Edra Soto
Open 24 Hours
21 Oct 2017 - 25 Feb 2018
1-1-17: UV Vodka, Hennessy, Patron, 1800 Reposado, Miller, Colt 45, New Amsterdam, Paul Masson, Boone’s, 2017
Photo courtesy of the artist
Photo courtesy of the artist
EDRA SOTO
Open 24 Hours
21 October 2017– 25 February 2018
Chicago-based artist Edra Soto prompts visitors to consider the nature of urban space, cross-cultural dynamics, the legacy of colonialism, and personal responsibility in Open 24 Hours, an interactive installation punctuated with performances and workshops.
The installation, which is updated over the course of the exhibition, highlights our discard culture through the presentation of liquor bottles collected over the course of two years in the artist’s neighborhood of Garfield Park. The project stems from the artist’s fascination with the neighborhood’s littering epidemic seen on daily walks with her dogs. Scrubbed of their identifying labels and presented in custom display cases meant to evoke public spaces of gathering, such as a gazebo or a porch, the bottles become art materials. Over the course of the project, Soto works with visitors to graft remembrances of her Puerto Rican heritage upon these discarded materials.
Soto also invites visitors to submit content, which she then incorporates into a robust series of talks, performances, and workshops presented on select Friday evenings. These programs offer a platform to highlight the work of her creative community as well as the intellectual discourse within the exhibition’s space.
Edra Soto: Open 24 Hours is a site-specific work for the MCA’s new civically engaged space, the Commons. It is organized by January Parkos Arnall, Curator of Public Programs, with Ann Meisinger, Assistant Curator of Public Programs.
Open 24 Hours
21 October 2017– 25 February 2018
Chicago-based artist Edra Soto prompts visitors to consider the nature of urban space, cross-cultural dynamics, the legacy of colonialism, and personal responsibility in Open 24 Hours, an interactive installation punctuated with performances and workshops.
The installation, which is updated over the course of the exhibition, highlights our discard culture through the presentation of liquor bottles collected over the course of two years in the artist’s neighborhood of Garfield Park. The project stems from the artist’s fascination with the neighborhood’s littering epidemic seen on daily walks with her dogs. Scrubbed of their identifying labels and presented in custom display cases meant to evoke public spaces of gathering, such as a gazebo or a porch, the bottles become art materials. Over the course of the project, Soto works with visitors to graft remembrances of her Puerto Rican heritage upon these discarded materials.
Soto also invites visitors to submit content, which she then incorporates into a robust series of talks, performances, and workshops presented on select Friday evenings. These programs offer a platform to highlight the work of her creative community as well as the intellectual discourse within the exhibition’s space.
Edra Soto: Open 24 Hours is a site-specific work for the MCA’s new civically engaged space, the Commons. It is organized by January Parkos Arnall, Curator of Public Programs, with Ann Meisinger, Assistant Curator of Public Programs.