Dirk Bell
28 Jun - 24 Aug 2014
© Dirk Bell
Life is a joke, does not anchor me to the ground, 2013
Mixed media on canvas
200 x 400 cm
Image: Roman März, Berlin. Courtesy BQ, Berlin;
Gavin Brown's enterprise, New York; Sadie Coles, London; The Modern Institute/Toby Webster Ltd, Glasgow. Sammlung Anke & Frank Delenschke.
Life is a joke, does not anchor me to the ground, 2013
Mixed media on canvas
200 x 400 cm
Image: Roman März, Berlin. Courtesy BQ, Berlin;
Gavin Brown's enterprise, New York; Sadie Coles, London; The Modern Institute/Toby Webster Ltd, Glasgow. Sammlung Anke & Frank Delenschke.
DIRK BELL
28 June - 24 August 2014
Dirk Bell (born 1969 in Munich, lives in Berlin) treats naturalistic or ornamental artistic clichés deriving from pop and sub cultures as well as diverse art historical epochs (Symbolism, Romanticism, Art Nouveau). Alongside drawings and paintings, his oeuvre encompasses minimalist or surrealist sculptures and installations in addition to video and sound pieces.
Bell’s inspiration and references can be found, for example, in philosophical literature, fantasy and science fiction illustrations from the 1980s and 1990s or directly in the imagery of found oil paintings that he su-perimposes with new picture fragments. Diverse moments and realities become blurred in a new inter-mediate image. The great themes of mankind are at the centre of his work: The relationship between love and freedom, life, death and recurrence – constantly accompanied by the tangible yearning to bring the human aspiration for attachment and autonomy into balance. The pictorial worlds carried by iconographic subjects, and along with them also the memory of traditional values, home and innocence blend together in a dark melancholic atmosphere. Escaping – the forgetting and oozing away of the experienced, the loss of security and carefreeness as well as the tireless attempt to hold fast to it – is a central motif transvers-ing the exhibition. Upon first glance, however, this sensual pictorial world contrasts the objective and ostensibly modern word sculptures and word pictures. The letters of the alphabet based on a basic quad-ratic form make up intricate patterns, the meanings of which unravel time and time again. The play with the meaning and spatiality of language that develops in this way is linked to the ideas of concrete poetry. The folding-screen Denkende (2013) consequently superimposes a large-format painting on the wall, charging the space between work and viewer with meanings that in turn enter into a dialogue with the painting. The result of this interleaving of meaning and overlapping of visual languages is that abstract conceptualities and their figurative attributions become subject to a new ambivalent interpretation.
Dirk Bell has enjoyed international recognition for many years and has already been presented in numerous solo exhibitions, most recently at the Pinakothek der Moderne in Munich, the Modern Institute in Glasgow, the BALTIC Centre for Contemporary Art, the Schinkel Pavillon in Berlin and the Staatliche Kunsthalle Baden-Baden. He also participated in diverse group shows, for example at the Bundeskunsthalle in Bonn, the Prague Biennale, the Witte de With Center for Contemporary Arts in Rotterdam, the Drawing Room in London, the Bergen Kunsthall, the Museum für Gegenwartskunst in Basel, the ZKM Karlsruhe and the Chelsea Art Museum in New York. A comprehensive catalogue will be published by the Verlag der Buchhandlung Walther König in collaboration with the Pinakothek der Moderne which not only documents both exhibitions but also provides an overview of Bell’s previous work.
28 June - 24 August 2014
Dirk Bell (born 1969 in Munich, lives in Berlin) treats naturalistic or ornamental artistic clichés deriving from pop and sub cultures as well as diverse art historical epochs (Symbolism, Romanticism, Art Nouveau). Alongside drawings and paintings, his oeuvre encompasses minimalist or surrealist sculptures and installations in addition to video and sound pieces.
Bell’s inspiration and references can be found, for example, in philosophical literature, fantasy and science fiction illustrations from the 1980s and 1990s or directly in the imagery of found oil paintings that he su-perimposes with new picture fragments. Diverse moments and realities become blurred in a new inter-mediate image. The great themes of mankind are at the centre of his work: The relationship between love and freedom, life, death and recurrence – constantly accompanied by the tangible yearning to bring the human aspiration for attachment and autonomy into balance. The pictorial worlds carried by iconographic subjects, and along with them also the memory of traditional values, home and innocence blend together in a dark melancholic atmosphere. Escaping – the forgetting and oozing away of the experienced, the loss of security and carefreeness as well as the tireless attempt to hold fast to it – is a central motif transvers-ing the exhibition. Upon first glance, however, this sensual pictorial world contrasts the objective and ostensibly modern word sculptures and word pictures. The letters of the alphabet based on a basic quad-ratic form make up intricate patterns, the meanings of which unravel time and time again. The play with the meaning and spatiality of language that develops in this way is linked to the ideas of concrete poetry. The folding-screen Denkende (2013) consequently superimposes a large-format painting on the wall, charging the space between work and viewer with meanings that in turn enter into a dialogue with the painting. The result of this interleaving of meaning and overlapping of visual languages is that abstract conceptualities and their figurative attributions become subject to a new ambivalent interpretation.
Dirk Bell has enjoyed international recognition for many years and has already been presented in numerous solo exhibitions, most recently at the Pinakothek der Moderne in Munich, the Modern Institute in Glasgow, the BALTIC Centre for Contemporary Art, the Schinkel Pavillon in Berlin and the Staatliche Kunsthalle Baden-Baden. He also participated in diverse group shows, for example at the Bundeskunsthalle in Bonn, the Prague Biennale, the Witte de With Center for Contemporary Arts in Rotterdam, the Drawing Room in London, the Bergen Kunsthall, the Museum für Gegenwartskunst in Basel, the ZKM Karlsruhe and the Chelsea Art Museum in New York. A comprehensive catalogue will be published by the Verlag der Buchhandlung Walther König in collaboration with the Pinakothek der Moderne which not only documents both exhibitions but also provides an overview of Bell’s previous work.