Andres Serrano
Revealing Reality
10 Jun - 03 Sep 2017
‘Fatima’, was Imprisoned and Tortured in Sudan (Torture), 2015, 1/3 (edition of / editie van 3 + 2 AP) © Andres Serrano. Courtesy Andres Serrano & Galerie Nathalie Obadia Paris/Bruxelles
Sister Irina. Alexander Nevsky Church, Jerusalem (Jerusalem), 2014. 1/3 (editie van 3 + 2 AP) © Andres Serrano. Courtesy Galerie Nathalie Obadia Parijs/Brussel
Jorge Luis Redondo Rivero. Marquesado, Camagüey (Cuba), 2012, 4/7 (editie van 7 + 2 AP) © Andres Serrano. Courtesy Galerie Nathalie Obadia Parijs/Brussel
Milk Cross (Bodily Fluids), 1987, AP 1/2 (editie van 4 + 2 AP) © Andres Serrano. Courtesy Galerie Nathalie Obadia Parijs/Brussel
ANDRES SERRANO
Revealing Reality
10 June - 3 September 2017
The oeuvre of the prominent artist Andres Serrano (New York, 1950) is both provocative and fascinating. In terms of scale, composition and subject matter his works of art show strong similarities to the work of the Old Masters, but unlike these old paintings Serrano’s work confronts us powerfully and directly with contemporary reality. Serrano has a deep interest in the condition humaine, which he photographs in ways that are both moving and unsettling, but he passes no judgements. The exhibition in Huis Marseille includes a collection of works from Serrano’s newest series Torture, Denizens of Brussels and the Residents of New York, together with photographs drawn from the earlier series Cuba, The Church, Nomads and Holy Works, among others. Serrano has a master’s hand that is particularly evident in his portraits. In the various themes explored in his wide-ranging oeuvre Andres Serrano lays bare the reality of human existence, following us from the gutter to the stars.
Revealing Reality
10 June - 3 September 2017
The oeuvre of the prominent artist Andres Serrano (New York, 1950) is both provocative and fascinating. In terms of scale, composition and subject matter his works of art show strong similarities to the work of the Old Masters, but unlike these old paintings Serrano’s work confronts us powerfully and directly with contemporary reality. Serrano has a deep interest in the condition humaine, which he photographs in ways that are both moving and unsettling, but he passes no judgements. The exhibition in Huis Marseille includes a collection of works from Serrano’s newest series Torture, Denizens of Brussels and the Residents of New York, together with photographs drawn from the earlier series Cuba, The Church, Nomads and Holy Works, among others. Serrano has a master’s hand that is particularly evident in his portraits. In the various themes explored in his wide-ranging oeuvre Andres Serrano lays bare the reality of human existence, following us from the gutter to the stars.