Carla Scott Fullerton
20 Jun - 18 Jul 2009
Lines and Pours
Carla Scott Fullerton solo exhibition
Opening Reception: Saturday, June 20. 2009 - 7.00 pm
For her first solo exhibition in Germany Carla Scott Fullerton focused the project on the architecture of Chert gallery producing a site-specific project.
The structure of her installation reflects a variety of materials and forms present in the space, following the gallery’s step and peculiarities and allowing the sculpture to “fall” and “fold” on itself, assuming another form and dimension.
The final construction is a mix of different pieces collaged together, where the sensibility of the chosen materials makes the process of creation of the piece. Its result is a constant meditation between materials and space, always changing and transforming till reaching its final combination.
Carla Scott Fullerton is deeply engaged with sculpture, investigating materials process involved in construction and deconstruction, those being old and new.
She questions how forms and formless structures sit together, juxtaposing material forms through processes and playing with shapes that relate to architecture.
Carla Scott Fullerton solo exhibition
Opening Reception: Saturday, June 20. 2009 - 7.00 pm
For her first solo exhibition in Germany Carla Scott Fullerton focused the project on the architecture of Chert gallery producing a site-specific project.
The structure of her installation reflects a variety of materials and forms present in the space, following the gallery’s step and peculiarities and allowing the sculpture to “fall” and “fold” on itself, assuming another form and dimension.
The final construction is a mix of different pieces collaged together, where the sensibility of the chosen materials makes the process of creation of the piece. Its result is a constant meditation between materials and space, always changing and transforming till reaching its final combination.
Carla Scott Fullerton is deeply engaged with sculpture, investigating materials process involved in construction and deconstruction, those being old and new.
She questions how forms and formless structures sit together, juxtaposing material forms through processes and playing with shapes that relate to architecture.