Federica Schiavo


17 Feb - 31 Mar 2011

Salvatore Arancio
Hunebed, 2011
photo-etching on felt
123 x 86 cm
courtesy Federica Schiavo Gallery, Roma
Salvatore Arancio
Mass Of Cooled Lava Formed Over A Spiracle, 2011
etching on paper, MDF
201 x 144 cm (MDF, 218 x 152 x 1,9 cm)
courtesy Federica Schiavo Gallery, Roma
Salvatore Arancio
Shasta, 2011
split screen film installation
2' 21''
courtesy Federica Schiavo Gallery, Roma
Salvatore Arancio
Le Balanced Rock, 2011
gouache and ink on printed paper
29 x 20 cm
courtesy Federica Schiavo Gallery, Roma
Salvatore Arancio
Luffâh, 2011
giclée print on aluminum
160 x 105,7 cm
courtesy Federica Schiavo Gallery, Roma

The Federica Schiavo Gallery is proud to present Shasta, Salvatore Arancio’s first solo exhibition in Rome. For the three spaces on the gallery premises Arancio has conceived of a new series of works. They follow his ongoing interest and investigation into ideas of nature and its merging with science, alongside the ability of myth and legend to introduce an exploration of the mystical.

In the first room scientific-geological found images playfully interact with the gallery’s architectural structure. Manipulated and re-invented, they induce subjective reflections on natural phenomena following the artist’s interest in apocalyptic representation.

In the second room the split screen video installation Shasta, originally shot on Super 8 film, takes inspiration from a Native American tribe’s account of the creation of Mount Shasta in California. The timeless, epic, visual, and sound elements of the installation stimulate ideas of narrative and storytelling in order to create a sense of awe seen as a metaphor for human inefficacy against the forces of nature.

In the last room the large photographic print Luffâh reproduces a found image of a mandrake root with disproportionate dimensions. By creating a contrast with the same image recreated as a sculptural piece in the first room, Arancio seeks to question ideas of perception, authorship and reproduction. The root’s lysergic powers and uncanny man-like shape have been the source for the creation of many myths through the ages.

Salvatore Arancio’s artistic signature is photo-etching, but he works across a range of media such as sculpture, collage, animation and video. His main interest lies in the potential of images. Departing from their literal meaning, he creates new juxtapositions that are both beautifully evocative and deeply disquieting. He looks to nature and science for his sources of inspiration, while unsettling any hint of the sublime by re-framing the images and the viewer’s experience. His constructed landscapes contain a sense of both the familiar and the unknown that enhances their symbolic readings and implications.

Salvatore Arancio was born in Catania, Italy in 1974. He lives and works in London. He received his MA in Photography from the Royal College of Art and is currently a teacher at the London College of Communication. Recent exhibitions have included “PPS//Meetings#4 - Salvatore Arancio, Sentinel”, Riso - Museo d'Arte Contemporanea della Sicilia, Palermo, Italy, 2011; “SI-Sindrome Italiana” at Le Magasin-Centre National d’Art contemporain de Grenoble, France, 2010; “An Account of the Composition of the Earth’s Crust: Dirt Cones and Lava Bombs”, Frame, Frieze Art Fair, London, UK, 2010; “Catastrophe? Quelle Catastrophe!” Manif d’Art 5, The Quebec City Biennial, Engramme, Quebec City, Canada, 2010; Prague Biennale 4, Karlin Hall, Prague, Czech Republic, 2009; “I giovani che visitano le nostre rovine non vi vedono che uno stile”, GAM-Galleria d’Arte Moderna, Turin, Italy, 2009. Arancio was selected for Bloomberg New Contemporaries in 2006 and won the Premio ‘New York’ in 2009 and The Elephant Trust Grant, London, in 2010.

Tags: Salvatore Arancio