Matt Saunders
13 Mar - 10 May 2014
© Matt Saunders
Reverdy /King Hu, 2014
Installation in Five Parts
-Four animation films, color and black and white, silent, loop ( 12, 9, 6 and 6,32 mn ) projected on 4 screens ( 120 x 160 cm and 180 x 320 cm)
-silver gelatin print on fiber-based paper print : 126 x 172 cm /frame : 133 x 179,5 cm
Reverdy /King Hu, 2014
Installation in Five Parts
-Four animation films, color and black and white, silent, loop ( 12, 9, 6 and 6,32 mn ) projected on 4 screens ( 120 x 160 cm and 180 x 320 cm)
-silver gelatin print on fiber-based paper print : 126 x 172 cm /frame : 133 x 179,5 cm
MATT SAUNDERS
A Step Away From Them
13 March - 10 May 2014
Paris , FEBRUARY 28, 2014 - Marian Goodman Gallery is pleased to present A Step Away from Them, the first exhibition of colour photographs and a new moving image installation by Matt Saunders. This is the second exhibition by Matt Saunders at the Paris gallery.
On the porous boundaries between painting and photography, Matt Saunders’ work for him is about “moving from one form into another – a kind of translation.”
Paintings at heart, the unique photographic prints are produced without a camera, instead using materials like oil paint, ink, linen or mylar to produce « negatives » for exposing analogue c-prints. Saunders paints the opposite of the end result, trying to imagine what the negative of an image must look like, then he places the painting on a piece of photo paper and passes light through to make an exposure.
This singular process and the materials Saunders uses are inseparable to the final work. If the materials are similar, the modus operandi is unique for each print. Matt Saunders is particularly attracted to the unusual lives of actors and actresses and the ebbs and flows of their careers, but more essentially he is engaged with the vast trove of past images captured on film as a way to consider how pictures exist with history, how representations telegraph back to other times, and how they can be circulated and reapprehended.
Several portraits in the exhibition refer directly to the actress Rose Hobart and were inspired by the eponymous work of American artist Joseph Cornell. His 1936 film collage cut up a black and white print of the B-movie East of Borneo, recasting it at a prolonged scrutiny of the lead actress and transforming it by projecting through colored glass. Saunders returns to Cornell’s original source, colorizing it himself, as both homage and an alternative path.
While making images of somehow-mediated landscapes or portraits of half-forgotten figures, Saunders’ intention is to give a new meaning to their traditional iconography. The viewer is confronted with a dual feeling of distance and proximity. The artist not only attempts to reconnect to the aura of those figures of the big screen but each one of those portraits appears to be “the unique appearance of a distance, however close it may be” in the words of Walter Benjamin. As Saunders described it in a recent interview: “There’s a real index to their lives and their times but the photographs are here in the present. I hope they feel unstable, speculative, and immediate.”
The artist will also show a new, multi-channel video installation entitled Reverdy/King Hu. Both figurative and abstract at the same time, the film refers to two types of “spaces”: the surreal and poetic space of Pierre Reverdy and the strange space born from the vision of the Chinese martial arts film director King Hu, whose acrobatic editing and quick cutting actors turn over the laws of gravity.
In this new film, like in his photographic prints, Matt Saunders focuses on moving from one medium to another; he first paints or draws the images with colour ink on mylar which he afterwards imports with a scanner. It is a nuanced meeting of the physical and digital, moving thoughts about medium and materiality in painting over into moving image.
Reverdy/King Hu is about giving the spectator a visual experience. It weds thoughts of structure with flashes of image and association.
Its poetic reference is mirrored in the title of the exhibition itself: A Step Away From Them, refers to the poem by Frank O’Hara often considered as cinematic, which accentuates the link between cinema and poetry.
Matt Saunders was born in 1975 in Tacoma (Washington, United States) and lives in Berlin. He has studied at Harvard and Yale. The Renaissance Society of Chicago organized a solo exhibition of his work in 2010 and Tate Liverpool in 2012. Matt Saunders received the Prix d’art contemporain Jean-François Prat in 2013.
