14th Curitiba Biennial
21 Sep 2019 - 23 Feb 2020
14th Curitiba Biennial 2019: Open Borders
The concept of border does not only belong to territory or geography anymore. It has been conceptually expanded and is now part of a bigger universe, one made of broader questions and, overall, more transversal ones. There is already a plural imagination that touches aspects of understood natures. Far away, that is, from commensurate; tranquilizing; pertaining in geographic limits answering to a thematic narrative physics – and closer to the important meaning distortions of social, technological, cognitive and contemporaneous nature. Especially amidst our times, ripe with changes and transformations of multiple signs (with the concurrency of new time and space coordinates, globalization, post-history, the worldwide technologization, environmental crisis, the search for new cosmologies etc.), which moves the meaning of old semantics, mono-dimensionally fixated in a single meaning.
On the one hand, contemporary history – that which belongs to our most recent times – has not only been modifying the idea of limits and frontiers; it has been also detracting some older ones, spatially, in the very plane of territory. A fruit of historical conflicts of many kinds, changes in borders, regions, countries have been happening; swapping signs and realities from entire populations’ lives. Our times live under such a degree of uncertainty that physical and symbolical notions of place have been suffering great erosion and transformation, for both good and bad. We now know that real borders exist, but so do invisible ones – they contradict one another, and they establish very unpeaceful conflicts. A border may be many things at the same time.
On the other hand, however, art has always been a space of frontiers, a hiatus between the realms of language and reality, a borderline state of fluctuating, non-fixated nature. When, after all, has art not been such double vigil, such atavistic split from representation, from language? The possibility of naming habitat from language, or even linking oneself to a new place?
We have two movements in front of us: the mutating geography of history and its spatial correlates and the mutating geography of art and its linguistic derivations, in line and difference, convergence and divergence. And it is in such a scope that some contaminating aspects are offered: the 21st century subject lives in a new border condition, with counterposing experiences, faced with alterity and self-absorption. Experiences of violence, domestication and xenophobia (the so-called refugee crisis, or new intercontinental emigratory waves, and the planetwide communication reveal how much the frontier is imploded and exploded and, in consequence, in need of new evaluations and updates). We are, thus, in a new situation of reborders and unborders, new spatial and social, territorial groups, as well as of new artistic experiences of border-art, presence of nomadic (or far from their origins) artists, counting on the existence of works in multicultural partnerships, as well as amplifying even more the field of borders between languages and their connection.
The 2019 Curitiba Biennial intends to incorporate said instigating contemporary condition, opening even more its expositive borders, creating partial venues, convergent with other countries – windows to another platform –, linking itself to artists in the entire world, to artistic production from every cardinal point in the globe and, in this edition, highlighting countries from another emerging geopolitics like the BRICS, with its new intercontinental orbit, as well as symbolic and meaningful European countries , an indispensable cartography and so strictly linked, both historically and culturally to the Americas, to Latin America, to Brazil, and materially to Curitiba. Not only the European cultural melting pot, but its richness and diversity have had a never seen transculturalization in the American continent, an autonomous creation – unprecedented anthropophagy and miscegenation – always worthy of independence, but also of new links and interworld dialectics, such as the new cultural and territorial interconnections of our globalized age. And the artists’ recognized vocation was of revaluating their roles as connectors, contributing to the work in progress that is every process of artistic research, imagery to attain new states of consciousness regarding the surrounding reality and the timeless problems of human condition. And, in consequence, contributing with new thoughts on the construction and the process of another history.
Art, especially when fulfilling a symbolic and speculative function – one of translation and interpretation – inside a Biennial is a high profile social and reflexive task. It has a great responsibility in our aestheticized society, be it as a showcase where art and culture are linked or as a place of action which also reflects the spirit of its time. The Biennial, the border-art, reveals in its turn its own perception of things, of contexts, since it never stops being art and its circumstances. And its chimerical dream of open borders or, even better, of expanding borders, for it is a frank utopia in the making, the openness of a critic hope. What will bring another sensorium, a new contact with what’s sensory, a free production of the being. An antidote-language against fundamentalism, the instrumentalized visuals which still host a singular spiritual benefit. As a space for revelations and image analysis, art also works as a compass of another map in movement, on course, a better cartography: it offers a unique repertoire of signals, a new signage.
