The Inescapable Intertwining of All Lives
26 Jun - 17 Sep 2023
Installation view
The Inescapable Intertwining of All Lives, Kunsthalle Düsseldorf, 2023
Photo: Katja Illnew
The Inescapable Intertwining of All Lives, Kunsthalle Düsseldorf, 2023
Photo: Katja Illnew
Emma Talbot
Ghost Calls, 2020
Acrylic on silk, 295 x 1385 cm
© Emma Talbot, Courtesy Galerie Onrust, Amsterdam
Photo: Katja Illnew
Ghost Calls, 2020
Acrylic on silk, 295 x 1385 cm
© Emma Talbot, Courtesy Galerie Onrust, Amsterdam
Photo: Katja Illnew
Installation view
Gisela McDaniel
Paola'an Míhinilat, 2021
Oil on canvas, found object, jewelry from subject-collaborator, resin, sound, 165,1 x 152,4 x 40,6 cm
Gisela McDaniel
Haga Haga', 2020
Oil on canvas, found object, resin, sound on USB, 106,7 x 136,7 x 14 cm
Photo: Katja Illnew
Gisela McDaniel
Paola'an Míhinilat, 2021
Oil on canvas, found object, jewelry from subject-collaborator, resin, sound, 165,1 x 152,4 x 40,6 cm
Gisela McDaniel
Haga Haga', 2020
Oil on canvas, found object, resin, sound on USB, 106,7 x 136,7 x 14 cm
Photo: Katja Illnew
Installation view
Ilse Henin
Pastel chalk, colour pencil and pencil on paper, 100 x 70 cm
Photo: Katja Illnew
Ilse Henin
Pastel chalk, colour pencil and pencil on paper, 100 x 70 cm
Photo: Katja Illnew
Installation view
Kunsthalle Düsseldorf
Keltie Ferris
Chorus, 2019–2022
Oil, powdered pigment and vinyl paint on pape, each ca. 104 x 74 cm
Courtesy: Kadel Willborn, Düsseldorf & KLEMM'S, Berlin
Photo: Katja Illnew
Kunsthalle Düsseldorf
Keltie Ferris
Chorus, 2019–2022
Oil, powdered pigment and vinyl paint on pape, each ca. 104 x 74 cm
Courtesy: Kadel Willborn, Düsseldorf & KLEMM'S, Berlin
Photo: Katja Illnew
Installation view
Soraya Sharghi
links/left:
Roaring Trumpet, 2020
Wood, 200 x 135 x 105 cm
Courtesy the artist and SETAREH
right:
Stream of infinity, 2022
Acrylic on canvas, 137,16 x 137,16 cm
Courtesy the artist and SETAREH
Photo: Katja Illnew
Soraya Sharghi
links/left:
Roaring Trumpet, 2020
Wood, 200 x 135 x 105 cm
Courtesy the artist and SETAREH
right:
Stream of infinity, 2022
Acrylic on canvas, 137,16 x 137,16 cm
Courtesy the artist and SETAREH
Photo: Katja Illnew
Installation view
Ilse Henin
Ohne Titel, 2018/2019
Oil pastel chalk on paper, 100 x 70 cm
Courtesy the artist and KM, Berlin
Photo: Katja Illnew
Ilse Henin
Ohne Titel, 2018/2019
Oil pastel chalk on paper, 100 x 70 cm
Courtesy the artist and KM, Berlin
Photo: Katja Illnew
Gisela McDaniel
Look back/Look forward, 2020
Oil on canvas, found object, flower, resin, sound on USB, 91,4 x 152,4 x 14 cm
Look back/Look forward, 2020
Oil on canvas, found object, flower, resin, sound on USB, 91,4 x 152,4 x 14 cm
Artists: Keltie Ferris, Ilse Henin, Hayv Kahraman, Gisela McDaniel, Soraya Sharghi, Emma Talbot
The exhibition is curated by Gregor Jansen and Alicia Holthausen.
The artist Ilse Henin marks the starting point of the exhibition Die unhintergehbare Verflechtung aller Leben (The Inescapable Intertwining of All Lives). She studied in West Germany in the late 1960s, a time marked by political and social unrest, but also artistic solidarity and a love for experimentation combined with anti-capitalist critique. After taking a break from art in the 1970s, since she felt that the scene was too male dominated, she returned in the 1980s to create an artistic and social counterculture and to develop a body of work that reflects her personal image of society and culture. This extraordinary life’s work is now featured in an entire room in this exhibition.
Based on Henin’s works, a web of connections is traced to the five younger, contemporary artists in the exhibition. The works by Keltie Ferris, Hayv Kahraman, Gisela McDaniel, Soraya Sharghi, and Emma Talbot have in common the intertwining of supposedly female motifs, materials, and techniques, yet they have each developed these in their own unique ways and placed them in a contemporary context. At the same time, conventional notions of gender are questioned.
The works by these six artists show a processuality that leads the viewer from the 1960s to the present, from painting to drawing to sculpture and installations, from femininity to masculinity to diversity. Above all, however, it is a process of empowerment. In the works themselves as well as in their combination, groups, associations, and processes are formed which, despite their differences, reveal numerous parallels. They show the struggle for justice and self-determination which artists have long had to pursue and continue to pursue today in a world (and art world) that is still dominated by cis males.
The title of the exhibition Die unhintergehbare Verflechtung aller Leben refers to an interview by The Collective Eye with Judith Butler from 2022 in which they emphasizes the necessity of collective coexistence for justice in society. Based on this, society is to be understood as a complex network of diverse actors, not only humans, but also non-human life forms, such as animals, plants, fungi and organisms. There is a desire for a new collectivity within this society, for the interconnection of an entire ecosystem that influences, conditions, but also protects one another.
The exhibition is curated by Gregor Jansen and Alicia Holthausen.
The artist Ilse Henin marks the starting point of the exhibition Die unhintergehbare Verflechtung aller Leben (The Inescapable Intertwining of All Lives). She studied in West Germany in the late 1960s, a time marked by political and social unrest, but also artistic solidarity and a love for experimentation combined with anti-capitalist critique. After taking a break from art in the 1970s, since she felt that the scene was too male dominated, she returned in the 1980s to create an artistic and social counterculture and to develop a body of work that reflects her personal image of society and culture. This extraordinary life’s work is now featured in an entire room in this exhibition.
Based on Henin’s works, a web of connections is traced to the five younger, contemporary artists in the exhibition. The works by Keltie Ferris, Hayv Kahraman, Gisela McDaniel, Soraya Sharghi, and Emma Talbot have in common the intertwining of supposedly female motifs, materials, and techniques, yet they have each developed these in their own unique ways and placed them in a contemporary context. At the same time, conventional notions of gender are questioned.
The works by these six artists show a processuality that leads the viewer from the 1960s to the present, from painting to drawing to sculpture and installations, from femininity to masculinity to diversity. Above all, however, it is a process of empowerment. In the works themselves as well as in their combination, groups, associations, and processes are formed which, despite their differences, reveal numerous parallels. They show the struggle for justice and self-determination which artists have long had to pursue and continue to pursue today in a world (and art world) that is still dominated by cis males.
The title of the exhibition Die unhintergehbare Verflechtung aller Leben refers to an interview by The Collective Eye with Judith Butler from 2022 in which they emphasizes the necessity of collective coexistence for justice in society. Based on this, society is to be understood as a complex network of diverse actors, not only humans, but also non-human life forms, such as animals, plants, fungi and organisms. There is a desire for a new collectivity within this society, for the interconnection of an entire ecosystem that influences, conditions, but also protects one another.