ME:WE / FOTODOKS – Festival für aktuelle Dokumentarfotografie
12 Oct - 26 Nov 2017
ME:WE / FOTODOKS – Festival für aktuelle Dokumentarfotografie
© Ruddy Roye
© Ruddy Roye
ME:WE / FOTODOKS – Festival für aktuelle Dokumentarfotografie
© Paul Kanzler
© Paul Kanzler
ME:WE / FOTODOKS – FESTIVAL FÜR AKTUELLE DOKUMENTARFOTOGRAFIE
12 October – 26 November 2017
Endia Beal (USA); Michael Danner (D); Tim Davis (USA); Thomas Dworzak (D); Annie Flanagan (USA); Gregory Halpern (USA); Paul Kranzler (A); Kristin Loschert (D); Mike Mandel and Chantal Zakari (USA); Harris Mizrahi (USA); Stefanie Moshammer (A); Andrea Ellen Reed (USA); Richard Renaldi (USA); Ruddy Roye (USA); Lisa Riordan Seville and Zara Katz (USA); Sofia Valiente (USA); Christina Werner (A)
With the topic ME:WE Fotodoks 2017 illuminates, in dialogue with the partner country USA, the relationship between the individual and the collective. Documentary photographic positions show how social communities are shaped by external influences, such as politics or conflicts, and create the potential for a hopeful connection. The view is directed at what connects or separates people, opposition, diversity and solidarity, and the search for motifs that define attributions and identities in a complex time. Virtual participation is observed critically and influences of nationalism on society and the media are shown. In the same way, the personal behavior of photographers is discussed and the role they can play in social coexistence.
12 October – 26 November 2017
Endia Beal (USA); Michael Danner (D); Tim Davis (USA); Thomas Dworzak (D); Annie Flanagan (USA); Gregory Halpern (USA); Paul Kranzler (A); Kristin Loschert (D); Mike Mandel and Chantal Zakari (USA); Harris Mizrahi (USA); Stefanie Moshammer (A); Andrea Ellen Reed (USA); Richard Renaldi (USA); Ruddy Roye (USA); Lisa Riordan Seville and Zara Katz (USA); Sofia Valiente (USA); Christina Werner (A)
With the topic ME:WE Fotodoks 2017 illuminates, in dialogue with the partner country USA, the relationship between the individual and the collective. Documentary photographic positions show how social communities are shaped by external influences, such as politics or conflicts, and create the potential for a hopeful connection. The view is directed at what connects or separates people, opposition, diversity and solidarity, and the search for motifs that define attributions and identities in a complex time. Virtual participation is observed critically and influences of nationalism on society and the media are shown. In the same way, the personal behavior of photographers is discussed and the role they can play in social coexistence.