Curators:
Adolfo Montejo Navas and Tereza de Arruda
People / Places
A.C.Machado
Brasil
Abraham Palatnik
Brasil
Adel Alloush
Síria
Adolfo Montejo Navas
Espanha/Brasil
Adriana Affortunati
Brasil
Adriana Amodei
Itália
Adriana Córdova
Brasil
Adriana Maria dos Santos
Brasil
Adriana Tabalipa
Brasil
Adriane Guimarães
Brasil
AES+F
Rússia
Agnese Purgatorio
Itália
AIREZ Galeria
Alastair MacLennan
Irlanda/Inglaterra
Alberto Salvetti
Itália
Alejandro Lloret
Cuba
Alessandra de Andrade
Brasil
Alessandro Zannier
Itália
Alex Caminiti
Itália
Alex Flemming
Brasil
Alexandre Brandão
Brasil
Alexis Minkiewicz
Argentina
Alexis Pike
Estados Unidos
Aline Dias
Brasil
Alvaro de Sá
Brasil
Amanda Melo da Mota
Brasil
Ana Ayala
Paraguai
Ana Beatriz Artigas
Brasil
Ana Dantas
Brasil
Ana Itália Paraná Mariano
Brasil
Ana Sabiá
Brasil
Ana Vitória Mussi
Brasil
André Nacli
Brasil
André Vallias
Brasil
Andrea Eichenberger
Brasil
Andressa Argenta
Brasil
Andrey Roca
Brasil
Angela Lima
Brasil
Angelo Utrabo
Brasil
Anna Bella Geiger
Brasil
Anna Maiolino
Itália/Brasil
Anna Moraes
Brasil
Anne Le Troter
França
Annu Palakunnathu Matthew
Índia
Antoni Muntadas
Espanha
António Franchini
Portugal
Antonio Trimani
Itália
Ariana Assumpção
Brasil
Arnd Christian Müller
Alemanha
Arthur Omar
Brasil
Associação Profissional dos Artistas Plásticos do Paraná ̵...
Atomic Shadows Art
Brasil
Aurélio Peluso
Brasil
Bai Xiaogang
China
Beatriz Rodrigues
Brasil
Bento Ribeiro B’Ro
Brasil
Berna Reale
Brasil
Bia Leite
Brasil
Bianca Scliar e Lab. Ei. Laboratório de Ensaios e Imprevistos
Brasil
Biblioteca Pública do Paraná
Bill Lundberg
Estados Unidos
Bjarne Fostervold
Bolívia
Boiler Galeria
BRDE Palacete dos Leões
Brigitte Waldach
Alemanha
Brugnera
Brasil
Bruna Alcantara
Brasil
Bruna Ribeiro
Brasil
Buhlebezwe Siwani
Africa do Sul
C.L. Salvaro
Brasil
Cabelo
Brasil
CAC – Centro de Ação Cultural
Caio Villa de Lima
Brasil
Camilotti
Brasil
Cao Guimarães
Brasil
Cao Jigang
China
Carla Linhares
Brasil
Carlo Bonfà
Itália
Carlos Alberto Franzoni
Brasil
Carlos Asp
Brasil
Carlos Clémen
Argentina
Carlos Pasquetti
Brasil
Carmela Gross
Brasil
Casa da Imagem
Casa Frederico Kirchgässner
Catalina León
Argentina
Celestino Dimas
Brasil
Central Galeria
Centro Cultural Kirchner (CCK)
Centro Cultural SESI Heitor Stockler de França
Centro de Criatividade de Curitiba
Centro Juvenil de Artes Plásticas – CJAP
César Meneghetti
Brasil
Chang Chi Chai
Taiwan
Chen Shuxia
China
Choque Cultural Galeria de Arte
Christian Balzano
Itália
Christopher Livingston
Estados Unidos
Cildo Meireles
Brasil
