Yuko Shiraishi
14 Sep - 15 Oct 2005
Yuko Shiraishi
“Temperature: Installation, Project and Painting”
This exhibition of Yuko Shiraishi’s includes an extraordinary installation ‘Project Anableps’ inspired by Anableps four-eyed fish that can see above and below the waterline. Shiraishi has transformed one of the gallery rooms into a simulated sea environment in which colour delineates the ‘above’ and the ‘below’. Reflecting glass boxes at eye level, a painted floor and a lowered cloth ceiling enhance the sense of underwater experience.
Alongside the installation, in the main gallery space will be a group of new paintings. Typical of Shiraishi’s works they are minimal and precise using colour to highlight lines, divisions, continuations and boarders – aspects of Shiraishi’s work that are always present in paintings and her many architectural installations. Shiraishi’s colouration is always striking and her awareness of its visual and emotional effect is profound.
The third section of the exhibition details an experimental swimming pool project that Shiraishi is currently undertaking in Insel Hombroich, Germany. The project is a concept for three outdoor swimming pools in an environment that combines manmade features with trees and natural elements. The project room shows a maquette and documentation of the concept which is designed to include the use of waterproof MP3 players and the conversion of the largest pool to a sculpture theatre and ice rink in the winter months.
The Swimming Pools, like the Anableps Project and her paintings, exploit Shiraishi’s interest in the different worlds/states, the boundaries between them and the effect that this has on the human psyche.
“Temperature: Installation, Project and Painting”
This exhibition of Yuko Shiraishi’s includes an extraordinary installation ‘Project Anableps’ inspired by Anableps four-eyed fish that can see above and below the waterline. Shiraishi has transformed one of the gallery rooms into a simulated sea environment in which colour delineates the ‘above’ and the ‘below’. Reflecting glass boxes at eye level, a painted floor and a lowered cloth ceiling enhance the sense of underwater experience.
Alongside the installation, in the main gallery space will be a group of new paintings. Typical of Shiraishi’s works they are minimal and precise using colour to highlight lines, divisions, continuations and boarders – aspects of Shiraishi’s work that are always present in paintings and her many architectural installations. Shiraishi’s colouration is always striking and her awareness of its visual and emotional effect is profound.
The third section of the exhibition details an experimental swimming pool project that Shiraishi is currently undertaking in Insel Hombroich, Germany. The project is a concept for three outdoor swimming pools in an environment that combines manmade features with trees and natural elements. The project room shows a maquette and documentation of the concept which is designed to include the use of waterproof MP3 players and the conversion of the largest pool to a sculpture theatre and ice rink in the winter months.
The Swimming Pools, like the Anableps Project and her paintings, exploit Shiraishi’s interest in the different worlds/states, the boundaries between them and the effect that this has on the human psyche.