Conrads

MONIKA BRANDMEIER/ULRIKE HEYDENREICH

23 May - 28 Jul 2009

Monika Brandmeier Lift 2007
335 x 360 x 184 cm, steel and urethancast
Monika Brandmeier Lock 2009
65 x 121 x 181 cm, steel and urethancast
Monika Brandmeier Bittedanke 2009
installation view CONRADS mya 2009
228 x 320 x 232 cm, steel, screws, aluminium file
Ulrike Heydenreich
installation view CONRADS may 2009
Ulrike Heydenreich
Panoramaring 2009, ø90 cm graphit on paper, board, wood
Ulrike Heydenreich
Panoramaring 2009, ø90 cm graphit on paper, board, wood - detail
Ulrike Heydenreich
Oceanscapes2009, 54 x 78 cm silkscreen prints on glass
Monika Brandmeier, ststement
...and all longing is in the end geometric
Since the 80s I have been working on drawings and sculptures that have a clear, reduced appearance yet have little to do with minimalist positions. On the contrary, they pursue the idea of a poetically organised space and subjective conceptualism. In this way, the works on the whole use their directness as a form of argumentation, and paradoxically it is precisely this decision not to use external references and sources which in the first instance makes the works so inaccessible, unfamiliar and also secretive. I perceive my works as facts of the case, which soberly deal with their physical presence and thereby the presence of the viewer.
In the latest works it is above all about contradictions, which are staged and played off against one another, counteracting strengths that within the spatial ensemble criss-cross through the empty room. Just as movement and deliberation come together in the drawings, the viewer experiences this work by looking at it, and is only able to comprehend it by retracing the constructions. It is the viewer’s gaze that the work captures within its scope. Because “the desire” – as it is called in one of the works – “ is merely a bearing, like the gaze, and all longing is in the end geometric.”

 

Tags: Monika Brandmeier, Ulrike Heydenreich