Claiton Biaggi
Brasil
Clara Fernandes
Brasil
Claudia Zimmer
Brasil
Clemens Krauss
Áustria
Coletivo Duas Marias
Brasil
Coletivo Inço (Diana Chiodelli e Audrian Cassanelli)
Brasil
Cristina Brattig Almeida
Brasil
Cyntia Werner
Brasil
Dagmar Diekmann
Alemanha
Dai Hua
China
Dai Yun
China
Dailor Varela
Brasil
Daniel Canogar
Espanha
Daniel Duda
Brasil
Daniel Faust
Suiça
Daniel Mullen
Escócia
Daniela Soares
Brasil
Davide Boriani
Itália
Débora Ling
Brasil
Diana Aisenberg
Argentina
Diego de Los Campos
Uruguai
Diego Rayck
Brasil
Dirce Körbes
Brasil
Dora Naspolini
Brasil
Eduardo Kac
Brasil
Eduardo Scala
Espanha
Elaine Tedesco
Brasil
Elena Dahn
Argentina
Eliane Prolik
Brasil
Elke Hülse
Brasil
Embaixada do Brasil em Roma
Emmanuel Bornstein
França
Erik Winkowski
EUA
Ernestine White-Mifetu
África do Sul
Ernie Koela
África do Sul
Escola de Música e Belas Artes do Paraná (EMBAP)
Esenjia Bannan
Uzbequistão
Espaço Cultural Amazém – Coletivo Elza
Espaço Cultural Renato Russo
Fabio Bustani Carrijo
Brasil
Fabio Dudas
Brasil
Falves Silva
Brasil
Fan Bo
China
Fan Xueyi
China
Farnese de Andrade Neto
Brasil
Fê Luz
Brasil
Fernanda Azou
Brasil
Fernanda Magalhães
Brasil
Fernando Lemos
Portugal/Brasil
Fernando Lindote
Brasil
Fernando Moleta
Brasil
Fernando Ribeiro
Brasil
Fernando Velloso
Brasil
Filipe Lippe
Brasil
Flávia Duzzo
Brasil
Flávia Vazzoler
Brasil
Flávio Carvalho
Brasil
Fran Favero
Brasil
Francine Goudel
Brasil
Franco Mazzucchelli
Itália
Fu Zhongwang
China
Fundação Cultural BADESC
Gabriela Urtiaga
Brasil
Gaëlle Choisne
França
Galeira de Arte Zilda Fraletti
Galeria ARQ/ART
Galeria Municipal de Arte Pedro Paulo Vecchietti
Galeria Ponto de Fuga
Geórgia Kyriakakis
Brasil
Gerda Lepke
Alemanha
Gianfranco Gentile
Itália
Giovana Casagrande
Brasil
Giselle Beiguelman
Brasil
Gu Zhenqing
China
Guilherme Moreira
Brasil
Guilherme Zawa
Brasil
Guita Soifer
Brasil
Gustavo Caboco
Brasil
Gustavo Reginato
Brasil
Gustavo Silvamaral
Brasil
Gustavo Tabares
Uruguai
H-AL Alexandre Linhares e Thifany F.
Brasil
Hannes Egger
Itália
Hannu Palosuo
Hassan Meer
Oman
He Yunchang
China
Helder Martinovsky
Brasil
Helena Wong
Brasil
Hélio Dutra
Brasil
Henry Goulart
Brasil
Hermeto Pascoal
Brasil
Hito Steyerl
Alemanha
Hu Quanchun
China
Hu Wei
China
Huang Keyi
China
Huang Wong Sally
China
Igor Grubić
Croácia
Igreja Universsauria
Brasil
Ilana Bar
Brasil
Ilca Barcellos
Brasil
Ilya e Emilia Kabakov
Rússia
Inés Drangosch
Argentina
Inés Raiteri
Argentina
Isabê
Brasil
Isabelle Borges
Brasil
Isadora Stähelin
Brasil
Jairo Valdati
Brasil
James Webb
África do Sul
Jan M.O.
