Kiki Lamers
20 Jan - 24 Feb 2007
KIKI LAMERS
Annet Gelink Gallery is proud to present new work by the Dutch artist Kiki Lamers (1964) in her third solo exhibition at the gallery. These new oils reflect a further deepening in Lamers’s study of the human face and the individuality hidden behind it. The use of masks in some of the portraits produces an alienating effect but without any excess of emotion: the subdued climate that is characteristic of most of Lamers’s works remains in place.
It’s infinitely challenging and fascinating to paint a physical presence. I can feel them: lemon, widow or Rabbit, Dogface, Faith or Sad Bunny. Once they’re finished, they’re there for good, and they’ll never go away (Kiki Lamers, January 2007)
Kiki Lamers knows how to approach her subjects in such a way that it seems as if she’s crawled under their skin. In her paintings she has an unparalleled knack for conveying the search for what is locked inside the subject’s body language and facial expressions. Even the inner state of mind hidden beneath the outer features is expressed in her portraits.
Kiki Lamers has portrayed not only humans but also chimpanzees in her new work. The human qualities and the character of these creatures are revealed in her work in a refined way. Also striking is the similarity of facial expressions and individuality between the persons wearing animal masks and the chimpanzees.
Kiki Lamers masterfully creates palpable presences that you just can’t get around. Behind the physical expressions are emotions that rise to the surface and remain fascinating. Kiki Lamers has built up an impressive oeuvre. Her work is included in several important national and international collections and has been part of numerous exhibitions both in the Netherlands and abroad.
© Kiki Lamers
Hear no evil, 2006
Annet Gelink Gallery is proud to present new work by the Dutch artist Kiki Lamers (1964) in her third solo exhibition at the gallery. These new oils reflect a further deepening in Lamers’s study of the human face and the individuality hidden behind it. The use of masks in some of the portraits produces an alienating effect but without any excess of emotion: the subdued climate that is characteristic of most of Lamers’s works remains in place.
It’s infinitely challenging and fascinating to paint a physical presence. I can feel them: lemon, widow or Rabbit, Dogface, Faith or Sad Bunny. Once they’re finished, they’re there for good, and they’ll never go away (Kiki Lamers, January 2007)
Kiki Lamers knows how to approach her subjects in such a way that it seems as if she’s crawled under their skin. In her paintings she has an unparalleled knack for conveying the search for what is locked inside the subject’s body language and facial expressions. Even the inner state of mind hidden beneath the outer features is expressed in her portraits.
Kiki Lamers has portrayed not only humans but also chimpanzees in her new work. The human qualities and the character of these creatures are revealed in her work in a refined way. Also striking is the similarity of facial expressions and individuality between the persons wearing animal masks and the chimpanzees.
Kiki Lamers masterfully creates palpable presences that you just can’t get around. Behind the physical expressions are emotions that rise to the surface and remain fascinating. Kiki Lamers has built up an impressive oeuvre. Her work is included in several important national and international collections and has been part of numerous exhibitions both in the Netherlands and abroad.
© Kiki Lamers
Hear no evil, 2006