Kunstmuseum Basel

Kara Walker

A Black Hole Is Everything a Star Longs to Be

05 Jun - 26 Sep 2021

Ausstellungsansicht Kunstmuseum Basel | Neubau
Kara Walker. A Black Hole Is Everything a Star Longs to Be, 2021
Photo Credit: Jonas Hänggi
Ausstellungsansicht Kunstmuseum Basel | Neubau
Kara Walker. A Black Hole Is Everything a Star Longs to Be, 2021
Photo Credit: Julian Salinas
Ausstellungsansicht Kunstmuseum Basel | Neubau
Kara Walker. A Black Hole Is Everything a Star Longs to Be, 2021
Photo Credit: Julian Salinas
Ausstellungsansicht Kunstmuseum Basel | Neubau
Kara Walker. A Black Hole Is Everything a Star Longs to Be, 2021
Photo Credit: Julian Salinas
A Shocking Declaration of Independence
Kara Walker, 2018
Gouache on brown paper
57,5 x 38,1 cm
Photo Credit: © Kunstmuseum Basel, Kupferstichkabinet
The Right Side
Kara Walker, 2018
Gouache on paper
56,5 x 76,2 cm
Photo Credit: © Kunstmuseum Basel, Kupferstichkabinett
Fealty as Feint (a drawing exercise)
Kara Walker, 2019
Conté crayon on tinted gessoed paper
243,8 x 545,5 cm
Photo Credit: Fredriksen Family Collection, Oslo © Kara Walker
Sacrifice the blood of the lamb the silence of the rats
Kara Walker, 2018
Graphite, sumi ink, gofun, and gouache on paper
27,94 x 38,42 cm
Photo Credit: © Kara Walker; Collection: Kunstmuseum Basel, Kupferstichkabinett
Yesterdayness in America Today
Kara Walker, 2020
Graphite and watercolor on paper
221,9 x 365,8 cm
Photo Credit: Private Archive Kara Walker © Kara Walker
́merica 2016
Kara Walker, 2018
Graphit, Sumi Tusche, Gofun und Gouache
Blatt: 56.52 x 76.2 cm
Photo Credit: Kunstmuseum Basel, Kupferstichkabinett © Kara Walker
Curator: Anita Haldemann

The Kunstmuseum Basel mounts the Black American artist Kara Walker’s (b. 1969) first major exhibition in Switzerland, featuring more than six hundred works on paper from her personal archive that have never been on public display. These works, which date from the past twenty-eight years, are presented together with brand-new drawings that address contemporary concerns such as Barack Obama’s legacy.

One of the most high-profile artists working in the United States today, Kara Walker combines traditional creative techniques with extraordinary technical finesse to create provocative works that grapple with history, race relations, gender roles, sexuality, and violence. Walker does not propose a conciliatory view of the past, instead prodding the viewer to question established narratives and entrenched myths. She is unsparing in her analysis of deep-rooted conflicts and persistent social ills. As recent events and the worldwide attention generated by the Black Lives Matter movement have demonstrated, Walker’s oeuvre speaks poignantly to some of today’s most urgent issues.

The artist rose to renown in the mid-1990s with wall-sized silhouettes. In the winter of 2019/2020, she made headlines with her monumental sculpture Fons Americanus at the Tate Modern in London. Yet drawing on paper remains the foundation of Kara Walker’s creative practice. For the exhibition in Basel, she throws open the doors to her zealously guarded private archive, allowing visitors unprecedented insight into the making of her art. Small sketches, studies, collages, and meticulously finished large-format works appear side by side with diaristic notes, typewritten reflections on index cards, and dream journals. The graphical intimacy of each individual sheet contrasts with the stunning abundance of the works on view: zooming in and out, the beholder effectively becomes an eyewitness to the genesis of Walker’s art, observing her as she enacts her thinking on the paper and invents, adapts, and transforms figures and narratives.

Compared to the elegant panoramic silhouettes, the drawings have an air of spontaneity and unfiltered emotion. Many of them were executed with the brush, which lends them a flowing and open dynamic. Scrutinizing her own identity—as an artist, a Black woman, a mother—Walker probes both its personal dimension and its social implications in the context of current events. The latter aspect is prominent in four sensational role portraits she created for the exhibition that reflect on Barack Obama’s presidency and legacy. The presentation also includes the 38-part work The Gross Clinician Presents: Pater Gravidam, a searching examination of questions around inspiration and creativity as well as traditions in graphic art that are richly represented in the museum’s collection of prints and drawings.

A lavishly illustrated catalogue with contributions by the artist, Anita Haldemann, Aria Dean, and Maurice Berger has been published by JRP Editions (ISBN 978-3-03764-558-1).

The exhibition was produced by the Kunstmuseum Basel and will travel to the Schirn Kunsthalle, Frankfurt am Main, Germany, in the fall of 2021 and then to the De Pont Museum, Tilburg, Netherlands, in 2022.

The exhibition is supported by
BLKB
Freiwilliger Museumsverein
Anonymous Patrons
Isaac Dreyfus-Bernheim Foundation Foundation for the Kunstmuseum Basel
 

Tags: American Artist, Aria Dean, Kara Walker