HKW Haus der Kulturen der Welt

Echoes of the Brother Countries

What Is the Price of Memory and What Is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities

02 Mar - 20 May 2024

Dito Tembe, Madgermanes (2023), series of 8 reproductions of original oil paintings on canvas (detail), courtesy of the artist. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
César Olhagaray, Solidarität [Solidarity] (1986/2024), mural, mixed media on canvas, reproduction, 3,1 x 9,4 m, courtesy of the artist © VG Bild-Kunst, Bonn 2024. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Dito Tembe, Madgermanes (2023), series of 8 reproductions of original oil paintings on canvas (detail), courtesy of the artist. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Dito Tembe, Madgermanes (2023), series of 8 reproductions of original oil paintings on canvas (detail), courtesy of the artist. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Exhibition view Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Exhibition view Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Exhibition view Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Exhibition view Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Christoph Wetzel, Das jüngste Gericht [The last judgement] (1987), oil on fibreboard, 165 x 250 cm, Museum Utopie und Alltag (Kunstarchiv Beeskow) © VG Bild-Kunst, Bonn 2024. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Dito Tembe, Madgermanes (2023), series of 8 reproductions of original oil paintings on canvas (detail), courtesy of the artist. Installation view of the exhibition Echoes of the Brother Countries. What is the Price of Memory and What is the Cost of Amnesia? Or: Visions and Illusions of Anti-Imperialist Solidarities, Haus der Kulturen der Welt (HKW), 2024. Photo: Hannes Wiedemann/HKW
Between 1949 and 1990, thousands migrated to the GDR from countries such as Algeria, Angola, Chile, Cuba, Guinea-Bissau, Mozambique, Syria, and Vietnam. Their stories remain largely untold. The exhibition and research project Echoes of the Brother Countries is dedicated to the often overlooked political, economic, educational, and artistic links, as well as the exchange and migration movements between the GDR and other socialist-orientated states, the so-called brother countries.

However, in the shadow of the iconographic depictions of solidarity such as a ‘united class struggle’, or ‘socialist internationalism’, there were other realities. Despite the GDR’s emphasis on fair labour conditions and professional development, migrants experienced labour exploitation, cramped living quarters, surveillance, curtailment of certain freedoms such as getting pregnant or being in a relationship, racist and xenophobic attacks, withheld wages and broken promises by their governments and the GDR government.

However, there were also practices of solidarity across individual, local, national, and global scales, including GDR support for so-called 'anti-colonial, anti-imperialist, and liberation struggles' in other parts of the world. How were these relations made possible? And how much of this history and its legacies remain visible today?

The exhibition and research project brings together numerous positions that create a common space for rememberance, dialogue, and reflection on transnational solidarities and contradictions. With an extensive opening and programme, Echoes of the Brother Countries explores the question of how these interwoven histories continue to shape the former brother countries to this day, especially the lives of the people who migrated under the conditions of these alliances.

The multidisciplinary project critically maps the GDR history and relations with its brother countries, a term that is critically taken up for its gendered problematics, and illusions of and allusions to equality. Amid erasures, gaps, and absences in broader public educational discourses, the project attempts to understand the reverberations of those histories in Germany as well as in the former brother countries to situate these relations as part of a global history of cultural movement and exchange.

With contributions among others by Abed Abdi, Khaled Abdulwahed, Donald Acquaye, Maimuna Adam, Kais al-Zubaidi, Santos Chávez, Ivan Cibulka, Sarah Ama Duah, Nguyễn Lương Đức, Ângela Ferreira, Carla Filipe, Lea Grundig, Sami Hakki, Kiluanji Kia Henda, Isaac-Newton-Schule, Emile Itolo, Januário Jano, Hiwa K, Euridice Zaituna Kala, Martha Ketsela, Songhak Ky, Verena Kyselka, Heinz-Karl Kummer, Hernando León, Humberto López, MORUS-Oberschule, Nástio Mosquito, Olu Oguibe, César Olhagaray, Zohra Opoku, Charles Owusu, Minh Duc Pham, Gertraude Pohl, Elske Rosenfeld, Riad Ali Saad, Farkhondeh Shahroudi, Sophie-Brahe-Gemeinschaftsschule, Dito Tembe, Sung Tieu, Christoph Wetzel, Horst Weber
 

Tags: César, Ângela Ferreira, Carla Filipe, Kiluanji Kia Henda, Hiwa K, Nástio Mosquito, Olu Oguibe, Zohra Opoku, Elske Rosenfeld, Farkhondeh Shahroudi, Sung, Sung Tieu