Museum of Contemporary Art

Basim Magdy

The Stars Were Aligned For A Century Of New Beginnings

10 Dec 2016 - 19 Mar 2017

Basim Magdy, The Everyday Ritual of Solitude Hatching Monkeys, 2014. Super 16 mm film transferred to Full HD video, 13 minutes, 22 seconds. Commissioned by Art in General, New York in collaboration with HOME, Manchester
Basim Magdy, The Dent, 2014. Super 16 mm film transferred to Full HD video, 19 minutes, 2 seconds. Commissioned by Abraaj Group Art Prize 2014, collection of the Abraaj Group Art Prize
Basim Magdy, Expanding the Universe, 2008. Acrylic, spray paint, and gouache on paper; 15 x 20 in. (38 x 51 cm). Courtesy of hunt kastner, Prague
BASIM MAGDY
The Stars Were Aligned For A Century Of New Beginnings
10 December 2016 – 19 March 2017

Trained as a painter, artist Basim Magdy (Egyptian, b. 1977) began experimenting with colorful works on paper and canvas before moving into the realm of photography and cinema. In a process he dubs “pickling,” the artist applies household chemicals to analog film and photographic material. The results are sumptuous, spectral photographic visions of landscapes, presented as large-scale prints, slide projections, and film.

The MCA presents Magdy’s first US museum survey, featuring rarely seen and new pieces. His works across media—which evoke a pop sensibility in contrast to their grim titles, such as They Endorsed Collective Failure as the Dawn of a New Renaissance and The Bitterness of What Could Have Happened and What Ended Up Happening—speak to our collective ambition for a utopian future and the inherent failure of this human aspiration. This presentation includes newly commissioned works for the MCA as well as a specially produced artist book.

The exhibition is organized by the Deutsche Bank KunstHalle in Berlin as part of the Deutsche Bank Artist of the Year 2016. It is overseen at the Museum of Contemporary Art Chicago by Omar Kholeif, Manilow Senior Curator.

The exhibition is presented in the Bergman Family Gallery on the museum's second floor.
 

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