Iñigo Manglano-Ovalle
25 Apr - 20 Jun 2009
Iñigo Manglano-Ovalle
Untitled (Bomb), 2008
Painted fibreglass and aluminium, sand and steel, weights, chain and hoist, mud
325 x 157,5 x 157,5 cm
Courtesy: Galerie Thomas Schulte, Berlin, and Donald Young Gallery, Chicago
Untitled (Bomb), 2008
Painted fibreglass and aluminium, sand and steel, weights, chain and hoist, mud
325 x 157,5 x 157,5 cm
Courtesy: Galerie Thomas Schulte, Berlin, and Donald Young Gallery, Chicago
Roost, 2008
Anondized aluminum, ABS rapid-prototyped plastic, rubberbands, newsprint, rooster feathers and droppings, birdseed
Diameter 119 cm
Courtesy: Galerie Thomas Schulte, Berlin
Anondized aluminum, ABS rapid-prototyped plastic, rubberbands, newsprint, rooster feathers and droppings, birdseed
Diameter 119 cm
Courtesy: Galerie Thomas Schulte, Berlin
Untitled (Bomb) is a full-scale reproduction of Fat Man, the second atomic bomb used in history, detonated by the United States over Nagasaki in 1945. Unlike the original, the reproduction is painted with white car varnish and splattered with mud.
Just as a sullied sports car forfeits some of its precious appearance, the bomb here almost loses its threatening aspect. A humorous reflection of the artist’s strategy for the installation exhibited at Documenta XII, Phantom Truck, an accurate reproduction of the mobile laboratory for biological weapons presented in a Power Point presentation by former US Secretary of State Colin Powell before the UN Security Council as evidence of the Iraqi government’s possession and production of weapons of mass destruction, Untitled (Bomb) now turns reality relations upside down: unlike Phantom Truck, which never really existed but was just an invention to justify the US attack of Iraq, Untitled (Bomb) is a copy of a weapon of mass destruction that was actually developed and used. But now, in a version that makes clear the interest of the artist in the ethical dilemma of aesthetics: “What’s beautiful and what’s monstrous, or are they so intertwined you can’t locate either one of them? When I make a beautiful cloud, I still want people to think of a nuclear explosion.”
Iñigo Manglano-Ovalle was born in Madrid in 1961, and lives and works in Chicago. His work is included in many museum collections around the world, such as Museum für Moderne Kunst, Frankfurt, New York’s Solomon R. Guggenheim Museum and Whitney Museum of American Art, the Library of Congress, Washington DC, Fundació La Caixa, Barcelona, and Fundación Cicneros, Caracas.
In 2001 Manglano-Ovalle was given the prestigious MacArthur “Genius Award.”
Manglano-Ovalle’s projects in 2009 include his participation with Phantom Truck in the exhibition Bilderschlachten in the German city of Osnabrück (April 22–June 10), an individual show at the Massachusetts Museum of Contemporary Art, his participation in the group exhibition Human/Nature: Artists Respond to a Changing Planet at Berkeley Museum of Art (April 1–September 27), and Ecomedia at Sala Parpalló in Valencia (February 10–April 26).
Just as a sullied sports car forfeits some of its precious appearance, the bomb here almost loses its threatening aspect. A humorous reflection of the artist’s strategy for the installation exhibited at Documenta XII, Phantom Truck, an accurate reproduction of the mobile laboratory for biological weapons presented in a Power Point presentation by former US Secretary of State Colin Powell before the UN Security Council as evidence of the Iraqi government’s possession and production of weapons of mass destruction, Untitled (Bomb) now turns reality relations upside down: unlike Phantom Truck, which never really existed but was just an invention to justify the US attack of Iraq, Untitled (Bomb) is a copy of a weapon of mass destruction that was actually developed and used. But now, in a version that makes clear the interest of the artist in the ethical dilemma of aesthetics: “What’s beautiful and what’s monstrous, or are they so intertwined you can’t locate either one of them? When I make a beautiful cloud, I still want people to think of a nuclear explosion.”
Iñigo Manglano-Ovalle was born in Madrid in 1961, and lives and works in Chicago. His work is included in many museum collections around the world, such as Museum für Moderne Kunst, Frankfurt, New York’s Solomon R. Guggenheim Museum and Whitney Museum of American Art, the Library of Congress, Washington DC, Fundació La Caixa, Barcelona, and Fundación Cicneros, Caracas.
In 2001 Manglano-Ovalle was given the prestigious MacArthur “Genius Award.”
Manglano-Ovalle’s projects in 2009 include his participation with Phantom Truck in the exhibition Bilderschlachten in the German city of Osnabrück (April 22–June 10), an individual show at the Massachusetts Museum of Contemporary Art, his participation in the group exhibition Human/Nature: Artists Respond to a Changing Planet at Berkeley Museum of Art (April 1–September 27), and Ecomedia at Sala Parpalló in Valencia (February 10–April 26).