Brasil
Janaína Corá
Brasil
Jane Katharina di Renzo e Ineke Reinders
Alemanha/Turquia
Janor Vasconcelos
Brasil
Jasmina Metwaly e Philip Rizk
Egito
Jiao Xingtao
China
Joan Brossa
Espanha
João Miot
Brasil
João Paulo de Carvalho
Brasil
Jorge Macchi
Argentina
Jorge Miño
Argentina
Jorge Pombo
Espanha
José Maria Dias da Cruz
Brasil
Josh DeWeese
Estados Unidos
Juan Luis Moraza
Espanha
Julia Bornefeld
Alemanha
Juliana Crispe
Brasil
Juliana Hoffmann
Brasil
Juliana Stein
Brasil
Juliane Fuganti
Brasil
Júlio Leite
Brasil
Jurgen Ots
Bélgica
Kabe Rodríguez
Brasil
Kang Jianfei
China
Kang Lei
China
Karina El Azem
Argentina
Kelly Kreis
Brasil
Kellyn Batistela
Brasil
Kevin Lustgarten
Venezuela
Khaya Witbooi
África do Sul
Laïs Krücken
Brasil
Leandro Jung
Brasil
Leandro Maman
Brasil
Leandro Serpa
Brasil
Lei Jianhua
China
Leila Alberti
Brasil
Lela Martorano
Brasil
Lena Peixer
Brasil
León Ferrari
Argentina
Leonardo Kossoy
Brasil
Lerato Shadi
África do Sul
Letícia Cardoso
Brasil
Li Bangyao
China
Li Hongbo
China
Li Ronglin
China
Li Xiangning
China
Li Xiangqun
China
Li Yi Hsuan
Taiwan
Lilian Barbon
Brasil
Lilian Döring
Brasil
Liliana Porter
Argentina
Liu Qinghe
China
Liu Zheng
China
Liv Schulman
França
Llorenç Barber
Espanha
Loio-Pérsio
Brasil
Louise Bourgeois
França
Lu Zhengyuan
China
Lu Zhengyuan
China
Luciana Petrelli
Brasil
Lucie Schreiner
Brasil
Lucila Horn
Brasil
Madedi
Lucky Mbonani, Jabulani Luisbeth Ramashilo, Madedi Wilhelminah...
África do Sul
Luigi Dellatorre
Itália
Luis González Palma
Guatemala
Luiz Gustavo Vidal
Brasil
Lavalle
Brasil
Luiz Monken
Brasil
Luo Fahui
China
Lv Pinchang
China
Ma Wenjia
China
Maison du Portugal
Marcelo Cipis
Brasil
Marcelo Conrado
Brasil
Marcelo Moscheta
Brasil
Márcia X.
Brasil
Marco Bertin
Itália
Marco Gradi
Itália
Marcos Amaro
Brasil
Maria Lúcia Cattani
Brasil
Mariana Canet
Brasil
Marica Moro
Itália
Marilyn Arsem
Estados Unidos
Marilyn Green
Reino Unido
Marina Weffort
Brasil
Mário Carneiro
França
Mário Cravo Neto
Brasil
Mario Rubinski
Brasil
Marisa Caichiolo
Argentina
Marivone Dias
Brasil
Marlan Cotrim
Brasil
Marta Berger
Brasil
Marta Facco
Brasil
Martha Ozol
Brasil
Mary Sibande
África do Sul
Massimo Scaringella
Itália
Matheus Abel
Brasil
Matteo Mezzadri
Itália
Mauro Espíndola
Brasil
Meg Tomio Roussenq
Brasil
Meital Katz-Minerbo
Israel
Melvin Quaresma
Brasil
Memorial de Curitiba
Memorial Meyer Filho
Meyer Filho
Brasil
Michele Schiocchet
Brasil
Miguel Rio Branco
Espanha
Mira Schendel
Suíça
Moacy Cirne
Brasil
Munkhjargal Jargalsaikhan
Mongolia
Museu de Arte Contemporânea de Rosário (MACRO)
Museo Nacional de Bellas Artes – Buenos Aires
Museu Casa Alfredo Andersen
Museu da Escola Catarinense – MESC
Museu da Fotografia de Curitiba
Museu da Gravura
Museu da Imagem e do Som (MIS)
Museu de Arte Contemporânea de Cascavel
Museu de Arte Contemporânea (MACPR)
Museu de Arte da UFPR – MusA
Museu de Arte de Santa Catarina – MASC
Museu de Arte Indígena (MAI)
Museu Guido Viaro
Museu Guido Viaro
Museu Municipal de Arte (MuMA)
Museu Nacional da República
Museu Nacional de Bellas Artes
Museu Oscar Niemeyer
Museu Paranaense
Museu Universitário PUCPR
Museum Experimental Gallery at the University of Electronic Sc...
