Ugo Rondinone
20 Apr - 28 May 2016
UGO RONDINONE
Primordial
20 April - 28 May 2016
Gladstone Gallery is pleased to present primordial, an exhibition of new works by Ugo Rondinone. Within the Brussels gallery space, Rondinone creates another universe with forty-seven sculptures: each form is named after a natural phenomenon and embodied by a bronze fish suspended on wire. These sculptures follow in a series that includes bronze-cast birds (primitive, 2011) and horses (primal, 2013). Rondinone’s three groupings of animals stand in for the world beyond the exhibition space, representing the transience and temporality of the natural world. This menagerie of forms belonging to air, land, and water represents timeless occurrences within the cosmos while demonstrating infinite reincarnations.
The notion of time is fundamental within Rondinone’s work, reflected in his concept, process, and materials. The school of fish in primordial floats quietly and motionlessly unaffected by time. These forms, with titles such as the feather, the insect, or the gravity, serve as amulets of time suspended in mid-air, and provide a contemplative space where the past and present can coexist. For Rondinone, the process of making art is a ritual, and he commemorates the daily by producing one sculpture a day. Each fish begins in clay and the evidence of Rondinone’s working process is preserved in the finished bronze, linking each sculpture to his own lifetime through the encapsulated gestures.
While each of the forty-seven fish is unique, the fish bear a cohesion as they are covered with only Rondinone’s fingerprints. This duality, along with contrasts between organic and inorganic, movement and stillness, as well as mass and weightlessness, present a disparity between the exterior and interior.
Over the last decades, Rondinone has created a strikingly diverse body of work exploring conditions of human life and the transience of existence. His paintings range from large Arcadian landscapes to striped or radial gradients named after the dates when the works were completed. Rondinone’s sculptures extend from small still-life objects to colossal bluestone figures.
Ugo Rondinone was born in 1964 in Brunnen, Switzerland and currently lives and works in New York. Rondinone has been the subject of recent solo exhibitions at institutions including: Museum Boijmans van Beuningen, Rotterdam; Museum Anahuacalli, Mexico City; Rockbund Art Museum, Shanghai; Museum Leuven, Brussels; the Art Institute of Chicago; the Museum of Cycladic Art, Athens; Kunsthistorisches Museum Wien, Vienna; Museum Dhondt-Dhaenens, Deurle, Belgium; and Museo de Arte Contemporáneo de Castilla y León, Spain. Rondinone recently curated I ♥ John Giorno at Palais de Tokyo in Paris, and Artists and Poets at the Vienna Secession. Forthcoming solo exhibitions include: becoming soil, at Carre d’art, Nîmes, France; seven magic mountains, with Art Production Fund and Nevada Museum of Art; vocabolario della solitudine at MACRO, Rome; and Gladstone Gallery, New York, in September of this year.
Primordial
20 April - 28 May 2016
Gladstone Gallery is pleased to present primordial, an exhibition of new works by Ugo Rondinone. Within the Brussels gallery space, Rondinone creates another universe with forty-seven sculptures: each form is named after a natural phenomenon and embodied by a bronze fish suspended on wire. These sculptures follow in a series that includes bronze-cast birds (primitive, 2011) and horses (primal, 2013). Rondinone’s three groupings of animals stand in for the world beyond the exhibition space, representing the transience and temporality of the natural world. This menagerie of forms belonging to air, land, and water represents timeless occurrences within the cosmos while demonstrating infinite reincarnations.
The notion of time is fundamental within Rondinone’s work, reflected in his concept, process, and materials. The school of fish in primordial floats quietly and motionlessly unaffected by time. These forms, with titles such as the feather, the insect, or the gravity, serve as amulets of time suspended in mid-air, and provide a contemplative space where the past and present can coexist. For Rondinone, the process of making art is a ritual, and he commemorates the daily by producing one sculpture a day. Each fish begins in clay and the evidence of Rondinone’s working process is preserved in the finished bronze, linking each sculpture to his own lifetime through the encapsulated gestures.
While each of the forty-seven fish is unique, the fish bear a cohesion as they are covered with only Rondinone’s fingerprints. This duality, along with contrasts between organic and inorganic, movement and stillness, as well as mass and weightlessness, present a disparity between the exterior and interior.
Over the last decades, Rondinone has created a strikingly diverse body of work exploring conditions of human life and the transience of existence. His paintings range from large Arcadian landscapes to striped or radial gradients named after the dates when the works were completed. Rondinone’s sculptures extend from small still-life objects to colossal bluestone figures.
Ugo Rondinone was born in 1964 in Brunnen, Switzerland and currently lives and works in New York. Rondinone has been the subject of recent solo exhibitions at institutions including: Museum Boijmans van Beuningen, Rotterdam; Museum Anahuacalli, Mexico City; Rockbund Art Museum, Shanghai; Museum Leuven, Brussels; the Art Institute of Chicago; the Museum of Cycladic Art, Athens; Kunsthistorisches Museum Wien, Vienna; Museum Dhondt-Dhaenens, Deurle, Belgium; and Museo de Arte Contemporáneo de Castilla y León, Spain. Rondinone recently curated I ♥ John Giorno at Palais de Tokyo in Paris, and Artists and Poets at the Vienna Secession. Forthcoming solo exhibitions include: becoming soil, at Carre d’art, Nîmes, France; seven magic mountains, with Art Production Fund and Nevada Museum of Art; vocabolario della solitudine at MACRO, Rome; and Gladstone Gallery, New York, in September of this year.