Oluf Høst – a Nordic Romantic
26 Sep 2009 - 05 Apr 2010
OLUF HØST – A NORDIC ROMANTIC
26 September 2009 - 5 April 2010
Oluf Høst (b. 1884) was a painter who painted his immediate surroundings from his native island of Bornholm with great fervour; the smallholding Bognemark, the Bornholm herring smokehouses, the round churches and the starry sky. He usually returned to the same subjects to show the various moods associated with each of them.
Høst was closely attached to his native Bornholm. Like his contemporaries Karl Isakson, Edvard Weie, Olaf Rude and Niels Lergaard, he was a Bornholm Painer, but in fact he was more than that: Most of all Høst was a Nordic Romantic.
He was interested in mysticism and the spiritual dimensions of the physical world. To him it was essential to communicate the big in the small, the spirit of the place, as he called it. It was not so much the concrete subjects that interested him as what one perceives and experiences before them. Through painting he attempted to go beyond things’ physical form in order to understand their innermost being. In his own words Høst wished to reproduce “the silent godhead in nature”, to give his pictures “soul colour”. With this year’s autumn exhibition ARKEN explores this metaphysical aspect.
26 September 2009 - 5 April 2010
Oluf Høst (b. 1884) was a painter who painted his immediate surroundings from his native island of Bornholm with great fervour; the smallholding Bognemark, the Bornholm herring smokehouses, the round churches and the starry sky. He usually returned to the same subjects to show the various moods associated with each of them.
Høst was closely attached to his native Bornholm. Like his contemporaries Karl Isakson, Edvard Weie, Olaf Rude and Niels Lergaard, he was a Bornholm Painer, but in fact he was more than that: Most of all Høst was a Nordic Romantic.
He was interested in mysticism and the spiritual dimensions of the physical world. To him it was essential to communicate the big in the small, the spirit of the place, as he called it. It was not so much the concrete subjects that interested him as what one perceives and experiences before them. Through painting he attempted to go beyond things’ physical form in order to understand their innermost being. In his own words Høst wished to reproduce “the silent godhead in nature”, to give his pictures “soul colour”. With this year’s autumn exhibition ARKEN explores this metaphysical aspect.