Michael Stevenson
06 Apr - 19 Jun 2011
© Michael Stevenson
The gift (from 'Argonauts of the Timor Sea') 2004–06
aluminium, wood, rope, bamboo, synthetic polymer paint, World War Two parachute and National Geographic magazines
40 x 60 x 30 cm
Purchased 2007. The Queensland Government's Gallery of Modern Art Acquisitions Fund
Collection: Queensland Art Gallery, Brisbane
Image courtesy Queensland Art Gallery, Brisbane
The gift (from 'Argonauts of the Timor Sea') 2004–06
aluminium, wood, rope, bamboo, synthetic polymer paint, World War Two parachute and National Geographic magazines
40 x 60 x 30 cm
Purchased 2007. The Queensland Government's Gallery of Modern Art Acquisitions Fund
Collection: Queensland Art Gallery, Brisbane
Image courtesy Queensland Art Gallery, Brisbane
MICHAEL STEVENSON
6 April - 19 June 2011
Michael Stevenson, a New Zealand artist based in Berlin, has been described as an ‘anthropologist of the avant-garde’. This exhibition is the first Australian survey of his work.
Stevenson’s work re-tells recent histories using allegory: a story which is told symbolically, in and amongst historical fact. His work—paintings, drawings, sculptures, installations and film—utilises narrative forms that transform truth and fable. It engages with absurdities that arise when universal ideas relating often to culture or economics take hold in insular, or regional, situations and seem to be both radical and perplexing. Stevenson’s practice constantly reveals the fascinating and complex relationship between notions of the specific, or the personal, and the universal.
The exhibition reviews a broad selection of the artist’s works drawn from his diverse practice and includes ambitious projects realised in the last 10 years such as major screen-based works and installations. It also provides an opportunity to see his recent activities in relation to earlier drawings, paintings and objects produced in the 80s and 90s in Australia and New Zealand.
In planning his MCA exhibition, Stevenson considered the installation as a new artwork, articulated across two levels of galleries. At times the space is challenging and confusing: the walls have been altered in parts to reveal the inner workings and skeleton of the MCA. Entryways, hidden until now, are used to reveal works coexisting in unlikely and symbolic arrangement. Included is a room dedicated to studies, sketches, technical drawings, models, photographs and objects all accumulated in the making of the artist’s work.
6 April - 19 June 2011
Michael Stevenson, a New Zealand artist based in Berlin, has been described as an ‘anthropologist of the avant-garde’. This exhibition is the first Australian survey of his work.
Stevenson’s work re-tells recent histories using allegory: a story which is told symbolically, in and amongst historical fact. His work—paintings, drawings, sculptures, installations and film—utilises narrative forms that transform truth and fable. It engages with absurdities that arise when universal ideas relating often to culture or economics take hold in insular, or regional, situations and seem to be both radical and perplexing. Stevenson’s practice constantly reveals the fascinating and complex relationship between notions of the specific, or the personal, and the universal.
The exhibition reviews a broad selection of the artist’s works drawn from his diverse practice and includes ambitious projects realised in the last 10 years such as major screen-based works and installations. It also provides an opportunity to see his recent activities in relation to earlier drawings, paintings and objects produced in the 80s and 90s in Australia and New Zealand.
In planning his MCA exhibition, Stevenson considered the installation as a new artwork, articulated across two levels of galleries. At times the space is challenging and confusing: the walls have been altered in parts to reveal the inner workings and skeleton of the MCA. Entryways, hidden until now, are used to reveal works coexisting in unlikely and symbolic arrangement. Included is a room dedicated to studies, sketches, technical drawings, models, photographs and objects all accumulated in the making of the artist’s work.