Blum & Poe

Zhang Huan

21 May - 09 Jul 2011

© Zhang Huan
49 Days No. 4, 2011
Gray brick, steel
19 3/4 x 59 x 112 1/4 inches
49 Days
21 May – 9 July, 2011

Blum & Poe is very pleased to present, 49 Days, a monumental exhibition of new brick sculpture by Chinese-based artist Zhang Huan. This is Zhang Huan's first one-person exhibition in Los Angeles as well as his first with Blum & Poe.

For nearly two decades, Zhang Huan has established himself as one of the preeminent artists to emerge from China since the early 90s. Zhang has developed a vast body of work ranging from endurance-based body performance (while living in New York) to large-scale public commissions, painting and sculpting with incense ash and even reinterpreting Handel's classic opera Semele at the Théâtre Royal de la Monnaie in Belgium and the Poly Theater, Beijing.

Central to his exhibition at Blum & Poe will be Pagoda, 2009, an imposing brick sculpture originally displayed at the Shanghai Art Museum. The twenty-two foot tall bell shaped pagoda is comprised of salvaged brick collected from demolition sites surrounding Shanghai (centuries old buildings that have been bulldozed in place of modern architectural progress). Near the center of the structure is a carved window from which a taxidermied pig periodically emerges and from where clouds of incense ash are dramatically emitted into the gallery.

Pagoda serves partly as a tribute to Zhu Gangqiang, or the "Cast-Iron Pig", now famous for having survived 49 days in rubble, following China's historic 2008 Sichuan earthquake. Upon hearing its story of survival, Zhang negotiated the pig's purchase and has subsequently adopted him into his studio, employing a full-time caretaker and making his likeness a central part of his artistic practice. The number "49" (from which the show takes its title) is dually significant, both for its relationship to Zhu Gangqiang's story and for its connection to Buddhist thought, as the Buddhists believe 49 days is the amount of time ones soul remains on earth between death and reincarnation.

In addition to Pagoda, Zhang will present a series of newly constructed brick sculptures taking the form of pigs (often larger than life) and skulls. Relating back to the story of Zhu Gangqiang, and larger notions of mortality, the pigs and skulls compliment Pagoda in their formal construction and emotional tenor. Zhang will present sculptures that function as both freestanding floor pieces and two-dimensional hanging wall pieces, in some cases weighing in excess of 4,000 pounds. The sculptures testify to Zhang Huan's interest in personal, community and artistic survival; topics he has been exploring in depth since his physically intense performance pieces of the early 90s. The brick may also be viewed metaphorically, as the works are constructed by the hands of Chinese laborers, representing the building blocks of a new world super power and place of constant reinvention that depends on its vast population to ensure progress as a nation.

Zhang Huan was born in An Yang City, China in 1965 and received degrees from He Nan University, Kai Feng and the Central Academy of Fine Arts, Beijing. He lives and works in Shanghai and has been honored with solo exhibitions at such prestigious public institutions as the Shanghai Art Museum, Shanghai; Kunstverein Hamburg, Hamburg; Museum of Contemporary Art, Taipei, Asia Society, New York which traveled to the Vancouver Museum of Art and Museum of Fine Arts, Boston. His work is the permanent collection of numerous public collections including The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; The Pompidou Center, Paris; Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles and San Francisco Museum of Modern Art.

Tags: Zhang Huan, O Zhang