Marcel Broodthaers
26 Jan - 06 May 2012
MARCEL BROODTHAERS
L'espace de l'écriture
26 January - 6 May, 2012
In its complexity and scope, the exhibition with which the MAMbo renders homage to the genius of Marcel Broodthaers highlights an artistic path developed over the course of an extraordinary career that lasted just 12 years, from 1964 to 1976. Marcel Broodthaers. L’espace de l’écriture introduces for the first time to the Italian public a wide selection of approximately fifty works coming from prestigious international lenders, which document the main themes of the artist’s poetics: the relationship between art and language, the status of the artwork and criticism of the museum as device and idea.
The curatorial project of the exhibition is intended to verify how the relationship between image, object and word constitutes the central and constant theme of Marcel Broodthaers’research and has strongly conditioned his entire creative process. His original ideas on how the work of art is identified with reflection on itself and on how the social and economic system of art acts as a context of creation and legitimisation, influencing the public’s perception, cannot be understood in all their depth if not in relation to his twenty years of activity as a poet and his subsequent decision to extend his literary vocation in undertaking a new course with a career as an artist in 1964.
L'espace de l'écriture
26 January - 6 May, 2012
In its complexity and scope, the exhibition with which the MAMbo renders homage to the genius of Marcel Broodthaers highlights an artistic path developed over the course of an extraordinary career that lasted just 12 years, from 1964 to 1976. Marcel Broodthaers. L’espace de l’écriture introduces for the first time to the Italian public a wide selection of approximately fifty works coming from prestigious international lenders, which document the main themes of the artist’s poetics: the relationship between art and language, the status of the artwork and criticism of the museum as device and idea.
The curatorial project of the exhibition is intended to verify how the relationship between image, object and word constitutes the central and constant theme of Marcel Broodthaers’research and has strongly conditioned his entire creative process. His original ideas on how the work of art is identified with reflection on itself and on how the social and economic system of art acts as a context of creation and legitimisation, influencing the public’s perception, cannot be understood in all their depth if not in relation to his twenty years of activity as a poet and his subsequent decision to extend his literary vocation in undertaking a new course with a career as an artist in 1964.