Catherine Opie
13 Feb - 05 Sep 2016
Catherine Opie
Untitled, 1999
Los Angeles County Museum of Art, purchased with funds from the Ralph M. Parsons Fund, © Catherine Opie.
Untitled, 1999
Los Angeles County Museum of Art, purchased with funds from the Ralph M. Parsons Fund, © Catherine Opie.
CATHERINE OPIE
O
13 February – 5 September 2016
In her many photographic projects, Catherine Opie has explored the tension between private desire and the public face. With the O Portfolio, shown at LACMA in its entirety for the first time in a Los Angeles museum, she offers an anatomy of sexual practices that are often obscured from public view. The photographs depict sadomasochistic scenarios derived from her participation in San Francisco’s bondage community.
The project began as a response to Robert Mapplethorpe’s X Portfolio (1978), which featured scenes of gay male sadomasochism. In contrast to Mapplethorpe’s confrontational photographs, Opie presents the subject almost as if it were a faintly recollected dream, or incomplete sense memory. Despite its sexually explicit origins, the portfolio is not necessarily about sex; rather, in Opie words, “It’s about intimacy."
O
13 February – 5 September 2016
In her many photographic projects, Catherine Opie has explored the tension between private desire and the public face. With the O Portfolio, shown at LACMA in its entirety for the first time in a Los Angeles museum, she offers an anatomy of sexual practices that are often obscured from public view. The photographs depict sadomasochistic scenarios derived from her participation in San Francisco’s bondage community.
The project began as a response to Robert Mapplethorpe’s X Portfolio (1978), which featured scenes of gay male sadomasochism. In contrast to Mapplethorpe’s confrontational photographs, Opie presents the subject almost as if it were a faintly recollected dream, or incomplete sense memory. Despite its sexually explicit origins, the portfolio is not necessarily about sex; rather, in Opie words, “It’s about intimacy."