James Lee Byars
12 Sep 2008 - 01 Feb 2009
© James Lee Byars
Der Rosentisch des Vollkommenen, 1989
3333 Rote Rosen, Styropor,Ø 100cm
IVAM, Instituto Valenciano de Arte Moderno, Valencia
© Estate of James Lee Byars; Courtesy Galerie Michael Werner, Köln und New York
Der Rosentisch des Vollkommenen, 1989
3333 Rote Rosen, Styropor,Ø 100cm
IVAM, Instituto Valenciano de Arte Moderno, Valencia
© Estate of James Lee Byars; Courtesy Galerie Michael Werner, Köln und New York
JAMES LEE BYARS - A Homage
"Im full of Byars"
12 September 2008 - 01 February 2009
James Lee Byars (*1932 in Detroit , † 1997 in Kairo) was one of the 20th century's most unusual and elusive artist figures. A commuter between America, Japan and Europe, Byars has a particular affinity with Bern. The Kunstmuseum Bern is now devoting a large survey exhibition to this artist.
An American in Bern
Repeatedly, over many years, people like Johannes Gachnang, Toni Gerber, J.G. Lischka, Harald Szeemann and many others did much to ensure that this American artist was able to stay in Bern for several weeks at a time. The first performances took place in the 1970s. In 1972 Harald Szeemann invited Byars to documenta 5 in Kassel. As of 1975 he was a regular guest at the Galerie Toni Gerber in Bern. In 1978, the Kunsthalle Bern mounted a large solo exhibition of his works.
Although Byars often eschewed any kind of materialisation in his works - they were mostly short-lived performances - perhaps we owe the fact that the ephemeral in his oeuvre began to "solidify" here and there to the architectural peculiarity of Bern. In addition to the most varied kinds of marble, Byars was fascinated by Berne sandstone, with which he created numerous sculpture and objects in an almost classical repertoire of forms - using elements such as the sphere, the circle, the gate or the column.
The search for perfection
James Lee Byars was not just an artist, he was a magician, a visionary and a dandy. He knew how to put his audience under his spell. Byars bombarded his friends and acquaintances with letters of all kinds, thus demanding constant attention, sometimes without ever having got an answer. These writings testify to an incredible virtuosity and creativity.
"Im full of Byars" will facilitate a survey of the work of an artist who was constantly searching for perfection (The Perfect), who equated the ephemeral and immaterial with the material and permanent, and whose work has forfeited nothing of its mystery and poetry to this very day.
A Homage at the Kunstmuseum Bern
For the first time the Kunstmuseum Bern will provide insight into surely the largest collection of letters and documents from the Toni Gerber collection, which was donated to the Kunstmuseum Bern (1986 and 1996). Moreover, the exhibition will include a precise selection of sculptures and room installations from all the periods in Byars' creative life. The presentation will be complemented by works from the stocks of the Kunstmuseum Bern (from the Toni Gerber donations and the Hermann and Margrit Rupf Foundation) as well as numerous works on loan from private and public collections.
"Im full of Byars"
12 September 2008 - 01 February 2009
James Lee Byars (*1932 in Detroit , † 1997 in Kairo) was one of the 20th century's most unusual and elusive artist figures. A commuter between America, Japan and Europe, Byars has a particular affinity with Bern. The Kunstmuseum Bern is now devoting a large survey exhibition to this artist.
An American in Bern
Repeatedly, over many years, people like Johannes Gachnang, Toni Gerber, J.G. Lischka, Harald Szeemann and many others did much to ensure that this American artist was able to stay in Bern for several weeks at a time. The first performances took place in the 1970s. In 1972 Harald Szeemann invited Byars to documenta 5 in Kassel. As of 1975 he was a regular guest at the Galerie Toni Gerber in Bern. In 1978, the Kunsthalle Bern mounted a large solo exhibition of his works.
Although Byars often eschewed any kind of materialisation in his works - they were mostly short-lived performances - perhaps we owe the fact that the ephemeral in his oeuvre began to "solidify" here and there to the architectural peculiarity of Bern. In addition to the most varied kinds of marble, Byars was fascinated by Berne sandstone, with which he created numerous sculpture and objects in an almost classical repertoire of forms - using elements such as the sphere, the circle, the gate or the column.
The search for perfection
James Lee Byars was not just an artist, he was a magician, a visionary and a dandy. He knew how to put his audience under his spell. Byars bombarded his friends and acquaintances with letters of all kinds, thus demanding constant attention, sometimes without ever having got an answer. These writings testify to an incredible virtuosity and creativity.
"Im full of Byars" will facilitate a survey of the work of an artist who was constantly searching for perfection (The Perfect), who equated the ephemeral and immaterial with the material and permanent, and whose work has forfeited nothing of its mystery and poetry to this very day.
A Homage at the Kunstmuseum Bern
For the first time the Kunstmuseum Bern will provide insight into surely the largest collection of letters and documents from the Toni Gerber collection, which was donated to the Kunstmuseum Bern (1986 and 1996). Moreover, the exhibition will include a precise selection of sculptures and room installations from all the periods in Byars' creative life. The presentation will be complemented by works from the stocks of the Kunstmuseum Bern (from the Toni Gerber donations and the Hermann and Margrit Rupf Foundation) as well as numerous works on loan from private and public collections.