Albert Oehlen
Elevator Paintings: Trees
28 Feb - 15 Apr 2017
"Albert Oehlen: Elevator Paintings: Trees"
Installation view
Artworks © Albert Oehlen
Photo by Rob McKeever
Installation view
Artworks © Albert Oehlen
Photo by Rob McKeever
ALBERT OEHLEN
Elevator Paintings: Trees
28 February – 15 April 2017
Gagosian is pleased to present “Elevator Paintings: Trees” by Albert Oehlen. Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Unleashing this freedom through self-imposed constraints, Oehlen sets rules and boundaries in order to test the breaking point of painting itself. Through expressionist brushwork, Surrealist methodology, computer-generated lines, and self-conscious amateurism, he multiplies the potential of visual codes through processes of persistent accretion.
Of the two groups of works in “Elevator Paintings: Trees”—both being shown in New York for the first time—the Tree Paintings (Baumbilder) are permutations of an ongoing series that Oehlen began more than thirty years ago. For this iteration, he limited his palette to predominantly black and red. On bright white Dibond, black lines track the hand’s erratic ambulations, while red gradations are contained within geometric figures of a more digital register. The black, mobile lines take on a representative function, as if measuring their own relation to the red, still planes. Using a new technical approach, the Elevator Paintings are all-over polychromatic oil paintings in which Oehlen stages oppositions between clear contours and amorphous blurs. Over areas of clean, solid color, he applies voracious sprays, drips, and strokes in muddy greens and grays, deep reds and flesh tones, further complicating his conflation of erasure and enhancement.
A fully illustrated catalogue, Elevator Paintings: Trees, with an essay by Andreas van Dühren will accompany the exhibition.
Albert Oehlen was born in 1954 in Krefeld, Germany and currently lives and works in Switzerland. Collections include Museum of Modern Art, New York; Cleveland Museum of Art, OH; MOCA Grand Avenue, Los Angeles, CA; Museum of Contemporary Art North Miami, FL; Broad Contemporary Art Museum, Santa Monica, CA; Museum für Moderne Kunst, Frankfurt; Centro de Arte Contemporáneo de Málaga, Spain; Centre Georges Pompidou, Paris; Tate, London; Istanbul Modern; and Museo Jumex, Mexico City. Recent solo exhibitions include Secession, Vienna (2004); “I know whom you showed last summer,” Museum of Contemporary Art, North Miami, FL (2005); Museo di Capodimonte, Naples, Italy (2009); “Réalitéabstraite,” Musée d'Art Moderne de la Ville de Paris, France (2009); “Terpentin,” Kunstmuseum Bonn, Germany (2012); mumok - Museum Moderner Kunst, Vienna (2013); 55th Biennale di Venezia (2013); Museum Wiesenbaden, Germany (2014); “Home and Garden,” New Museum, New York (2015); “An Old Painting in Spirit,” Kunsthalle Zürich, Switzerland (2015); and “Albert Oehlen: Behind the Image,” Guggenheim Bilbao (2017).
“Albert Oehlen: Woods near Oehle,” the largest exhibition of Oehlen’s work in the United States to date, is currently on view at the Cleveland Museum of Art through March 12, 2017.
Elevator Paintings: Trees
28 February – 15 April 2017
Gagosian is pleased to present “Elevator Paintings: Trees” by Albert Oehlen. Oehlen’s oeuvre is a testament to the innate freedom of the creative act. Unleashing this freedom through self-imposed constraints, Oehlen sets rules and boundaries in order to test the breaking point of painting itself. Through expressionist brushwork, Surrealist methodology, computer-generated lines, and self-conscious amateurism, he multiplies the potential of visual codes through processes of persistent accretion.
Of the two groups of works in “Elevator Paintings: Trees”—both being shown in New York for the first time—the Tree Paintings (Baumbilder) are permutations of an ongoing series that Oehlen began more than thirty years ago. For this iteration, he limited his palette to predominantly black and red. On bright white Dibond, black lines track the hand’s erratic ambulations, while red gradations are contained within geometric figures of a more digital register. The black, mobile lines take on a representative function, as if measuring their own relation to the red, still planes. Using a new technical approach, the Elevator Paintings are all-over polychromatic oil paintings in which Oehlen stages oppositions between clear contours and amorphous blurs. Over areas of clean, solid color, he applies voracious sprays, drips, and strokes in muddy greens and grays, deep reds and flesh tones, further complicating his conflation of erasure and enhancement.
A fully illustrated catalogue, Elevator Paintings: Trees, with an essay by Andreas van Dühren will accompany the exhibition.
Albert Oehlen was born in 1954 in Krefeld, Germany and currently lives and works in Switzerland. Collections include Museum of Modern Art, New York; Cleveland Museum of Art, OH; MOCA Grand Avenue, Los Angeles, CA; Museum of Contemporary Art North Miami, FL; Broad Contemporary Art Museum, Santa Monica, CA; Museum für Moderne Kunst, Frankfurt; Centro de Arte Contemporáneo de Málaga, Spain; Centre Georges Pompidou, Paris; Tate, London; Istanbul Modern; and Museo Jumex, Mexico City. Recent solo exhibitions include Secession, Vienna (2004); “I know whom you showed last summer,” Museum of Contemporary Art, North Miami, FL (2005); Museo di Capodimonte, Naples, Italy (2009); “Réalitéabstraite,” Musée d'Art Moderne de la Ville de Paris, France (2009); “Terpentin,” Kunstmuseum Bonn, Germany (2012); mumok - Museum Moderner Kunst, Vienna (2013); 55th Biennale di Venezia (2013); Museum Wiesenbaden, Germany (2014); “Home and Garden,” New Museum, New York (2015); “An Old Painting in Spirit,” Kunsthalle Zürich, Switzerland (2015); and “Albert Oehlen: Behind the Image,” Guggenheim Bilbao (2017).
“Albert Oehlen: Woods near Oehle,” the largest exhibition of Oehlen’s work in the United States to date, is currently on view at the Cleveland Museum of Art through March 12, 2017.