BEAUFORT01 2003
06 Apr - 28 Sep 2003
BEAUFORT01 2003
6 April – 28 September 2003
Curator & founding father: Willy Van den Bussche
Antony Gormley, Gerard Lentink, Didier Mahieu, Elger Esser, Anne & Patrick Poirier, Zhang Huan, Fabián Marcaccio, Jan Fabre, Sui Jianguo, Matthias Koch, Wim Delvoye, Lars Siltberg, Marie-Jo Lafontaine, Christian Meynen, Daniel Spoerri, Johan Tahon, Azade Köker, Dirk Braeckman, David Mach, Berlinde De Bruyckere, Jacques Charlier, Maria Roosen, Anish Kapoor, Koen Vanmechelen, Thomas Ruff, Florian Baudrexel & Jens Ullrich, Winter & Hörbelt, Panamarenko, Johan Muyle, Henk Visch, Cracking Art loves William Sweetlove, Massimo Vitali, Roger Raveel & Hugo Claus
From the beginning of April until the end of September 2003 the Belgian coastline served as the sparkling setting for an unprecedented artistic route. Monumental works of art were erected as beacons referring to the old church towers and lighthouses, the familiar recognition points of olden days. Gigantic pictures, the so-called billboards, appeared in unexpected places and did not leave casual passers-by unmoved. Intriguing art installations were put up here and there within the scope of Beaufort01, the Triennial of Contemporary Art by the Sea.
6 April – 28 September 2003
Curator & founding father: Willy Van den Bussche
Antony Gormley, Gerard Lentink, Didier Mahieu, Elger Esser, Anne & Patrick Poirier, Zhang Huan, Fabián Marcaccio, Jan Fabre, Sui Jianguo, Matthias Koch, Wim Delvoye, Lars Siltberg, Marie-Jo Lafontaine, Christian Meynen, Daniel Spoerri, Johan Tahon, Azade Köker, Dirk Braeckman, David Mach, Berlinde De Bruyckere, Jacques Charlier, Maria Roosen, Anish Kapoor, Koen Vanmechelen, Thomas Ruff, Florian Baudrexel & Jens Ullrich, Winter & Hörbelt, Panamarenko, Johan Muyle, Henk Visch, Cracking Art loves William Sweetlove, Massimo Vitali, Roger Raveel & Hugo Claus
From the beginning of April until the end of September 2003 the Belgian coastline served as the sparkling setting for an unprecedented artistic route. Monumental works of art were erected as beacons referring to the old church towers and lighthouses, the familiar recognition points of olden days. Gigantic pictures, the so-called billboards, appeared in unexpected places and did not leave casual passers-by unmoved. Intriguing art installations were put up here and there within the scope of Beaufort01, the Triennial of Contemporary Art by the Sea.