Blkhaus Studios
12 Nov 2019 - 01 Mar 2020
Documentation of blkHaUS studios, Sounding Bronzeville, 2016-present. Site-specific installation, Burnham Wildlife Corridor, Chicago
Photo © Sandra Steinbrecher
Photo © Sandra Steinbrecher
COMMONS ARTIST PROJECT:
Blkhaus Studios
12 November 2019– 1 March 2020
Human beings are natural collectors, be it of souvenirs found on vacations, heirlooms passed down from grandparents, or birthday cards received over the years. The items we hold on to reflect our social, cultural, and personal values. Likewise, museums tell stories by presenting all kinds of collected objects, which reflect the way they prioritize different social and cultural values.
In this Commons Artist Project, Folayemi Wilson and Norman Teague’s Chicago-based, socially focused design studio blkHaUS studios asks if understanding the stories of personal collections can transform the priorities of museums in forming their collections.
Historically, collections in contemporary art museums have preserved and revealed specific art historical lineages. These stories, however, are ultimately influenced by the social and political context in which museums collect. Over the last few years, some have deaccessioned works—a practice of collection care where some objects are routinely removed from their collections—with the specific intent to make room for works by artists whose ideas and art have been left out of the established canon, especially artists of color.
Over the course of the exhibition, blkHaUS brings together Chicago community members and local museums. Through thoughtfully constructed interactive experiences they collate and assess patterns of collecting, inviting audiences to share their personal objects and narratives around their modular artwork the Petal Table, focusing on key questions regarding collecting, archives, and museum practice. The Commons Table is structured as an open research model including four rotating exhibitions and five dinner discussions on topics related to collecting, community, and institutional practice. Each exhibition of The Commons Collection is preceded by a conversation that focuses on a question posed by blkHaUS studios. Events take place at sites throughout Chicago and are facilitated by community members whose work is related to these topics. At the end of the project, the artists share their findings with representatives from the MCA and other local museums to provide tools for museums to better reflect the communities with which they share space.
Blkhaus Studios
12 November 2019– 1 March 2020
Human beings are natural collectors, be it of souvenirs found on vacations, heirlooms passed down from grandparents, or birthday cards received over the years. The items we hold on to reflect our social, cultural, and personal values. Likewise, museums tell stories by presenting all kinds of collected objects, which reflect the way they prioritize different social and cultural values.
In this Commons Artist Project, Folayemi Wilson and Norman Teague’s Chicago-based, socially focused design studio blkHaUS studios asks if understanding the stories of personal collections can transform the priorities of museums in forming their collections.
Historically, collections in contemporary art museums have preserved and revealed specific art historical lineages. These stories, however, are ultimately influenced by the social and political context in which museums collect. Over the last few years, some have deaccessioned works—a practice of collection care where some objects are routinely removed from their collections—with the specific intent to make room for works by artists whose ideas and art have been left out of the established canon, especially artists of color.
Over the course of the exhibition, blkHaUS brings together Chicago community members and local museums. Through thoughtfully constructed interactive experiences they collate and assess patterns of collecting, inviting audiences to share their personal objects and narratives around their modular artwork the Petal Table, focusing on key questions regarding collecting, archives, and museum practice. The Commons Table is structured as an open research model including four rotating exhibitions and five dinner discussions on topics related to collecting, community, and institutional practice. Each exhibition of The Commons Collection is preceded by a conversation that focuses on a question posed by blkHaUS studios. Events take place at sites throughout Chicago and are facilitated by community members whose work is related to these topics. At the end of the project, the artists share their findings with representatives from the MCA and other local museums to provide tools for museums to better reflect the communities with which they share space.