtCentre, Kiev, Ukraine, curated by Claire Staebler
The Unfair Fair, 1:1 Projects, Rom, Italy, curated by Cecilia Canziani and Vincent Honoré
Medien im Raum, Stuttgarter Filmwinter

Künstlerinnenprogramm, Kino Arsenal, Berlin
Performance Z-A: a Pavillion and 26 Days of Events, Storefront Gallery, New York
Public Screen, Thessaloniki Biennale, (catalogue)
Mind Hacking, Wewerka Pavillon Münster; Römerstr., Akademie Schloß Solitude Stuttgart; Museum für
Gegenwartskunst Siegen, curated by Antonia Lotz and Theresa Frölich
Macho Painter Scum, Prag Biennale, Karlin Hall, kuratiert von Andreas Schlaegel (catalogue)
...e ricomincio da tre, Studio la Città, Verona, curated by Maria Rosa Sossai and Luca Massimo Barberi Party, curated by Joachim Reck
12. Rencontres Internationales Paris Berlin, Madrid, Circulo dellas Bellas Artes
searching for an ideal urbanity, Akademie Schloss Solitude Stuttgart
EARTH?, Galerie Giti Nourbakhsch, Berlin
I’m Future Melancholic,, Tate Modern, London, gogallery Mailand, curated by Anne-Sophie Dinant
Abstraction, surface, air, Georges, Centre Georges Pompidou, Paris, curated by Nicolas Tremblay,

11. Rencontres Internationales Paris Berlin, Paris
Klinik — a Pathology of Gesture, Hebbeltheater, Berlin, curated by Anselm Franke and Hila Peleg
Pulsar, Periférico Caracas, Venezuela
Busan Biennale, Busan, Corea
Nicht weit vom Stamm, Galerie Konrad Fischer, Düsseldorf
Artists make Videos, Goethe Institute Amman, Jordania
Lux, Max Ophüls Preis Festival, Saarbrücken

10. Rencontres Internationales Paris Berlin, Paris
A Haunting, Castlefield Gallery, Manchester
Placements, /Galerie/Store/52°31’52’’,13°22’55’’/, curated by Andrew Cannon
Acid Rain, Glassbox, Paris, curated by Vincent Honoré
10. Videonale Bonn, Kunstmuseum, Bonn
Radiodays, CTP, de Appel, Amsterdam
2004 kurzdavordanach, SK-Kulturstiftung Cologne curated by Wilhelm Schürmann
9. Rencontres Internationales Paris Berlin, Paris
Missing Time, Art Centre Hong Kong, video programme curated by Laurent Grasso
Playlist, Palais de Tokyo, Paris
Zwischenwelten, Oktokogon, Dresden, curated by Constanze von Marlin

Geographies #3, Galerie Chantal Crousel, Paris
Karl Schmidt-Rottluff-Stipendiaten, Kunsthalle Düsseldorf
Night Effect, Carlo’s Depot, Berlin, curated by Eva Svennung (Toasting Agency)
Passages, Art3 Valence, (F) (with Rut Blees Luxemburg und Wendelien van Oldenborgh)
Galerie Giti Nourbakhsch, Berlin
Akademie Schloss Solitude, Stuttgart

A Need of Realism, Solitude in Schloss Ujazdowski, Warszawa, Poland
Golden Week, Kodama Gallery, Osaka, Japan, curated by Eva Svennung (Toasting Agency)

Not At Home, Römerstr. 2, Stuttgart, curated by Gary Ward and Susanne Bürner
Circles No. 5, Montana Sacra, ZKM Karlsruhe, curated by Christoph Keller
CamoShow, Museum Wiesbaden, curated by Alexis Vaillant and Léonor Nuridsany
Papier, Galerie Borgmann Nathusius, Cologne


Nomas Foundation
B.P.S.22 project, Charleroi, Belgium
Zabludowicz Collection, London
Fondazione Morra Greco, Naples
Collection Wilhelm Schürmann
Deutsche Bank
Staatsgalerie Stuttgart
Thyssen-Bornemisza Contemporary Art Foundation
ZKM Karksruhe


