Joao Maria Gusmao + Pedro Paiva
13 Sep - 28 Oct 2012
JOAO MARIA GUSMAO + PEDRO PAIVA
Trilemma : Over a Ghostly Conception
13 September - 28 October 2012
All that I have, up to this moment, accepted as possessed of the highest truth and certainty, I received either from or through the senses. I observed, however, that these sometimes misled us; and it is the part of prudence not to place absolute confidence in that by which we have even once been deceived.
But it may be said, perhaps, that, although the senses occasionally mislead us respecting minute objects, and such as are so far removed from us as to be beyond the reach of close observation, there are yet many other of their informations (presentations), of the truth of which it is manifestly impossible to doubt; as for example, that I am in this place, seated by the fire, clothed in a winter dressing gown, that I hold in my hands this piece of paper, with other intimations of the same nature. But how could I deny that I possess these hands and this body, and withal escape being classed with persons in a state of insanity, whose brains are so disordered and clouded by dark bilious vapors as to cause them pertinaciously to assert that they are monarchs when they are in the greatest poverty; or clothed [in gold] and purple when destitute of any covering; or that their head is made of clay, their body of glass, or that they are gourds? I should certainly be not less insane than they, were I to regulate my procedure according to examples so extravagant.
Though this be true, I must nevertheless here consider that I am a man, and that, consequently, I am in the habit of sleeping, and representing to myself in dreams those same things, or even sometimes others less probable, which the insane think are presented to them in their waking moments. How often have I dreamt that I was in these familiar circumstances, that I was dressed, and occupied this place by the fire, when I was lying undressed in bed? At the present moment, however, I certainly look upon this paper with eyes wide awake; the head which I now move is not asleep; I extend this hand consciously and with express purpose, and I perceive it; the occurrences in sleep are not so distinct as all this. But I cannot forget that, at other times I have been deceived in sleep by similar illusions; and, attentively considering those cases, I perceive so clearly that there exist no certain marks by which the state of waking can ever be distinguished from sleep, that I feel greatly astonished; and in amazement I almost persuade myself that I am now dreaming.
René Descartes, Meditations on First Philosophy, 1647, John Veitch Translation of 1901
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Joao Maria Gusmao (*1979) and Pedro Paiva (*1977) live in Lisbon.
Solo shows (selection):
2012: Those animals that, at a distance, resemble flies..., Kunsthaus Glarus; 2011: Em gwef tem gwef dr rr rr, Kunsthalle Düsseldorf; Alien Theory, Le Plateau, Paris; There’s nothing more to tell because this is small, as is every fecundation, Museo Marino Marini, Florence; 2010: The foot removes the sock which takes off the shoe which leaves the footprint..., Sies + Höke, Düsseldorf; On the movement of the fried egg and other astronomical bodies, Ikon Gallery, Birmingham; 2009: Experiments and observations on different kinds of air, at the 53rd Venice Biennale
Trilemma : Over a Ghostly Conception
13 September - 28 October 2012
All that I have, up to this moment, accepted as possessed of the highest truth and certainty, I received either from or through the senses. I observed, however, that these sometimes misled us; and it is the part of prudence not to place absolute confidence in that by which we have even once been deceived.
But it may be said, perhaps, that, although the senses occasionally mislead us respecting minute objects, and such as are so far removed from us as to be beyond the reach of close observation, there are yet many other of their informations (presentations), of the truth of which it is manifestly impossible to doubt; as for example, that I am in this place, seated by the fire, clothed in a winter dressing gown, that I hold in my hands this piece of paper, with other intimations of the same nature. But how could I deny that I possess these hands and this body, and withal escape being classed with persons in a state of insanity, whose brains are so disordered and clouded by dark bilious vapors as to cause them pertinaciously to assert that they are monarchs when they are in the greatest poverty; or clothed [in gold] and purple when destitute of any covering; or that their head is made of clay, their body of glass, or that they are gourds? I should certainly be not less insane than they, were I to regulate my procedure according to examples so extravagant.
Though this be true, I must nevertheless here consider that I am a man, and that, consequently, I am in the habit of sleeping, and representing to myself in dreams those same things, or even sometimes others less probable, which the insane think are presented to them in their waking moments. How often have I dreamt that I was in these familiar circumstances, that I was dressed, and occupied this place by the fire, when I was lying undressed in bed? At the present moment, however, I certainly look upon this paper with eyes wide awake; the head which I now move is not asleep; I extend this hand consciously and with express purpose, and I perceive it; the occurrences in sleep are not so distinct as all this. But I cannot forget that, at other times I have been deceived in sleep by similar illusions; and, attentively considering those cases, I perceive so clearly that there exist no certain marks by which the state of waking can ever be distinguished from sleep, that I feel greatly astonished; and in amazement I almost persuade myself that I am now dreaming.
René Descartes, Meditations on First Philosophy, 1647, John Veitch Translation of 1901
.
Joao Maria Gusmao (*1979) and Pedro Paiva (*1977) live in Lisbon.
Solo shows (selection):
2012: Those animals that, at a distance, resemble flies..., Kunsthaus Glarus; 2011: Em gwef tem gwef dr rr rr, Kunsthalle Düsseldorf; Alien Theory, Le Plateau, Paris; There’s nothing more to tell because this is small, as is every fecundation, Museo Marino Marini, Florence; 2010: The foot removes the sock which takes off the shoe which leaves the footprint..., Sies + Höke, Düsseldorf; On the movement of the fried egg and other astronomical bodies, Ikon Gallery, Birmingham; 2009: Experiments and observations on different kinds of air, at the 53rd Venice Biennale