Muzna Al Musafer
Oman
NaCasa – Coletivo Artístico
Navjot Altaf
Índia
Neide de Sá
Brasil
Nelson Leirner
Brasil
Newton Goto
Brasil
Nicanor Parra
Chile
Nino Rezende
Brasil
Nomin Bold
Mongólia
Noria Mabasa
África do Sul
NRabelo
Brasil
O Sitio
Odete Calderan
Brasil
Olaf Nicolai
Alemanha
Palácio Iguaçu
Palácio Itamaraty
Pang Maokun
China
Paolo Mozzo
Itália
Patrícia Claro
Chile
Patricia Di Loreto
Brasil
Patricio Farías
Chile
Paulo Bruscky
Brasil
Paulo Climachauska
Brasil
Paulo Gamma
Brasil
Paulo Pasta
Brasil
Pedro Martins
Brasil
Pedro Paulo Vecchietti
Brasil
Peter Lindenberg
Alemanha
Philipp Messner
Itália
Piero Mottola
Itália
Priscila Costa Oliveira
Brasil
Projeto Fidalga
Rakhi Peswani
Índia
Raquel Fayad
Brasil
Raquel Stolf
Brasil
Raul Mourão
Brasil
Reena Kallat
Índia
Regina Chulam
Brasil
Regina Silveira
Brasil
Regina Vater
Brasil
Rejane Cantoni e Leonardo Crescenti
Brasil
RenderBurger
Irã
Ricardo Ramos
Brasil
Rimon Guimarães
Brasil
Rodrigo Andrade
Brasil
Rogério Ghomes
Brasil
Rômulo Barros
Brasil
Ronald Simon
Brasil
Rosa Luz
Brasil
Rosane Cechinel
Brasil
Rosangela Becker
Brasil
Rosângela Rennó
Brasil
Royce Smith
Estados Unidos
Rubens Gerchman
Brasil
Rubens Oestroem
Brasil
Sandra Fávero
Brasil
Sandra Johnston
Inglaterra
Sandra Makowiecky
Brasil
Sandro Orlandi
Itália
Sara Ramos
Brasil
Sarah Revoltella
Suíça
Sarah Uriarte e Kim Coimbra
Brasil
Sebastião G. Branco
Brasil
Secretaria de Estado da Cultura (SEEC)
Sergei Tchoban
Rússia
Sérgio Adriano H
Brasil
Sergio Racanati
Itália
Sesc Paço da Liberdade
Sethembile Msezane
África do Sul
Shay Frisch
Israel
Shirley Paes Leme
Brasil
Silvana Macêdo
Brasil
SIM Galeria
Simões de Assis Galeria de Arte
Simone Milak
Brasil
Simphiwe Ndzube
África do Sul
Sofia Brito
Brasil
Solar do Rosário
Sonia Loren
Brasil
Sonia Vasconcellos
Brasil
Soyoung Chung
França/Coréia do Sul
Stefano Cagol
Itália
Su Hui-Yu
Taiwan
Sui Jianguo
China
Sun Lu
China
Susan Mckinley
Estados Unidos
Suzana Queiroga
Portugal/Brasil
Talita Virgínia
Brasil
Tan Xun
China
Tarcísio Ullrich
Brasil
Teatro Guaíra
Teatro Guaíra
Teresa Pereda
Argentina
Tereza de Arruda
Brasil/Alemanha
TETRA Gallery
Thalita Caetano
Brasil
Thania Petersen
África da Sul
Thu-Van Tran
Vietnam
TiroTTi
Brasil
Tobias Zielony
Alemanha
Tom Drake Bennett
Reino Unido
Tong Yanrunan
China
Valérie Oka
Costa do Marfim
Vera Chaves Barcellos
Brasil
Verena Smit
Brasil
Verônica Filipak
Brasil
Veronika Kellndorfer
Alemanha
Victor Arruda
Brasil
Vilma Slomp
Brasil
Virginia Ryan
Austrália/Itália
Vivian Villanova
Brasil
Vladimir Potapov
Rússia
Walter Thoms
Brasil
Waltercio Caldas
Brasil
Wang Cheng Yun
China
Wang Dezhong
China
Wang Jingwei
China
Wang Qingsong
China
Wang Shaojun
China
Wang Xiao
China
Wisrah Villefort
Brasil
Wlademir Dias-Pino
Brasil
Wu Yongping
China
Xiong Yu
China
Yan Feng
China
Yan Longjiao
China
Yanbei
China
Yang Chun
China
Yang Lufeng
China
Yang Xuening
China
Yao Jui-Chung
Taiwan
Yara Guasque
Brasil
Yara Osman
Síria
Ybakatu Espaço de Arte
Yiftah Peled
Israel
Yohan Han
Coréia do Sul
Yu Fan
China
Yu Xiangming
China
Zhan Wang
China
Zhang Congyun
China
Zhang Dan
China
Zhang Songtao
China
Zhang Wei
China
Zhang Yong
China
Zhao Guangyi
China
Zhong Biao e Yan Yonghong
China
Zuleika Bisacchi Galeria de Arte
Zurab Tsereteli
Russia
The concept of border does not only belong to territory or geography anymore. It has been conceptually expanded and is now part of a bigger universe, one made of broader questions and, overall, more transversal ones. There is already a plural imagination that touches aspects of understood natures. Far away, that is, from commensurate; tranquilizing; pertaining in geographic limits answering to a thematic narrative physics – and closer to the important meaning distortions of social, technological, cognitive and contemporaneous nature. Especially amidst our times, ripe with changes and transformations of multiple signs (with the concurrency of new time and space coordinates, globalization, post-history, the worldwide technologization, environmental crisis, the search for new cosmologies etc.), which moves the meaning of old semantics, mono-dimensionally fixated in a single meaning.
