Faraway Focus
Photographers Go Travelling (1880 - 2015)
19 May - 11 Sep 2017
Thomas Hoepker
Werbung für ein Mittel gegen Sodbrennen an einem Bus, New York, 1963 © Thomas Hoepker / Magnum Photos / Agentur Focus
Werbung für ein Mittel gegen Sodbrennen an einem Bus, New York, 1963 © Thomas Hoepker / Magnum Photos / Agentur Focus
Ausstellungsansicht "Die fotografierte Ferne", Berlinische Galerie 2017,
© Foto: Harry Schnitger
© Foto: Harry Schnitger
Ausstellungsansicht "Die fotografierte Ferne", Berlinische Galerie 2017,
© Foto: Harry Schnitger
© Foto: Harry Schnitger
Ausstellungsansicht "Die fotografierte Ferne", Berlinische Galerie 2017,
© Foto: Harry Schnitger
© Foto: Harry Schnitger
FARAWAY FOCUS
Photographers Go Travelling (1880 - 2015)
19 May – 11 September 2017
Travelling has been a major theme in photography for over a hundred years. As a genre, travel photography emerged around the same time as mass tourism in the late 19th century, when it reinforced expectations of foreign parts as somehow exotic. Only since the 1920s has travel inspired photographers to respond artistically to cultural, political and social conditions in other countries. These pictures might be spontaneous reactions to the unknown or else prompted by a preconceived plan. The exhibition presents over 180 works by 17 photographers and reflects the history of 20th-century art photography. The different approaches illustrate changes in visual idiom and perceptions from early travel photography down to our globalised world.
Max Baumann (*1961), Kurt Buchwald (*1953), Marianne Breslauer (1909–2001), Tim Gidal (1909–1996), Thomas Hoepker (*1936), Sven Johne (*1976), Robert Petschow (1888–1945), Hans Pieler (1951–2012) und Wolf Lützen (*1946), Evelyn Richter (*1930), Erich Salomon (1886–1944), Hans-Christian Schink (*1961), Heidi Specker (*1962), Wolfgang Tillmans (*1968), Karl von Westerholt (*1963), Ulrich Wüst (*1949), Tobias Zielony (*1973)
Photographers Go Travelling (1880 - 2015)
19 May – 11 September 2017
Travelling has been a major theme in photography for over a hundred years. As a genre, travel photography emerged around the same time as mass tourism in the late 19th century, when it reinforced expectations of foreign parts as somehow exotic. Only since the 1920s has travel inspired photographers to respond artistically to cultural, political and social conditions in other countries. These pictures might be spontaneous reactions to the unknown or else prompted by a preconceived plan. The exhibition presents over 180 works by 17 photographers and reflects the history of 20th-century art photography. The different approaches illustrate changes in visual idiom and perceptions from early travel photography down to our globalised world.
Max Baumann (*1961), Kurt Buchwald (*1953), Marianne Breslauer (1909–2001), Tim Gidal (1909–1996), Thomas Hoepker (*1936), Sven Johne (*1976), Robert Petschow (1888–1945), Hans Pieler (1951–2012) und Wolf Lützen (*1946), Evelyn Richter (*1930), Erich Salomon (1886–1944), Hans-Christian Schink (*1961), Heidi Specker (*1962), Wolfgang Tillmans (*1968), Karl von Westerholt (*1963), Ulrich Wüst (*1949), Tobias Zielony (*1973)