7. Herfeh Honarmand Magazine, Tehran
ZAHA,, magazine, p. 57
Questionnaire: Candida Höfer, 12.01.2017
six questions: Susanne Bürner, tique art paper, 06.2017

Edith Schlocker, „Quer zur Musik Dirigiertes“, Tiroler Tageszeitung, p. 12, 10.11.2015

Robert Gander, „Vom Verschwinden“ Der Standard,, 28.11.2014

Charlotte Imbault "Rock attitude, Exposition Fans Attitudes à Rouen" 07.03.2013
Sylvain Siclier, „Au musée, le cri étouffé des fans d'"Elviiiiiiiiiiis !"“ Le Monde, 15.04.2013

Magdalena Kröner, „Scharfe Objektive“, Frankfurter Allgemeine Sonntagszeitung, p. 53
Anu Uimonen HS, „Soittajan sielu ja fanin hurmio“, 21. Januar, Helsingin Sanomat, p. C1

Paulina Jeziorek, Interview, Bęc Zmiana Nr. 73, pp. 96-103
Cornelis Hähnel, Schnitt, das Filmmagazin Nr. 64, p. 77
Pietro Rigolo, „Keeping in touch 02/Nana Seo“, Abitare,
Heidi Specker, Art Review, Future Greats, p. 90

Julie Cirelli, „Disappear Completely and Never be Found“, Site Magazine 29–30 2010, pp. 2-3
Jens Hinrichsen, „Im Rückspiegel“, Filmdienst 5/2010, page 15, 10.03.2010

Francesca Gavin, „Susanne Bürner, Using the Visible to explore the Invisible“,
Dazed & Confused, January 2010, p.114
Skye Sherwin, Exhibition Preview: Susanne Bürner“ The Guardian 12.12.09
Sally O'Reilly, „Desiring Necessities“, Art Monthly, June 09,
Jessica Lack, „Exhibition Preview: Desiring Necessities, Southampton“, The Guardian, 30.05.09
Ella Wredenfors, „Desiring Necessities @ John Hansard Gallery, Southampton“,, 02.05.09
Süreyyya Evren, Burak Delier, „No More Reality: Crowd and Performance“, Springer/in 2/09,

Newman Huo, „Skepticism imbues works by resident artists“, Shenzhen Daily, 20.11.2008
Georg Leisten, „Für eine Hand voll schmutziger Dollar“, Stuttgarter Zeitung, 16.10.2008
„Only You von Susanne Bürner“,, 12.06.2008

Francesca Boenzi in Contemporary Magazine # 94, 2007, p. 62 Flash Art Italy, # 264, June/July 2007
Andrea Nastri, „Susanne Bürner“, in exibart.onpaper # 40, June/July 2007, p. 73,
„Ladies and Gentlemen“, in, 06.07.2007
Andreas Schlaegel in Prague Biennale 3 Katalog, pp. 303-304
Nicoletta Daldanise, „Susanne Bürner, „50.000.000 CAN’T BE WRONG – Supportico Lopez 32, Napoli“, 18.05.2007
Interview in Displayer, Karlsuhe, ‚April, pp. 118-121
Fuani Marino „Dalla Tate Modern al Supportico Lopez — L’obiettivo di Bürner sui fans del rock“ in Corriere del Mezzogiorno, 21.04.2007
„I fan visti da Bürner show allo specchio“, Il Mattino,18.04.2007, p. 45
Stella Cervasio, „Susanne Bürner e il vuoto dei miti“ in La Republicca, 13.04.2007, p. XIII
Alice Twemlow, „The Bandwith of Books“,, 05.04.07

Stephan Gripp, Reise ans Ende der Welt,
Thomas Kliemann, „Der Quadratkopf trägt Fliege“, Der Generalanzeiger 23./24. April
Vincent Honoré on Susanne Bürner, Contemporary Magazine #71, pp. 34-37

Susanne Bürner Berlin