On the one hand, contemporary history – that which belongs to our most recent times – has not only been modifying the idea of limits and frontiers; it has been also detracting some older ones, spatially, in the very plane of territory. A fruit of historical conflicts of many kinds, changes in borders, regions, countries have been happening; swapping signs and realities from entire populations’ lives. Our times live under such a degree of uncertainty that physical and symbolical notions of place have been suffering great erosion and transformation, for both good and bad. We now know that real borders exist, but so do invisible ones – they contradict one another, and they establish very unpeaceful conflicts. A border may be many things at the same time.
On the other hand, however, art has always been a space of frontiers, a hiatus between the realms of language and reality, a borderline state of fluctuating, non-fixated nature. When, after all, has art not been such double vigil, such atavistic split from representation, from language? The possibility of naming habitat from language, or even linking oneself to a new place?
We have two movements in front of us: the mutating geography of history and its spatial correlates and the mutating geography of art and its linguistic derivations, in line and difference, convergence and divergence. And it is in such a scope that some contaminating aspects are offered: the 21st century subject lives in a new border condition, with counterposing experiences, faced with alterity and self-absorption. Experiences of violence, domestication and xenophobia (the so-called refugee crisis, or new intercontinental emigratory waves, and the planetwide communication reveal how much the frontier is imploded and exploded and, in consequence, in need of new evaluations and updates). We are, thus, in a new situation of reborders and unborders, new spatial and social, territorial groups, as well as of new artistic experiences of border-art, presence of nomadic (or far from their origins) artists, counting on the existence of works in multicultural partnerships, as well as amplifying even more the field of borders between languages and their connection.
The 2019 Curitiba Biennial intends to incorporate said instigating contemporary condition, opening even more its expositive borders, creating partial venues, convergent with other countries – windows to another platform –, linking itself to artists in the entire world, to artistic production from every cardinal point in the globe and, in this edition, highlighting countries from another emerging geopolitics like the BRICS, with its new intercontinental orbit, as well as symbolic and meaningful European countries , an indispensable cartography and so strictly linked, both historically and culturally to the Americas, to Latin America, to Brazil, and materially to Curitiba. Not only the European cultural melting pot, but its richness and diversity have had a never seen transculturalization in the American continent, an autonomous creation – unprecedented anthropophagy and miscegenation – always worthy of independence, but also of new links and interworld dialectics, such as the new cultural and territorial interconnections of our globalized age. And the artists’ recognized vocation was of revaluating their roles as connectors, contributing to the work in progress that is every process of artistic research, imagery to attain new states of consciousness regarding the surrounding reality and the timeless problems of human condition. And, in consequence, contributing with new thoughts on the construction and the process of another history.
Art, especially when fulfilling a symbolic and speculative function – one of translation and interpretation – inside a Biennial is a high profile social and reflexive task. It has a great responsibility in our aestheticized society, be it as a showcase where art and culture are linked or as a place of action which also reflects the spirit of its time. The Biennial, the border-art, reveals in its turn its own perception of things, of contexts, since it never stops being art and its circumstances. And its chimerical dream of open borders or, even better, of expanding borders, for it is a frank utopia in the making, the openness of a critic hope. What will bring another sensorium, a new contact with what’s sensory, a free production of the being. An antidote-language against fundamentalism, the instrumentalized visuals which still host a singular spiritual benefit. As a space for revelations and image analysis, art also works as a compass of another map in movement, on course, a better cartography: it offers a unique repertoire of signals, a new signage.
Curators:
Adolfo Montejo Navas and Tereza de Arruda
People / Places
A.C.Machado
Brasil
Abraham Palatnik
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