His recent group exhibitions include : Plot for a Biennial, 10th Biennale de Sharjah, United Arab Emirates (2011), The Anxiety of Photography, Aspen Art Museum, Colorado (2011), The more things change, San Francisco Museum of Modern Art (2010-2011), Untitled (History Painting), University of Michigan Museum of Art, Ann Arbor (2009), Freeway Balconies, Deutsche Guggenheim, Berlin (2008), Blind Date Istanbul, Sabanci Museum, Istanbul (2007).
A Step Away From Them
13 March - 10 May 2014
Paris , FEBRUARY 28, 2014 - Marian Goodman Gallery is pleased to present A Step Away from Them, the first exhibition of colour photographs and a new moving image installation by Matt Saunders. This is the second exhibition by Matt Saunders at the Paris gallery.
On the porous boundaries between painting and photography, Matt Saunders’ work for him is about “moving from one form into another – a kind of translation.”
Paintings at heart, the unique photographic prints are produced without a camera, instead using materials like oil paint, ink, linen or mylar to produce « negatives » for exposing analogue c-prints. Saunders paints the opposite of the end result, trying to imagine what the negative of an image must look like, then he places the painting on a piece of photo paper and passes light through to make an exposure.
This singular process and the materials Saunders uses are inseparable to the final work. If the materials are similar, the modus operandi is unique for each print. Matt Saunders is particularly attracted to the unusual lives of actors and actresses and the ebbs and flows of their careers, but more essentially he is engaged with the vast trove of past images captured on film as a way to consider how pictures exist with history, how representations telegraph back to other times, and how they can be circulated and reapprehended.
Several portraits in the exhibition refer directly to the actress Rose Hobart and were inspired by the eponymous work of American artist Joseph Cornell. His 1936 film collage cut up a black and white print of the B-movie East of Borneo, recasting it at a prolonged scrutiny of the lead actress and transforming it by projecting through colored glass. Saunders returns to Cornell’s original source, colorizing it himself, as both homage and an alternative path.
While making images of somehow-mediated landscapes or portraits of half-forgotten figures, Saunders’ intention is to give a new meaning to their traditional iconography. The viewer is confronted with a dual feeling of distance and proximity. The artist not only attempts to reconnect to the aura of those figures of the big screen but each one of those portraits appears to be “the unique appearance of a distance, however close it may be” in the words of Walter Benjamin. As Saunders described it in a recent interview: “There’s a real index to their lives and their times but the photographs are here in the present. I hope they feel unstable, speculative, and immediate.”
The artist will also show a new, multi-channel video installation entitled Reverdy/King Hu. Both figurative and abstract at the same time, the film refers to two types of “spaces”: the surreal and poetic space of Pierre Reverdy and the strange space born from the vision of the Chinese martial arts film director King Hu, whose acrobatic editing and quick cutting actors turn over the laws of gravity.
In this new film, like in his photographic prints, Matt Saunders focuses on moving from one medium to another; he first paints or draws the images with colour ink on mylar which he afterwards imports with a scanner. It is a nuanced meeting of the physical and digital, moving thoughts about medium and materiality in painting over into moving image.
Reverdy/King Hu is about giving the spectator a visual experience. It weds thoughts of structure with flashes of image and association.
Its poetic reference is mirrored in the title of the exhibition itself: A Step Away From Them, refers to the poem by Frank O’Hara often considered as cinematic, which accentuates the link between cinema and poetry.
Matt Saunders was born in 1975 in Tacoma (Washington, United States) and lives in Berlin. He has studied at Harvard and Yale. The Renaissance Society of Chicago organized a solo exhibition of his work in 2010 and Tate Liverpool in 2012. Matt Saunders received the Prix d’art contemporain Jean-François Prat in 2013.
His recent group exhibitions include : Plot for a Biennial, 10th Biennale de Sharjah, United Arab Emirates (2011), The Anxiety of Photography, Aspen Art Museum, Colorado (2011), The more things change, San Francisco Museum of Modern Art (2010-2011), Untitled (History Painting), University of Michigan Museum of Art, Ann Arbor (2009), Freeway Balconies, Deutsche Guggenheim, Berlin (2008), Blind Date Istanbul, Sabanci Museum, Istanbul (2007).