Peter Piller
there are a couple of things that bother me
11 Mar - 21 May 2023
Installation view
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installation view
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installation view
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installation view
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installation view
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Peter Piller. there are a couple of things that bother me, Kunsthalle Düsseldorf, 2023
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Serie „Afghanistan Field Research“, 2013-2014
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Serie „Afghanistan Field Research“, 2013-2014
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Serie „Bereitschaftsgrad“, 2015
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Serie „Immer noch Sturm“, 2011
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Serie „Nimmt Schaden“, 2007
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
Installationsansicht Kunsthalle Düsseldorf, 2023 /
Installation view Kunsthalle Düsseldorf, 2023
Courtesy Capitain Petzel, Berlin
Photo: Katja Illner © VG Bild-Kunst, Bonn 2023
In the spring of 2023, the Kunsthalle Düsseldorf will present the first retrospective in the Rhineland on the German artist Peter Piller (*1968 in Fritzlar), who has been a professor at the nearby Kunstakademie Düsseldorf since 2018, where he teaches a class in fine art.
During his studies in Hamburg, Piller began working on the Peter Piller Archive, in which thousands of images and photos that he meticulously collected from sources such as magazines, the internet, postcards, and aerial photographs are organized, categorized, and assembled in series. His most important tools have always been his gift for precise observation and a subtle sense of humor, which allow Piller to discover serial, curious, and unusual elements in images that appear extremely banal and trivial, and to relate them to others. These include the aerial photo archive von erde schöner, based on 20,000 aerial photos and categorized into 23 series, which Piller has been working on since 2002.
His drawings and his own photographs are also always serial. For example, as part of the series Peripheriewanderungen, which he began in 1994, the artist wandered around places and subsequently made drawings and photographs of his walks. The drawings in particular are strongly associative and reflect personal impressions and emotions triggered by the walks rather than being actual documentations or maps. For the series behind time (2017), Piller traveled to various places around the world to observe and photograph rare and special birds. However, instead of depicting them in their full glory, as ornithologists would, the artist always shows them at the exact moment they leave his field of view and ironically names the photographs after the name of the species of bird he photographed. Piller is currently engaging with prehistoric cave paintings that were created in southern Europe during the Ice Age, before humans became sedentary. On this topic as well, he has collected hundreds of photographs and scans from various European libraries, and has taken photographs and made drawings on dozens of trips to southern France and northern Spain.
The exhibition presents many of his series since the 1990s, in particular those that have rarely or never before been shown, and places them in new contexts in the three large exhibition spaces.
An artist’s book will be published alongside the exhibition.
The exhibition will take place as part of the 250th anniversary of the Kunstakademie Düsseldorf and is curated by Gregor Jansen and Alicia Holthausen in close collaboration with the artist.
During his studies in Hamburg, Piller began working on the Peter Piller Archive, in which thousands of images and photos that he meticulously collected from sources such as magazines, the internet, postcards, and aerial photographs are organized, categorized, and assembled in series. His most important tools have always been his gift for precise observation and a subtle sense of humor, which allow Piller to discover serial, curious, and unusual elements in images that appear extremely banal and trivial, and to relate them to others. These include the aerial photo archive von erde schöner, based on 20,000 aerial photos and categorized into 23 series, which Piller has been working on since 2002.
His drawings and his own photographs are also always serial. For example, as part of the series Peripheriewanderungen, which he began in 1994, the artist wandered around places and subsequently made drawings and photographs of his walks. The drawings in particular are strongly associative and reflect personal impressions and emotions triggered by the walks rather than being actual documentations or maps. For the series behind time (2017), Piller traveled to various places around the world to observe and photograph rare and special birds. However, instead of depicting them in their full glory, as ornithologists would, the artist always shows them at the exact moment they leave his field of view and ironically names the photographs after the name of the species of bird he photographed. Piller is currently engaging with prehistoric cave paintings that were created in southern Europe during the Ice Age, before humans became sedentary. On this topic as well, he has collected hundreds of photographs and scans from various European libraries, and has taken photographs and made drawings on dozens of trips to southern France and northern Spain.
The exhibition presents many of his series since the 1990s, in particular those that have rarely or never before been shown, and places them in new contexts in the three large exhibition spaces.
An artist’s book will be published alongside the exhibition.
The exhibition will take place as part of the 250th anniversary of the Kunstakademie Düsseldorf and is curated by Gregor Jansen and Alicia Holthausen in close collaboration with the artist.